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Between Modernism and the Media Bibliography

Between Paradigms: The Mood and Its Purpose Bibliography

Beyond / In Western New York Bibliography

City-wide exhibition in Buffalo

Beyond Modern Sculpture.: The Effects of Science and Technology on the Sculpture of This Century Bibliography

Beyond Photography: The Digital Darkroom Bibliography

Beyond Video: Media Alliance Directory I Bibliography

Beyond Video: The Media Alliance Directory I traces the development of video art from the Sony portapak's U.S. arrival circa 1965 through the 1980s; it records early practitioners, guerrilla collectives and nonprofit centers including Young Filmakers/Video Arts (1968) and Global Village (1969). By 1972 at least nine New York organizations supported subsidized production, training and post-production, and academic workshops expanded in the 1970s. AIVF (1974) and ATN (1976) organized around cable and publishing; Anthology Film Archives received tape‑preservation funding in 1983 to transfer late‑1960s–early‑1970s tapes to 3/4" cassettes, and the 1980s brought broader exhibition venues.

Bianca Bob Miller People

Bianca Bob Miller is a New York media artist, writer and performer who works with film, video, music and humor; she has written and directed numerous short comedies, documentaries and 15 performance videos for which she composes and performs music. Her works have earned four American Film Institute/Sony Visions prizes and two student Emmys from the Academy of Television Arts & Sciences and have screened on U.S. and international television and festival circuits. Many pieces were created at The Experimental Television Center, where she served several years as Artist-In-Residence; she operates BBob Films and is developing new shorts and longer-form projects for television and webcast.

Bibliography

A dynamic bibliography of books, articles, catalogs and other writings related to video history; some materials are out of print but may be accessible at major libraries and media study centers around the US. The site links materials it hosts and provides a searchable full bibliography listed alphabetically by title; it also offers a list of authors and a publications section linking to journals and periodicals, both contemporary and out of print.

Bibliography: Peggy Gale Bibliography

Bibliography: Peggy Gale

Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals Bibliography

Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals circa 1983. Books, periodicals. An appendix to the Center's Equipment Manuals, distributed to artists in residence at ETC, and in the field.

1975 Bicentennial Film Project Chronology

New York State Council on the Arts (NYSCA) receives National Endowment for the Arts (NEA) matching funds for the Bicentennial Film Project; the project provides funds for films on the arts and cultural life of New York State. Projects included Ken Burns's Brooklyn Bridge, Barbara Kopple's Harlan County, U.S.A., and Claudia Weill's Girlfriends.

Biennal de Video Barcelona Bibliography

Bienvenida MatÌas People

Bienvenida MatÌas is an award-winning filmmaker and teacher who served as Executive Director of the Center for Arts Criticism in Minneapolis; she is a founder and former National Coordinator of the National Association of Latino Independent Producers (NALIP). She has been Director of Production for ITVS and Executive-in-Charge of Production at WNYC-TV; she is currently Director of AIVF.

Bill Creston People

Bill Creston (born 6 March 1932) was initially a painter who pioneered inexpensive video filmmaking, initiated programs at Cooper Union and The School of Visual Arts, and produced CV/AV black-and-white videotapes and a video journal. He shifted to Super-8 sound color film in 1976, operated the only full-service Super-8 studio in New York City through the 1990s, and had nine films shown at The Museum of Modern Art and twelve at Anthology Film Archives. In 1969 he installed the Construction Site project on 6th Avenue between 22nd and 23rd Streets; he co-directs eMediaLoft.org and resumed painting in 2001.

Bill Gwin People

William Gwin was a painter who served as the first artist-in-residence at the National Center for Experiments in Television (NCET) at KQED in San Francisco; he also worked at the Television Laboratory of WNET, Channel 13, in New York. In the summer of 1973 he was again artist-in-residence at NCET; his video work was broadcast by KQED and exhibited in museum and theatrical environments in Paris, Mexico City, and Tokyo.

Bill Morrison People

Born 1965, Chicago. BFA 1989 Cooper Union School of Art. Lives in New York, NY. Award-winning filmmaker Bill Morrison has five titles in the permanent collection of the Museum of Modern Art, including "Decasia" and "The Film of Her", which were also acquired by The Library of Congress and The Nederl…

Bill Ritchie: Video in the Pacific Northwest Bibliography

Bill Seaman People

Bill Seaman holds a Ph.D. from CAiiA, University of Wales, Newport (1999) and an MS in Visual Studies from MIT (1985); his practice combines text, image and sound across installation, virtual reality, video and computer-based media. He has received awards including Prix Ars Electronica (1992 & 1995); the National Gallery of Canada commissioned and purchased Red Dice/Dés Chiffrés. He collaborated with Regina Van Berkel; he is Professor, Head of Digital Media at RISD and researches Hybrid Invention Generator (Intel-funded) and Poly-sensing Environment with Ingrid Verbauwhede at UCLA.

1998 Bill Viola Chronology

Bill Viola retrospective at the Whitney Museum of Art ran February 12–May 10, 1998; the exhibition toured to the Los Angeles County Museum of Art, Stedelikj Museum, San Francisco Museum of Modern Art and the Art Institute of Chicago. The exhibition catalog includes A Feeling for the Things Themselves (David Ross); Conversation (Lewis Hyde and Bill Viola); and Selected Works 1972–1996 (Kira Perov and Bill Viola); it contains a catalog of works, exhibition history and a chronology.

Bill Viola People

Bill Viola is a contemporary artist working in video and electronic media to explore sense perception; since 1973 he has produced videotapes, installations, sound environments, electronic music performances and television. He has exhibited at major museums worldwide, including a 1987 Museum of Modern Art survey and a 1998 Whitney retrospective; he represented the US at the 46th Venice Biennale (1996) and produced THE MESSENGER (1996) for Durham Cathedral. He received a BFA from Syracuse, was Artist in Residence at WNET/13 (1976–1980) and Sony, and has received awards and fellowships from foundations.

Bill Viola Bibliography

Bill Viola Bibliography

A Feeling for the Things Themselves - David Ross; Conversation - Lewis Hyde and Bill Viola; Selected Works 1972-1996 Kira Perov and Bill Viola. Catalog of works; exhibition history; chronology.

1987 Bill Viola retrospective Chronology

Museum of Modern Art (MOMA), New York City, presents "Bill Viola" retrospective; curated by Barabra London

Bill Viola: Installations and Videotapes The Poetics of Light and Time Bibliography

Bill Viola (born 1951, Flushing, New York) is a video artist who since the 1970s has used broadcast-quality electronic technology to produce videotapes and video-and-sound installations exploring layers of human consciousness; he trained at Syracuse University (College of Visual and Performing Arts, 1973) and worked at Synapse and WNET/Thirteen's Artists' Television Laboratory. He has collaborated with Kira Perov and engineers such as John Godfrey, lived and worked in Japan (including Sony's Atsugi facility), settled in southern California in 1981, and created works including Four Songs (1976), Chott el-Djerid (1979), Ancient of Days (1979–81), Hatsu Yume (1981), Reasons for Knocking (1982), Room for St. John of the Cross (1983), I Do Not Know What It Is I Am Like (1986), and Passage (1987).

Bill Viola: Video Visions From the Inner Self Bibliography