Biblio

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bibliographic
Fox, David, and Mitchell Waite. Computer Animation Primer. http://www.atariarchives.org/cap/index.php, 1984.
Geller, Matthew, and Reese Williams. From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
Winston, Brian. "A Whole Technology of Dyeing: A Note on Ideology and the Apparatus of the Chromatic Moving Image." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 105-124.
Wechsler, Judith. "The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.
Korot, Beryl, and Megan Williams. "various articles." Radical Software 1, no. 4 (1971).
Korot, Beryl, and Megan Williams. "various articles." Radical Software: Realistic Hope Foundation 1, no. 5 (undated).
Korot, Beryl, and Megan Williams. "various articles." Radical Software: Guerilla TV 1, no. 6 (undated).
de Witt, Helen, and Malcolm LeGrice. Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
McArthur, Donald, and Walter Wright. Computer-Based Video Synthesizer System Hardware and Software Research Results for project supported by the National Endowment for the Arts and the New York State Council on the Arts, Edited by Sherry Miller-Hocking. Binghamton, New York: Experimental Television Center Ltd., 1977.
Rosenberg, Bernard, and David M. White. Mass Culture: The Popular Arts in America, Edited by Bernard Rosenberg. The Free Press, 1957.
Schneider, Cynthia, and Brian Wallis. Global Television, Edited by Cynthia Schneider. Cambridge: MIT Press, 1989.
Shaw, Jeffrey. Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Subrin, Elisabeth, and Laurie Weeks. Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Edited by Lia Gangitano. New York, NY: Thread Waxing Space, 1998.
Wagner, Patrice. "Digital Portfolio." Computer Graphics World, no. September/October (1983).
Wagner, Patrice M.. "various." Computer Graphics World., no. August/September (1983).
Walley, David G.. The Ernie Kovacs Phile. New York, NY: Simon & Schuster, Inc., 1975.
Wands, Bruce. Art of the Digital Age, Edited by Bruce Wands. Thames & Hudson, 2006.
Wands, Bruce. Art of the Digital Age, Edited by Bruce Wands. Thames & Hudson, 2006.
Wands, Bruce. Digital Creativity: Techniques for Digital Media and the Internet. Wiley, 2001.
Ward Electronic Industries. Riker-Maxon. Product Catalog.. Clark, New Jersey: Ward Electronic Industries. Riker-Maxon., undated.
Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.
Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1309, Folder 3. Wards Airline Model Gen-12743A.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1973.
Warehouse Sound Co. Professional Products Group. San Luis Obispo, CA: Warehouse Sound Co., 1974.
Warshawski, Morrie. "Bay Area Video Coalition: Harboring Independents." Videography 10, no. 3 (1985).
Warshawski, Morrie. "The Festival That's Worth the Trip." Videography 10, no. 12 (1985).
Warshawski, Morrie. "Artists and Facilities Form a Symbiotic Relationship." Videography 11, no. 2 (1986).
Warshawski, Morrie. "Public Television vs The Dark Cloud." Videography 11, no. 8 (1986).
Warshawski, Morrie. "NAMAC 1987." Videography 12, no. 9 (1987).

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