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Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video Bibliography

Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video. A closer look at contents reveals: Remembering Artaud by Gautam Dasgupta, Antonin Artaud: From Center to Periphery, Periphery to Center by Christopher Ho, The Antonin Artaud Film Proje…

Permanence Through Change: The Variable Media Approach Bibliography

In French and English. Preface by Jean Gagnon. The Challenge of Variable Media - John Hanhardt. Digital Decay - Bruce Sterling. Berkeley Art Museum - Richard Rinehart. Franklin Furnace Archive - Tiffany Ludwig. Performance Art Festivals + Archives - Thomas Mulready. Rhizome.org - Alena Williams. Wal…

Perry Bard People

Perry Bard has exhibited video and installations internationally: at the Museum of Modern Art, New York, Scanners Video Festival at Lincoln Center, PS 1 Museum NY, Reina Sofia Museum Madrid, Frac des Pays de la Loire France, Sao Paolo Biennial, VideoBrasil, the Southeast Museum of Photography Florid…

Persci Installation and Maintenance Manual for Dual Diskette Drive Model 277 Bibliography

Persci Installation and Maintenance Manual for Dual Diskette Drive Model 277. Approx. 200 pages, includes operator's guide, diagrams, and schematics.

Persheng Vaziri People

Persheng Sadegh-Vaziri is an award-winning independent filmmaker born and raised in Tehran, Iran; she received a BA from Trinity College (Hartford, Ct.) and an MFA in Cinema Studies from New York University. She worked as a producer for Deep Dish TV on a series about the war in Iraq, for Trinity TV on documentaries about 9/11, and for Internews Network on programs promoting dialogue between societies in conflict; she also worked on the PBS series POV, taught film in Boston and New York, and curated a documentary film fest in Tehran. Her documentaries Journal from Tehran (1987), Far From Iran (1990), A Place Called Home (1998) and Women Like Us (2002) have been broadcast on PBS and are distributed by Women Make Movies.

1981 Personal Statements in Video Chronology

Personal Statements in Video was an exhibition in the New American Makers series at Opera Plaza Cinema; program notes state the works are personal statements by their authors that reflect their take on the world, their relationships and their place in society. Featured works and artists include Barbara Rosenthal, Fingernails and Other Shorts, described as short videos from dry wit to zany goof using toys, puppets and primitive music; Marshall Weber, A Roman Empire, presented as a travelogue analogy of empire; Lynn Hershman, First Person Plural; Barbara Hammer and Paula Levine, Two Bad Daughters, using child-like play to sabotage and subvert patriarchal Institutions; and Marilyn Wulff, Little Stories, a naive and funny account of people she knew while growing up.

Personalizing the Commercial (Part Two) Bibliography

Center Quarterly: A Journal of Photography and Related Arts, Personalizing the Commercial (Part Two). Articles include Don't Ask for Who the Light Shines: An Interview with Kenro Izu by Gay Leonhardt, Art + Commerce by The Editors, Separation of Powers: An Interview with David LaChapelle by Robert M…

Perspectives on Preserving Independently Produced Videotapes Preservation

For the July-August 1981 issue of American Film, Amy Greenfield wrote an article about the problems facing archivists who are working to preserve videotapes. Because of space limitations, only part of her research on the special problems confronting independent video-makers appeared in the article. …

Perspectives on Preserving Independently Produced Videotapes Bibliography

Amy Greenfield's July–August 1981 American Film article summarizes interviews with David Ross, Barbara London, Nam June Paik, John Hanhardt, Davidson Gigliotti and Ralph Hocking on videotape preservation; Anthology Film Archives' program began in 1983. Ross, now at the Institute of Contemporary Art in Boston, established video collections at the Everson Museum, the Long Beach Museum of Art and the University Art Museum in Berkeley; London at MoMA rerecorded selected half-inch tapes onto one-inch. Paik proposed a national playback/recording equipment center and federally funded storage to address portapak and half-inch/one-inch/two-inch obsolescence; Gigliotti researched 1960s video history and restoration and Anthology planned to publish his essay in 1984.

