Noble, David F.. "Present Tense Technology." Democrary 3, no. 3 (1983).

Proposed Access Points for Experimental Film and Video Art Cataloging Records - Linda Tadic; USMARC Code List fo Countries; MARC for Archival Visual Materials: A Compendium of Practice - Linda Evans and Maureen Will, Chicago Historical Society, 1988.. Washington, DC: Library of Congress, 1988.

Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).

Moore, Alan. "Peter Campus, Andy Mann, Ira Schneider, Tom Marioni at the Everson Museum of Art." Artforum, no. 12 (1974).

Mohlhenrich, Janice. Preservation of Electronic Formats & ElectronicFormats for Preservation, Edited by Janice Mohlhenrich. WI: Highsmith Press, 1993.

Mellencamp, Patricia. "Postmodern TV: Wegman and Smith." Afterimage 13, no. 5 (1985).

Meigh-Andrews, Chris. "Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor." Leonardo 40, no. 5 (2007): 463-467.

Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.

Lyotard, Jean-Fransois. "Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).

Lyons, Timothy. "Pedagogy of Film/Video Issue." Journal of the University Film Association 32, no. 4 (1980).

Lovejoy, Margaret. Post Modern Currents: Art and Artists in the Age of Electronic Media. Ann Arbor: University of Michigan, 1985.

Loeffler, Carl, and Darlene Tong. Performance Anthology: Source Book for a Decade of California Performance Art, Edited by Carl Loeffler. San Francisco: Contemporary Arts Press, 1980.

Loeffler, Carl. "Performance Art." ART COM 4, no. 16 (1982).

Labat, Tony. "POV." Video 81 2, no. 1 (1981).

Kurtz, Bruce. "Peter Campus." Arts Magazine (1973).

Kurtz, Bruce. "Paikvision." Artforum 21, no. 2 (1982).

Krauss, Rosalind. Passages in Modern Sculpture. Cambridge: MIT Press, 1981.

Hornbacher, Sara. Path of Dreams: Video in the Boroughs. Locus Communications and the Newhouse Gallery, 1983.

High, Kathy. "Post Literate." Felix: A Journal of Media Arts and Communication 1, no. 3 (1993).

Haller, Robert. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).

Halleck, DeeDee. "Public Radio and Television in America: A Political History." Afterimage (1998).

Preliminary Operation and Service Manual for GPL Three Lens Turret Camera Supplement to Basic Manual for Precision Television System Model PD-150. Pleasantville, NY: General Precision Inc., 1958.

Gorewitz, Shalom. "Passages at the Experimental TV Center." The Independent 6, no. 9 (1983): 19.

Gordon, George N.. Persuasion: The Theory and Practice of Manipulative Communications. NY: Hastings House, 1971.

Goldberg, Roselee. Performance Art. London, 1988.

Gever, Martha. "Pomp and Circumstances: The Coronation of Nam June Paik." Afterimage 10, no. 3 (1982).

Fifer, Sally Jo, and Debbie Hess Norris Paige Ramey Karen Weiner and Tamara Gould, Luke Hones. Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.

Brewster, Richard, and Shuya Abe. Paik-Abe Video Synthesizer Documentation, Brewster D+7A Extension, MC 1372 Color Video Monitor Circuit, Basic 5, Cherry Keyboard. Binghamton, NY: Experimental Television Center, undated.

Poster. Video and Dancing in Binghamton. February 21 - 22, 1975. at Experimental Television Center. In conjunction with the American Dance Asylum.., undated.

Poster for Paul Ott and Fred Kessler exhibition at Everson Museum of Art, Syracuse, January 2 - 31, 1975. Included 2 day demonstration of Paik Abe Video Synthesizer by Walter Wright and Experimental Television Center.., 1975.