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1995 DVC video format Chronology

DVC video recording format publically available

Dynair Video Switching Techniques Product Catalog; Television Equipment Short Form; Video Output Amplifier Model DA-5150B; Switch Module SW-5100A; Series-5100 Video Switching System; "Facts About Multiple-Input Multiple-Output RF Switching" Bibliography

Dynair Video Switching Techniques Product Catalog; Television Equipment Short Form; Video Output Amplifier Model DA-5150B; Switch Module SW-5100A; Series-5100 Video Switching System; "Facts About Multiple-Input Multiple-Output RF Switching". 26 page Product Catalog illustrated with black and white p…

Dynamics of Television Bibliography

Dynaquip Edit Code Master model 3800 Instruction Manual Bibliography

Dynaquip Edit Code Master model 3800 Instruction Manual

Dynasciences Video Products Bibliography

Dynasciences Video Products Catalog and Product Sheets illustrated with balck and white photographs. Includes prices. Cover letter to Ralph Hocking April 22, 1975.

E-ITV: Personal Computers and Video Production Bibliography

E-ITV: Personal Computers and Video Production. Software Programs that Help the Video Producer. Recent advances in computer graphics and digital video technology have had a major impact on video production... / Among the clients using GESI's Pixel Palette software are Aerojet Techsystems, the Defens…

E.M.L. 101 Manual for ElectroComp Synthesizer Operator Manual Bibliography

E.M.L. 101 Manual for ElectroComp Synthesizer Operator Manual. Illustrated with diagrams and patches.

EAB Videolab Bibliography

EAB Videolab designed by William Hearn. Black and White Glossy Photo of Modules A through D, Module E, Scientific Video Colorizer 400-S, Contact Sheet: of Lissajous type patterns, Woody Vasulka, wide shots of stacked modules. Location of Negatives unknown.

EAB VideoLab Instruction Manual (E-Module) Bibliography

EAB VideoLab designed by Bill Hearn: Complete instruction manual. Sections include: Introduction; General Theory; External Connections; Matrix Switcher; Output Keyer Fader; Colorizer; CV / Key Sources; Attenuators / CV Sources; Pattern Generator; Processor; Dual Tri-Stable; Timer; Sample Patch Diagr…

EAB VideoLab Instruction Manual (Modules A-D) Bibliography

EAB VideoLab designed by Bill Hearn: Complete instruction manual. Sections include: Introduction; Signals in the VideoLab; Jacks in the VideoLab; Diodes in the VideoLab; Module B; Module A; Module C; Module D; Effects Manual. Various illustrations throughout.

EAB Videolab Interconnections or Patch Diagrams 1 through 12 Bibliography

EAB Videolab designed by William Hearn. 1. Vertical Interval Switching. 2. Cross Fade Channel 1 and 3. 3. Automatic Crossfade Channel 1 and 3. 4. Horizontal (or other) Split Screen or Wipe Channel 1 and 3. 5. Luminance Key 6. Negative Video Using Effects Amp. 7. Colorizer, Synthetic (Artificial) Ima…

EAB VideoLab Module E Effects Manual (Volume One) Bibliography

EAB VideoLab designed by Bill Hearn: Complete manual (volume one) of effects; descriptions of effects correspond with patch diagrams. Effects include: switiching and cross fading; split screens and wipes; grey level keying; effects amplifier; colorizer; audio interface; chroma keyer. Sample Patch Di…

EAB VideoLab Module E Summary Bibliography

EAB VideoLab designed by William Hearn: Product Summary, Block Diagram "Typical Application", Applications, Specifications, Technical Specifications, "The Videolab Module E: A New Concept in Video Special Effectrs Generators"- Description, Features, Effects, Black and White Xerox of Front Panel of u…

EAB VideoLab Modules A through D (3 copies) Bibliography

EAB VideoLab designed by William Hearn: Color Xerox of Module A and B, Black and White Xeroxes of Modules A through D with corresponding descriptions. 1. The Basic System- Modules A and B are used together and provide Genlock, Switcher, SEG, and Colorizer features. These units are capable of produci…

