Biblio
Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).
"From the Academy to the Avant Garde - Introduction. Rochester, NY: Visual Studies Workshop, 1981.
Video Preservation: A Report from the Trenches." Afterimage 23, no. September/October 1996 (1996).
"Back to the Future of Television: National Center for Experiments in Television Preservation Project Progress Report." MAIN (1999).
"Jud Yalkut: a video beachcomber." Afterimage (2004).
"Evolving traditions: artists working in New Media." Afterimage (2003).
"Feature Presentation: Black Box Video Shorts (+). Ewing, NJ: The College of New Jersey, 2000.
Interview with David Jones., 2005.
Interview with Ralph Hocking., 2006.
Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., Edited by Carolyn Tennant. ETC, 1998.
Dialog with Ralph Hocking, Sherry Miller Hocking, Peer Bode, Pamela Hawkins and Carolyn Tennant., 2005.
A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
"The Gate Theater." Artscanada (1967).
"A Brief History of "6673". New York, New York, 2003.
Interview by Aldo Tambellini In Boston Now - Institute of Contemporary Art. Boston, Massachusetts: Institute of Contemporary Art, 1983.
The Incredible Animation Machine." Videography 2, no. 11 (1977).
"Quest for What: Video by the HalfLifers." Film Comment (1999).
"CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.
Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
"The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
"Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
"An Interview with George Stoney." Afterimage (1984).
"Media Independents Push for Access." Afterimage (1980).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
"TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
"The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form. New York, NY: The New York State Council on the Arts, 1994.