Explore the collection
5,157 records
LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware and Software Research Results for project. Supported by the National Endowment for the Arts and the New York State Council on the Arts Bibliography
Final report (1977) on an LSI-11 computer interface to a video synthesis system; documents hardware and software research results for a project supported by the National Endowment for the Arts and the New York State Council on the Arts. Includes an introduction by Sherry Miller-Hocking and papers by Donald McArthur (An Orientation to Hardware Architecture; a paper presented at the Design/Electronic Arts conference, Buffalo, March 1977) and Walter Wright (Software; a paper presented at the Design/Electronic Arts conference, March 1977); question-and-answer transcription includes Tom Dewitt, George Chaikin and Laurie Spiegel.
LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware Documentation for project supported by the National Endowment for the Arts and the New York State Council on the Arts Bibliography
Final report LSI-11 Computer Interface to Video Synthesis System, hardware documentation for project 1977, presented as a PDF. Supported by the National Endowment for the Arts and the New York State Council on the Arts; documentation items include System Diagram (09.1977), Element Bus Power Supply (06.1977), Element Bus (09.1977) and Misc. Rack Wiring (09.1977). Also included are Bus Indicator Board (08.1977, pp. 1 & 2 of 3), D/A Board (08.1977, pp. 1-3 of 4) and Buffer Memory (09.1977, p. 2 of 3).
LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Introduction Bibliography
LSI-11 Computer Interface to Video Synthesis System: Final Report to National Endowment for the Arts: Introduction 1977. LSI-11 computer control for video synthesizer system; computer-based control; video image generation by computer. LSI-11 computer control for video synthesizer system; computer-ba…
LSI-11 Computer System Documentation Bibliography
LSI-11 Computer System Documentation. Digital Equipment Corporation, Components Group, Application Note (August 1976): Power Distribution Systems for LSI-11 (2 copies). Contents follow: Introduction, System Requirements, Block Diagram, Schematics of the Power Signal Generation Circuit, Power Down Ro…
LSI-11 Microcomputer Controlled Digital Sound Synthesizer Bibliography
Computer Music Journal. LSI-11 Microcomputer Controlled Digital Sound Synthesizer. Sections of this jounal include Portable Digital Sound Synthesis System, One-Card 64-Channel Digital Synthesizer, Modular Approach to Building Large Digital Synthesis Systems, 256-Channel Performer Input Device, Compu…
Luciana Sanz and Amoeba Technology People
Luciana Sanz is an Argentinian video artist, technologist and writer based in NYC; she earned a BFA with honors in Film/Video Production and Literature from Tisch, NYU and completed a Masters at Polytechnic University, Brooklyn on a full academic scholarship. She won first prize in Poetry from the Buenos Aires Cultural Council for Young Writers (1997), worked at the Experimental TV Center and spent three years as a systems integration designer at the Hayden Planetarium implementing 3-D graphics for multi-projection immersive environments. In 2001 she joined Amoeba Technology and toured internationally as a videographer and multimedia artist.
Luis Recoder People
Sandra Gibson and Luis Recoder have shown collaborative film installations and performances since 2001; they have presented work at film festivals, museums, galleries and alternative venues. Representative venues listed include the Whitney Museum of American Art and The Kitchen (NYC), Images Festival (Toronto, Canada), International Film Festival Rotterdam (The Netherlands), Hartware Medien Kunst Verein (Dortmund, Germany), La Casa Encendida (Madrid, Spain), Museo do Chiado (Lisbon, Portugal), Dundee Contemporary Arts (Dundee, Scotland), Youkobo Art Space (Tokyo, Japan) and Image Forum Festival (Yokohama & Kanazawa, Japan).
