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bibliographic
Haller, Robert A.. Video Art Review: An Interview with Steina, October 28, 1980.. New York, NY: Anthology Film Archives and Electronic Arts Intermix, 1981.
Panasonic Mini-Studio Production Centers Series 1000., undated.
Videospace: The National Center for Experiments in Television, 1967-1975. An exhibition in collaboration with UC Berkeley Art Museum and Pacific Film Archive. September 14 - November 15, 2000. Postcard.., 2000.
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
Graham, Dan. Selected Works, 1965-72. Cologne, New York, and London: Koenig Brothers and Lisson Publications, 1972.
Experimental Television Center Colorizer. Binghamton, NY: Experimental Television Center, 1976.
Paik, Nam June. Cybernetic Serendipity Expanded Education for the paper-less society. London: Institute of Contemporary Arts, 1968.
The Cat Fund: The Contemporary Art Television Fund. Boston, MA: The Cat Fund, 1988.
Ancona, Victor. "Video Documentaries: Are They Fact or Fiction." Videography 5, no. 6 (1980).
Curtis, David. Experimental Cinema. NY: Delta, 1971.
Bordwell, David, and Kristin Thompson. Film Art: An Introduction. Reading, MA: Addison- Wesley Publishing Company, 1979.
Using the 701 Computer with the Dock II Expansion Unit IBM Thinkpad; IBM Thinkpad 755CD Portable Computer Operator Manuals.. Thornwood, NY: IBM, 1994.
Duckler, Marvin. "Talking Faces, Eating Time, and Electronic Catharsis." National Center for Experimental in Television Reports 2 (undated).
Rossman, Michael. "Some Indications for Community Memory." (undated).
Wyver, John. Coming to Terms with the Frightful Parent: Video Art and Television. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video (Osborn) which see.. NY, NY, 1990.
Amato, Mia. "Independent Video in San Francisco." Videography 5, no. 2 (1980).
Combs, Richard. "Lightning Over Water." 50, no. 2 (1981).
Hickok Model 209B Vacuum Tube Voltmeter. Cleveland, Ohio: Hickok Electrical Instrument Co., 1963.
Rebouf, R.. "Nam June Paik: Historical Juxtapositions." Artweek 13, no. 2 (1982).
Weibel, Peter. "Das orbitale Zeitalter." Noema 3, no. 40732 (1986).
"Out of Focus - Don Hallock." Focus - The Magazine of KQED Television and Radio (1973).
Singer-General Precision, Inc. Singer Education & Training Products. GPL Division (Part No. G5486-001). Operating and Service Instruction Manual: Precision 990 Television Camera.. Pleasantville, NY: Singer-General Precision, Inc., 1968.
Batsry, Irit. Irit Batsry: To Leave and to Take, Video and Mixed-media Installation. Paris, France: La Ferme du Buisson, 2003.
Vasulka, Woody, and Scott Nygren. "Didactic Video: Organizational Models of the Electronic Image." Afterimage 3, no. 4 (1975).
Wechsler, Judith. "The Filming of Art." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 141-160.
Sencore "the all american line." PS163 Dual Trace Triggered Sweep Oscilloscope. Service Manual.. Sioux Falls, SD: Sencore., undated.
Antin, David. "Television: Video's Frightful Parent." Artforum 14 (1975).
McCarthy, Kerry. New York State Artist Workspace Consortium, Edited by Kerry(Project Director) McCarthy. NY, NY: New York State Artist Workspace Consortium, 1004.
Young, Gayle. The Sackbut Blues: Hugh Le Caine Pioneering in Electronic Music.. Ottawa, Ontario, Canada: National Museum of Science and Technology, 1989.
Lord, Catherine. "Video, Technology, and the Educated Artist." The Independent 8, no. 5 (1985).

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