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1995 Internet wiretap Chronology

First Internet wiretap by Secret Service and Drug Enforcement Agency trap cell phone cloners

1992 InterNIC Chronology

InterNIC created to provide Internet services - registration, directory and database services

Interstate Interface Bibliography

A video event initiated by 2N4123 consists of interactive video spaces within inflatable structures. The group is headed by Drew Browning and Sparky Hill. Use of the Dan Sandin Image Processor.

Interview mit dem Medientheoretiker Gerald O'Grady. In German Interview

Interview mit dem Medientheoretiker Gerald O'Grady. In German.

Interview with Carol Goss and Walter Wright Interview

Carol Goss and Walter Wright, pioneers of live video performance, were interviewed by Benton Bainbridge at the Not Still Art Festival in Cooperstown, NY on April 25, 1998. Both developed realtime collaborative video at the Experimental Television Center in the early 1970s (Wright was Artist in Residence, second ever, 1972) and described performances such as Axis in Soho with Sun Ra, equipment including the Paik/Abe, David Jones Colorizer, Live! Board, oscillators, Serge modules and Sandin Image Processor, and touring, residencies and workshop practices.

Interview with David Jones Interview

Interview with David Jones An interview by Carolyn Tennant with tool designer David Jones.

Interview with Hank Rudolph Bibliography

An interview with Hank Rudolph about Experimental Television Center tools. Voltage control. Modularity. Serge. Bernie Hutchinson. Oscillators. Rich Brewster. Yellow boxes. Four Board Project. Keyer. Sequencer. Colorizer. Dave Jones. Matthew Schlanger. LSI-11. Paul Davis.

Interview with Jud Yalkut Interview

Jud Yalkut, an experimental filmmaker whose films and inter-media events have been exhibited at the Everson Museum, discusses his practice working in film and videotape and his collaboration with Nam June Paik beginning in 1965; he mixes film and video through editing, superimposition and generational transfers and employs hand-held camera work, high-speed and time-lapse photography and single-frame techniques. He emphasizes dislocating ordinary perception to create layered, multi-image, non-narrative works—examples include Video Film Concert and the robot sequence in P*AxI-K—and cites influences such as McLuhan, Stan Brakhage and Eisenstein.

Interview with Kathy Huffman Bibliography

Interview With Martha Rosler Bibliography

Interview with Nancy Meli Walker: Jamming with The Poool and NNeng Interview

Nancy Meli Walker, who shifted from fashion design to cast-glass sculpture integrating computer animation and live television, and Benton Bainbridge, an NYU-trained video artist with early experience in Super 8, electronics and live performance, are core members of live video-performance group The Poool alongside Angie Eng; they have performed together in and around New York City since 1993. Bainbridge co-founded the 77Hz group with Philip R. Bonner, Jonathan Giles, Eric Schefter and Michael Schell and held a residency at the Experimental Television Center in 1989; NYU acquired a Fairlight CVI in 1985. The Poool performs about once a year with largely scripted suites, while NNeng (No Eng) performs about monthly with more improvisation, including collaboration with musician Brian Moran.

Interview with Peer Bode Interview

Peer Bode discusses his long involvement with the Experimental Television Center (ETC; 1971–78 Binghamton, 1978–present Owego, NY), where he taught resident artists, developed and modified low-cost video tools and studio practices, and collaborated with figures such as Nam June Paik. He contrasts 1970s material- and process-focused electronic practices (portapaks, Paik-Abe synthesizer, SEG) with 1980s appropriation and corporate funding pressures, noting distribution via WNET and publications like Radical Software. Bode produced Video Locomotion (1978) and Music on Triggering Surfaces (1978) and directs the Video Arts Program at the N.Y.S.C.C. at Alfred University.

Interview with Peer Bode Bibliography

Interview with Philip Mallory Jones Interview

Interview with Philip Mallory Jones

Interview with Ralph Hocking Interview

Interview with Ralph Hocking

Interview with Steina Bibliography

Interview with Steina Vasulka.

Interview with Steina Vasulka Interview

Steina Vasulka describes the New York video scene of the late 1960s and 1970s, explaining how artists pooled expensive equipment and formed collectives to meet NYSCA funding rules; she names early groups including People's Video Theater, Freex, Raindance, Global Village and the Perception group. She recounts founding the Kitchen with Woody Vasulka and Andy Mannik as a venue for video, dance and music; programming initiatives such as the Women's Video Festival; residencies at the TV Lab; the tape Participation (material from 1969–1970) with a 1/2" reel-to-reel master; and the move to Buffalo in spring 1973.

Interview with Steina Vasulka Interview

Interview with Steina Vasulka

Interview with Steina Vasulka by Peer Bode, Andrew Deutsch, Dave Jones and Jessie Shefrin. April 1, 1998 Interview

Interview with Steina Vasulka by Peer Bode, Andrew Deutsch, Dave Jones and Jessie Shefrin. April 1, 1998. Edited by Pamela Hawkins. An interview with Steina Vasulka. April 1, 1998 at the home of Jessie Shefrin. Complete transcript.

Interview with Steina Vasulka by Peer Bode, Andrew Deutsch, Dave Jones and Jessie Shefrin. April 1, 1998 Bibliography

steinavasulkahawkinsedit_2730.pdf Edited transcript by Pamela Susan Hawkins.

Interview with Walter Wright Interview

Walter Wright moved from architecture into computer graphics around 1966 at the University of Waterloo, where he developed early 3D software and CAD programs and worked with electronic music and a Moog synthesizer; he later worked in New York for companies such as Computer Image Corporation using the Scanimate. He became Associate Director of The Kitchen and organized the weekly Open Screening, acquired a SONY portapak, and in 1972 was the second artist in residence at the Experimental Television Center in Binghamton, NY, where he worked with the Paik/Abe Video Synthesizer, ran demonstrations and workshops, and discussed NYSCA funding and shifts from live performance to museum-based installation.

Interviews at the Video History: Making Connections Conference Interview

Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Jean Haynes, Carlota Schoolman, Chris Hill. Video History: Making Connections Conference (October 16-18, 1998) at Syracuse University, and organized by the Experimental Television Center. Intervie…

Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Richard Fung, Tony Conrad, Richard Simmons, Connie Coleman, Peer Bode, Lisa Steele, Kim Tomczak, Sara Hornbacher, Ardele Lister, Rita Myers Interview

Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Richard Fung, Tony Conrad, Richard Simmons, Connie Coleman, Peer Bode, Lisa Steele, Kim Tomczak, Sara Hornbacher, Ardele Lister, Rita Myers. Video History: Making Connections Conference (October 1…

Introducing the Most Exciting Thing to Happen To Recording Tape, Reels, and Casettes Bibliography

Audio and Video Tape Catalog circa 1978 with photographs, descriptions, prices.

Introduction Preservation

Sherry Miller Hocking's February 2002 introduction surveys efforts to preserve independent videotape and electronic media from the 1960s to 2002; it documents institutions and initiatives including the NEA and AFI, F/TAAC/AMIA, MoMA's 1991 symposium, Playback 1996, BAVC's remastering facility (1995), IMAP (1999), TechArcheology (2000), Preserving the Immaterial (2001) and the Looking Back/Looking Forward symposium (May 31–June 1, 2002). It identifies technical and organizational problems—videotape deterioration, obsolete equipment, dispersed collections and lack of a union catalog—and lists recommended actions such as compatible cataloging, remastering research and facilities, public and educational programs, and broader funding and coalitions.