Video History Project

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5,159 records

  1. Skip Blumberg People

    Skip Blumberg is a video artist and independent television producer who used the Sony Video Rover (reel-to-reel/b&w) in the 1960s. He participated in 1970s New York video groups, led Media Bus, Inc., and experimented with live broadcast projects such as Lanesville TV and Image Union's 1976 live coverage of the Presidential convention; his work screened at international festivals and museums, and he received grants from the National Endowment for the Arts, New York State arts agencies and the Guggenheim Foundation. Weekend in Moscow was supported by the Experimental Television Center in 1993.

  2. Skip Blumberg Warms Up TV Bibliography

  3. Skip Blumberg: Capturing Human Energy on Tape Bibliography

  4. Skip Blumberg's Great Performances Bibliography

  5. Skip Sweeney: Video as a Redemptive Medium Bibliography

  6. 1999 Slawomir Grunberg Chronology

    School Prayer: A Community Divided, produced by Slawomir Grunberg and Ben Crane, received support from the New York State Council on the Arts through the sponsorship of the Experimental Television Center, the Soros Documentary Fund and the Independent Television Service; it received a 2000 Emmy Award for Outstanding Coverage Of a Continuing News Story. The film was screened at festivals including Leipzig, Athens, Double Take, NY Lower East Side, Human Rights Watch, X International Documentary Film Festival (Portugal) and Louisville; it received Best of the Festival at the Hope and Dreams Film Festival, the Bronze Plaque at the Columbus International Film & Video Festival and the Bronze Award at the Flagstaff International Film Festival.

  7. Slawomir Grunberg People

    Slawomir Grunberg, born in Lublin, Poland, is an Emmy Award–winning documentary producer, director, cameraman and editor who graduated from the Polish Film School in Lodz and emigrated to the US in 1981; he has directed and produced over 40 television documentaries. His films include School Prayer (PBS/POV 1999; National Emmy), Fenceline (ITVS; PBS/POV 2002; 2003 EMA), Chelyabinsk (Grand Prix Grenoble 1996) and From Chechnya to Chernobyl (Grand Prix Prague 1998). He photographed Legacy and Sister Rose's Passion (Academy Award–recognized), received Guggenheim, NYFA and Soros fellowships, and his work has screened at Lincoln Center, the U.S. Holocaust Memorial Museum and MoMA; he speaks Polish, Russian and English.

  8. Slicing the Fellowship Pie Bibliography

    CAPS support for individual artists.

  9. Small Format TV Bibliography

  10. 1981 SMPTE Chronology

    SMPTE tests digital video and makes recommendations which become the basis for the D-1 recorder

  11. 1971 SMPTE time code Chronology

    SMPTE time code makes computer-assisted editing possible

  12. Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures Bibliography

  13. So There, Orwell 1984 Bibliography

  14. Soar Corporation. Instruction Manual: Digital Multimeter D2M2 series Model 4040 Bibliography

    Soar Corporation. Instruction Manual: Digital Multimeter D2M2 series Model 4040. Specialists in Testing and Measuring Instrumentation. Table of Contents: Introduction, Specifications, Preparation and Caution before Measurement, Operation, Battery and Fuse Replacement Method, Optional Accessories, Ca…

  15. Society for Photographic Education National Conference: Photography Within the New Technology/Defining a New Philosophy of Education. March 17 - 20, 1983. Philadelphia, PA Bibliography

    Ralph Hocking of ETC participated on the panel. Site: Philadelphia

  16. 1958 Society of Motion Picture & Television Engineers Chronology

    Society of Motion Picture & Television Engineers develops a committee to establish video standards

  17. Soft Cinema: Navigating the Database Bibliography

    What kind of cinema is appropriate for the age of Palm Pilot and Google? Automatic surveillance and self-guided missiles? Consumer profiling and CNN? To investigate this question, Lev Manovich, one of today's most influential thinkers in the fields of media arts and digital culture, paired with awar…

  18. Soho Television: Progress Report Bibliography

    Artists Television Network, Jaime Davidovich, Director

  19. Some Indications for Community Memory Bibliography

    References the Community Memory: A Public Information Network text and project.

  20. Some Notes on Vasulka Video - 1973-74 Bibliography

    Some Notes on Vasulka Video - 1973-74 Derived from program notes for a touring exhibition of videotapes in 1978. The Moving Image Statewide: 13 Tapes by 8 Videomakers (Steina and Woody Vasulka, Peter Campus, Cara deVito, Joan Jonas, Andy Mann, Bill Viola and William Wegman), supported by the Univers…

  21. Some Organizing Principles in Man Machine Interaction Bibliography

  22. Some People Just Don't Get It: Music Video - The Industry and the Fringes Bibliography

    Exhibition at the Museum of Modern Art

  23. Some Thoughts on Learning by Reading the Tools: Embodying the Time Image Bibliography

    Peer Bode of the Institute for Electronic Arts at Alfred University (Alfred, New York) outlines contemporary media terms — and, next, time-based media, metonymy and next bodies — and situates them historically from Paleolithic cave performative spaces to present digital culture. He describes the IEA's activities (artist residencies, Smart Wall exhibitions, conferences, publishing), cites international media centers (ZKM, Ars Electronica, IRCAM, ISEA, Experimental Television Center, Harvest Works, Sigraph) and references the Whitney Image World exhibition (late 1980s) and Nam June Paik's 2000 Guggenheim retrospective curated by John Hanhardt.

  24. Some Video Sculptures Bibliography

    Don Hallock and the Videola

  25. Somi Roy People

    Somi Roy is an independent film programmer and past Director of the International Film Seminars who has programmed over 50 film exhibitions specializing in Asian and Asian American film and video; his exhibitions were presented at The Museum of Modern Art, The Film Society of Lincoln Center and the Whitney Museum of American Art, New York. He served as film programmer at the Asia Society from 1984 to 1990. He was born in Manipur, India and received a post-graduate degree from Jawaharlal Nehru University in New Delhi.