Biblio
 The Perception of Television Displays. Columbia University, 1973.
 Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing by Sherry Miller Hocking & Richard Brewster at the Experimental Television Center, 1986., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
 Hocking System. Binghamton, NY: Experimental Television Center, 1973.
 Rutt/Etra: Notes on Development., 1986.
 How a Monitor and Camera Work: The Scanning Process. Binghamton, NY: Experimental Television Center, 1976.
 Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
 Early Distributors of Video Art: Articles., undated.
 Video Preservation - The Basics., 2000.
 Want Ads., 1972.
 Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing by Sherry Miller Hocking & Richard Brewster at the Experimental Television Center, 1986., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
 Image Processing Manual: Studio Manual for the Experimental Television Center. Owego, NY: Experimental Television Center, 1978.
 Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.
 "Reflections from Owego." The Squealer (1990).
 Raster Manipulation Unit: Operation and Construction. Binghamton, NY: Experimental Television Center, 1980.
 G.R.I.D. - Works. Elmira, NY: The Arnot Museum, 1986.
 "The Tapes are Disappearing." The Squealer 13, no. Spring/Summer 2002 (2002).
 Sponsors Sell Networks Develop., 1972.
 Construction of a Raster Manipulation Unit - Revision by Jason Bernagozzi at Signal Culture, 2016. Owego, New York: Experimental Teleision Center and Signal Culture, 2016.
 "The Evolution of Thinking Machines." The Squealer (2004).
 System Revision 1984. Owego, NY: Experimental Television Center, 1984.
 Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
 "Saving the Images: A Report from the Looking Back/Looking Forward Symposium." The Squealer 13, no. 2 (2002).
