Biblio
Post Currents: A Gallery of Electronic Arts. Buffalo, NY: University of Buffalo, 1988.
Processing trauma: the media art of Daniel Reeves." Afterimage (1998).
"Processing Trauma: The Media Art of Daniel Reeves." Afterimage 26, no. 2 (1998).
"Pulling the Plug." Afterimage 15, no. 8 (1988).
" Pictorialer Raum in der elektronishen Kunst." Ars electronica (Supplement) (1986).
"Public Television vs The Dark Cloud." Videography 11, no. 8 (1986).
"Preservation and Restoration of Moving Images and Sound, Edited by Herbert Volkmann. Brussels: FIAF, 1986.
Preliminary Development Report: The Arp Synthesizer. Newton Highlands, MA: Tonus, Inc., 1970.
Profiles: Video Visionary." The New Yorker 51, no. 11 (1975).
"Profile: Video Visionary Nam June Paik." The New Yorker (1975).
""Personalizing the Commercial (Part Two)." Center Quarterly: A Journal of Photography and Related Arts 10, no. 3 (1989): 1-31.
Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
"Presence of Future Presence of Video: Thing II." Art Vu (1994).
"Psycho-Flux Reunion.., 1998.
Paul Ryan Video Pioneer: From Teen Age Monk to Video Bareback Rider." Video 81 2, no. 1 (1981).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.
Preserving the Moving Image. Washington, DC: Corporation for Public Broadcasting and the National Endowment for the Arts, 1974.
Peter Campus. Syracuse, NY: Everson Museum of Art,, 1974.
Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
Paik Gillette Downey: Process and Ritual." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
"Preserving the Rhizome ArtBase." Rhizome (2002).
"Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Pop Pop Video." American Film (1980).
"Peer Bode Dialogos., 1978.