EAB Videolab Schematics Bibliography

schematics for: rear panel and power supply; linear key colorizer; 4 x 4 matrix switcher; Output keyer/fader; control voltage keyer 1 of 3; attenuators and c.v. sources; pettern generator; processor; tristable logic 1 of 2; c.v. and timer; universal 6 channel video input circuits

Early Distributors of Video Art: Articles Collections

Bibliographic listing of early video-art distribution articles and directories by specialist organizations and periodicals. Association for Independent Film and Videomakers published Plugging into the Video Circuit in The Independent (June 1983); Bay Area Video Coalition published Video Distributors in Video Networks (Oct 1983) and produced the Video Networks National Video Distributor Directory, an annual beginning about 1986 with extensive distributor listings and profiles. National Video Resources' NVR Reports ran multiple pieces on home-video marketing, education and digital distribution (Issues 1–17, 1990–1995); Videography ran distributor profiles including Castelli/Sonnabend Tape and Film (Jan 1977) and Museum of Modern Art (Apr 1983, Aug 1984).

Early Portable Video Bibliography

Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight Bibliography

David Hall critiques early British video art historiography, arguing that later accounts have oversimplified and misrepresented the aims of the earliest practitioners; he emphasises their engagement with television technology, conceptualist aims, minimal broadcaster support and cautious funding bodies, and their pursuit of broader cultural audiences rather than gallery assimilation. Published in Diverse Practices: A Critical Reader on British Video Art, ed. Julia Knight, Arts Council of England and John Libbey, 1996, the essay is based on Before the Concrete Sets (first published in And: Journal of Art, No 26, 1991) and the London Video Access distribution catalogue, 1991, and cites Ross (1973), Marshall (1985) and Hall's own 1975–76 writings.

Early Video History at Visual Studies Workshop Groups

Under director Nathan Lyons, Visual Studies Workshop established a media center in 1973 with production facilities, workshops and exhibitions; early video activity increased in 1974 with student workshops and an equipment purchase supported by a 1973–74 New York State Council on the Arts grant. VSW hosted events including Polyfusion (Strasenburgh Planetarium, Sept 20–21, 1974), ran a 1974–75 visiting-artist program that included Nam June Paik and Bill Viola, and collaborated with WXXI and Portable Channel on broadcasts and exchanges. The Research Center holds extensive media-center files, and the videotape collection—augmented by Portable Channel (1989) and Ithaca Video Festival deposits (1993)—contains over 4,000 tapes.

1974 Earthscore Foundation Chronology

Earthscore Foundation. NYC and New Paltz. Paul Ryan, Bob Schuler, Steven Kolpan. Based on triadic relationship concents. For a full description, see Cybernetics of the Sacred by Paul Ryan.

Economics of Physical Preservation Panel Preservation

Panel at the Experimental Television Center symposium (Looking Back/Looking Forward: May 31–June 1, 2002) addressed the economics of physical preservation with speakers Kate Horsfield (Video Data Bank), Kim Tomczak and Lisa Steele (V Tape), John Thomson (Electronic Arts Intermix), Kacey Koeberer (BAVC) and Bill Seery (Mercer Media). Presenters reported collection sizes and formats—Video Data Bank ~5,000 tapes with 2,365 needing preservation and 175 archived; V Tape ~4,200 titles by 900 artists—and discussed transfer workflows, equipment, cataloguing, research, estate planning, training and funding constraints including NEA and foundation grants and specific 2001 mastering volumes and costs at BAVC.

Ed Emshwiller People

Emshwiller was born in 1925 and died in 1990. He earned a Bachelor of Design Degree from the University of Michigan in 1949, and studied graphics at the Ecole des Beaux-Arts, Paris, and the Arts Student League in New York. Emshwiller was the 1986 recipient of the American Film Institute's Maya Deren…

Ed Emshwiller: Combining Inner and Outer Landscapes Bibliography

Ed Emshwiller's Skin Matrix: An Interview Bibliography

Ed Halter People

Ed Halter is a critic and curator living in New York City. His writing has appeared in Arthur, The Believer, Cinema Scope, Kunstforum, Millennium Film Journal, Rhizome, the Village Voice and elsewhere. From 1995 to 2005, he programmed and oversaw the New York Underground Film Festival, and has organ…