Lukasz Kamil Lysakowski People
Lukasz Kamil Lysakowski is an artist working in virtual space and new media technologies, creating and reflecting contemporary cultural expressions through art and technology; website: http://www.wildlifeanalysis.org/. He exhibited and performed widely between 2000 and 2004 at museums and festivals including Guggenheim Bilbao, P.S.1, Transmediale, First Prague Biennale, Isabella Stewart Gardner Museum, Creative Time and the American Museum of Moving Images; his work screened at Transmediale and MIT Film & Video Festival. He released CD-ROM/DVD projects (Transmediale Screenings, YUV(v.02), 242.pilots), lectured at MIT, Cornell and RIT, and received residencies at Steim and IMAL plus grants from the MIT Council for the Arts and the Transmediale Grand Prize.
Luke Hones People
Luke Hones is associated with the Bay Area Video Coalition and is known for work in video restoration and preservation; BAVC established the first professionally-equipped, non-profit preservation center and organized Playback 1996: Video Roundtable, the first international symposium to bring together conservation, museology and media arts to address technical and ideological issues in video preservation. Playback: A Preservation Primer for Video (1998) provides recommendations for storage and cleaning, discusses procedural issues, and includes a glossary and bibliography.
1975 Luminous Realities Chronology
Luminous Realities 1975. Exhibition included David Cort; Tony Conrad; Douglas Davis; Anthony McCall; Nam June Paik; Paul Sharits; Jud Yalkut.
Luminous Realities Bibliography
David Cort; Tony Conrad; Douglas Davis; Anthony McCall; Nam June Paik; Paul Sharits; Jud Yalkut.
Lynn Blumenthal People
Lyn Blumenthal was an artist, educator and administrator who advanced independent video as a critical cultural medium; her work exposed mainstream media blind spots and contributed to feminist and de-constructionist dialogues alongside Martha Rosler, Dara Birnbaum and Paper Tiger Television. Beginning in the early 1970s she collaborated with Kate Horsfield on videotaped interviews of women artists and in 1976 co-founded the Video Data Bank at the School of the Art Institute of Chicago; in the early 1980s her videotapes investigated women's identity and sexuality through theoretical analysis and humor.
Lynn Cazabon People
Lynn Cazabon holds a BFA from the University of Michigan and an MFA from Cranbrook Academy; she has held solo exhibitions at Ganser Art Gallery, Bucknell Art Gallery, CEPA Gallery, and the University of Dayton. She received awards from the Pennsylvania Council on the Arts and Mid America Arts Alliance and completed residencies at Bucknell Art Gallery, Snowmass Village, and the Glassell School of Art at the Museum of Fine Arts, Houston; her work is in the collection of the Mattress Factory Museum.
Lynn Hershman Leeson People
Lynn Hershman Leeson is an artist working in photography, installation and electronic media; her work examines how people engage media-derived fantasies. Longshot won Grand Prizes at the 1989 Montbelliard Festival (France) and the Montreal Video Festival, and Seeing Is Believing won First Prize at Vigo in 1991; her electronic diary First Person Plural screened at the 1996 Berlin Film Festival and has won numerous awards. She received the 1994 Siemens Media Prize from ZKM (shared with Peter Greenaway and Jean Baudrillard), was the first woman to receive both a Tribute and Retrospective at the 1995 San Francisco International Film Festival, is Professor in UC Davis's Program in Technocultural Studies, authored Clicking In, and has had over 200 exhibitions with work held by MoMA New York and other collections; website http://www.lynnhershman.com/.
Lynne Sachs People
Lynne Sachs is a filmmaker whose work blends poetry, collage, painting, politics and layered sound to examine personal and broader historical experience; since 1994 five essay films have taken her to Vietnam, Bosnia, Israel and Germany. Since 2006 she has collaborated with Mark Street on The XY Chromosome Project and foregrounds a dialogue between cinematic theory and practice through a rigorous interplay of image and sound. She co-edits an upcoming Millennium Film Journal issue; her work received fellowships from the Rockefeller and Jerome Foundations and screened at MoMA; she teaches experimental film and video at New York University and lives in Brooklyn.