Persuasion: The Theory and Practice of Manipulative Communications Bibliography

Pete McPartlan People

Pete McPartlan is an artist and experimental musician who graduated from Hull School of Art in 2004 and has lived and worked in Hull, UK since then; he works with generative music software, soldering iron, vhs tapes, a pen and scraps of paper and records and performs under various aliases. He has installed paper-based work Interconnected Monkey Typing Chambers at RED gallery, Hull, performed live video work Whitebalance at Gage05 festival, Hull and Flicker Festival, Bristol, improvised with Hull collectives and publishes a nano-circulation fanzine The Pitchforke. He produces live video performances by picking up and amplifying the em field from CRT TVs, curates low-budget screenings under the name The 2 Mile Quadruplex and is documenting old independent video shops; web presences include www.quadruplex.co.uk and www.petemcpartlan.co.uk.

Peter Adair People

Peter Adair began making films after his parents gave him a movie camera at his high school graduation; his first major film, Holy Ghost People (1967), was an anthropological study of Christian fundamentalists and was shown and praised by Margaret Mead at Columbia. He endured 18 months directing a documentary on Dionne Warwick and two years at a PBS station before producing and co-directing Word is Out and completing Stopping History (1983), and in 1986 co-directed The AIDS Show. He later created interactive computer games, received the James D. Phelan Award, helped found the Independent Feature Project, and his listed films include Some of These Stories Are True (1981) and Absolutely Positive (1990).

Peter Allen People

Peter Allen and Carla Ross Allen co-founded KnoWear to explore wearable technology, mass-media and the effects of branding through collaborative art and design; projects develop from research into new technologies and are realized with 3D digital design, CADCAM data and rapid prototyping. KnoWear has exhibited at Cooper Hewitt and National Museums of Scotland, was commissioned by Tyne and Wear Museums (UK) in fall 2007 for the BrandX series and participated in the fall 2006 Second Skins show (Essen), which toured in 2007 to MOCA Taiwan, and held a six-month residency at Eyebeam MIDAIR. Both principals met at Cranbrook Academy of Art in 1998.

1966 Peter Bradley Chronology

Peter Bradley, Director of Film TV/Media and Literature Program 1966-1977

Peter Callas People

Peter Callas has worked in film, video art and computer animation for over twenty years; his works are in the permanent collections of the Museum of Modern Art, New York, the Kunstmuseum Bonn and the Australian National Gallery, Canberra. He held screenings at Kunstverein Cologne and MoMA New York, and completed residencies at PS1, New York (1989) and the Zentrum f¸r Kunst und Medientechnologie (ZKM), Karlsruhe. He won awards including First Prize, Bonn Videonale and Golden Switchblade Award (both 1994); dLux media arts presented a twenty-year retrospective of his video works in 1999 titled Intiialising History.

1972 Peter Campus Chronology

Peter Campus, Bykert Gallery, New York; one-man show with video installation

Peter Campus People

born 1937 in New York City; lives and works in East Patchogue, New York ONE-PERSON EXHIBITIONS 2003 Kunsthalle Bremen, Bremen, Germany Antiguo Colegio de San Ildefonso, Mexico City 2002 Leslie Tonkonow Artworks + Projects, New York 1998 Paula Cooper Gallery, New York 1997 Rena Bransten, San Francisc…

Peter Campus Bibliography

Peter Campus Bibliography

Peter Campus Bibliography

Peter Campus, Andy Mann, Ira Schneider, Tom Marioni at the Everson Museum of Art Bibliography

Peter Cramer People

Peter Cramer's Söma, Söma, Söma (2000) is a video of the exhibition of the same title at NYC's Sculpture Space. It documents performance artists Geoffrey Hendricks, William Pope L. and Patty Chang. Cramer's 16mm film Black & White Study ('90) involving chiaroscuro, nudes, and camera matte box film t…

1978 Peter D'Agostino Chronology

TeleGuide and Proposal for QUBE by Peter D'Agostino. QUBE was a two-way cable TV system in Columbus, OH. Proposal for QUBE was installed at Ohio State University (1978)

1978 Peter D'Agostino Chronology

Record for artist Peter D'Agostino listing works Alpha, Trans, Chung and the titled item Peter D'Agostino: A Photographic Model: Semiotics, Film, and Interpretation. Includes essays by Rae Blakeney (Syntactics and the On-Going Work of Peter D'Agostino), Alain Robbe-Grillet (Order and Disorder in Film and Fiction) and William Luhr (Semiotics and Film: From an Interview with Umberto Eco); contains a review by Hal Foster.

1979 Peter D'Agostino Chronology

TeleGuide and Proposal for QUBE by Peter D'Agostino. QUBE was a two-way cable TV system in Columbus, OH. Proposal for QUBE was installed at Long Beach Museum of Art (1979).