Biblio
Buss Indicator. Binghamton, NY: Experimental Television Center, 1977.
Computer-Based Video Synthesizer System Hardware and Software Research Results for project supported by the National Endowment for the Arts and the New York State Council on the Arts, Edited by Sherry Miller-Hocking. Binghamton, New York: Experimental Television Center Ltd., 1977.
Service Manuals for National Portable VTR Model NV-3082E. Osaka, Japan: Matsushita Electric Co., 1972.
Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.
FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
AMIA Compendium of Moving Image Cataloging Practice, Edited by Abigail Leab Martin. SAA & AMIA, 2001.
Video Technology and Practice." Screen 20, no. 1 (1979).
"Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
"Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
"Recent British Video. London: Onlywomen Press, undated.
Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 3. Marque Model M16TV (Ch. 202A).. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Images Of Intermedia." Afterimage (2000).
"TV The Next Medium." Art In America 57, no. 5 (1969).
"The Aesthetic Dimension. Boston: Beacon Press, 1978.
Soft Cinema: Navigating the Database. Cambridge, MA: MIT Press, 2005.
The Language of New Media. MIT Press, 2001.
New Media in Late 20Th-Century Art (World of Art). Thames & Hudson, 1999.
The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press, 1974.
Women in New Media: Sources in Art and Technology. Cambridge, MA: MIT Press, 2003.
Women, Art, and Technology, Edited by Judy Malloy. Cambridge , MA: MIT Press (Leonardo Series), 2003.
Cinematography: A Guide for Film Makers and Film Teachers. New York, NY: Van Nostrand Reinhold Company, 1973.
Kinetic Art: Theory and Practice, Selections from the Journal Leonardo, Edited by Frank J. Malina. New York, NY: Dover Publications, Inc., 1974.
10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Behind the Screen: The History and Techniques of the Motion Picture. New York, NY: Dell Publishing Co., Inc., 1965.
A Critical Cinema 3: Interviews with Independent Filmmakers. University of California Press, 1998.
Cinema 16: Documents Toward a History of the Film Society, Edited by Scott MacDonald. Temple University Press, 2002.
A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.