Lyon Lamb Sales Brochure Bibliography
Lyon Lamb Sales Brochure. Includes "Video Tools That Work for the Animator", sales cover letter to Larry Gottheim, Illustrated Product Sheets on Video Rotoscope, and Video Animation System. Price List.
Ma Bell Log: telephone talks with video people - April Video Cooperative Groups
Sherry Miller Hocking compiled an overview in 1998 describing the Dumping Place publication and People Vision (Vol. 2), noting New York State Council on the Arts support for New York distribution and distribution of at least 1,000 copies; People Vision listed video groups and articles and April Video Cooperative handled subscriptions and tape distribution. The Ma Bell Log records telephone talks on March 16 and April 3, 1973 with Dudley Evenson and Elon Soltes about the Rosebud Cafe in Delhi, local workshops, and plans for Rural Supplementary Educational Network programming (19 microwave towers, WNET transmission to ~50,000). The Dumping Place collective (profiled in Magnetoscope, 1972) described a decentralized printed information service using 5x7 and 3x5 cards, a $5 annual subscription, contact listings, and a card-paste layout system for loose-leaf distribution.
Mable Haddock People
Mable Haddock is the founding President and Chief Executive Officer of the National Black Programming Consortium (NBPC) and has led NBPC initiatives for over 20 years; since 1990 NBPC has dispersed over six million dollars to independent filmmakers. A Mercy College graduate who holds a Certificate of Public Broadcast Management from the Wharton School, Haddock contributed to Dialogue Magazine, co-produced The Fannie Lou Hamer Story and Mandela, worked on The State of Black America and Black America: Facing the Millennium (1997), and served as media panelist for arts councils including the NEA.
1987 Mac II Chronology
Mac II $5500. 1 MB Ram, 40 MB hard drive
Maciej Wisniewski People
Maciej Wisniewski is an artist and programmer who examines the social implications of technology and the Internet; he earned an M.F.A. at Hunter College, New York, and completed post-graduate studies at the Institute for General Linguistics and Computational Linguistics, University of Stockholm (SWE). He launched ´netomatª as a network-based art project in summer 1999; the project offered an open, free form alternative to page-based HTML browsers and search engines, and in 2000 he co-founded a software company based on ´netomatª. Prior to that he worked as an Advanced Programmer at ibm.com, developing ibm.com's XML strategy and advanced Web prototype applications.
1989 Macintosh Chronology
Macintosh Portable computer sells for $6500
Macpaint User's Manual Bibliography
Macpaint User's Manual. Original Manual, color Photograph on cover, illustrated with photos and screen shots. Design by Clement Mok. Unique of this kind. Looks fresh 20 years later.
Macwrite User's Manual Bibliography
Macwrite User's Manual. Original Manual, color Photograph on cover, illustrated with photos and screen shots. Well
Madeleine Gallagher with Adam Savje and Edward Davis People
Madeleine Gallagher is a video and visual artist whose work investigates physical and visual sensation, endurance, perceptual thresholds and phenomenology; trained in Painting and Sculpture, she began making video through performance art. Her practice involves live video performance collaborations with experimental musicians; she has exhibited and performed at Goliath Visual Space, The Baltimore Contemporary Museum of Art, The Maryland Institute College of Art, Free 103.9 Gallery, Galapagos Art Space, The Brooklyn New Workshop Theater and Rake AV, and teaches video at The Massachusetts College of Art.
Magaly Ponce People
Magaly Ponce is a Chilean video and installation artist who studied Graphic Design at Universidad de ValparaÌso in ValparaÌso, Chile; six months later she received a Creative Video Grant for Latin America awarded by the Rockefeller, Mac Arthur and Lampadia Foundations and a year later received a Creative Video Grant from FundaciÛn Andes. Two years later she graduated with an M.F.A supported by a two-year Fulbright grant and a Syracuse University fellowship; she teaches New Media at Bridgewater State College in Massachusetts and has exhibited in Chile, Denmark, Korea and the US. Her practice uses metaphoric language and ranges from the Poetic to the Political; a website is listed as www.resextensa.net.