Biblio
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Tu-Art Digital Interface Instruction Manual. Cromemco Incorporated. Mountain View, CA: Cromemco Incorporated, 1978.
Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Towards a Visual Culture: Education through Television. New York, NY: Avon Books, a division of the Hearst Corporation, 1969.
Toward a Television Art Criticism." ArtCom 6 (2), no. 22 (1983).
"Total Design: An Essay on Buckminster Fuller." (1958): 1-5.
"Toshio Matsumoto: Spanning Film and Video." Videography 3, no. 11 (1978).
"Tom Swift Lives." People?s Computer Company (undated).
"Tinkering with the Archive:Pathways to Conceptual Thought and Digital Practice." Proceedings of the Digital Arts and Culture Conference, 2009 (2009).
"Thread Waxing Space. LP: Luther Price: Imitation of Life.. New York, NY: Thread Waxing Space, 1999.
Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Edited by Lia Gangitano. New York, NY: Thread Waxing Space, 1998.
Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Theory as Art. A Pragmatic Point of View." Image and Code; Wendy Steiner, Ed., no. 2 (1981).
"Themes in Electronic Image Processing. NY, NY: The Kitchen, 1981.
The World Viewed. Cambridge: Harvard University Press, 1979.
The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
The Whitney Museum Biennial." Videography 8, no. 5 (1983).
"The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
The Videomonster: The Immense and Fragile Hope of Popular Art." Domus (1975).
"The Videola Under Construction in the Studio., undated.
The Video Work of Richard Foreman." The Downtown Review 3, no. 2 (1981).
"The Video Window of Davidson Gigliotti." Arts Magazine 49, no. 4 (1974).
"The Video Underground." Art In America 59 (1971).
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