Biblio
Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
"Say I Am: Feminist Performance Video in The 70's." Afterimage 13, no. 4 (1985).
"Electronic Music: systems, techniques, and controls, Second Edition.. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1972.
Tape Home Movies for Your TV Screen." Popular Mechanics, no. November (1965).
"Visual Music: Synaesthesia in Art and Music Since 1900. Smithsonian Institution and Museum of Contemporary Art (Los Angeles)., 2005.
"Video Art Issue." Studio International, no. 191 (1976).
John Sturgeon: Two Video Installations. Long Beach Museum of Art, 1977.
Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
"An Interview with Barbara Buckner." Afterimage 12, no. 10 (1985).
"A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
"Television Fictions: An Interview with Ed Bowes." Afterimage 13, no. 10 (1986).
"Imaging postmemory/renegotiating history." Afterimage (1999).
"Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
"The Gentrification of Video." Afterimage 13, no. 4 (1988).
" The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
"Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
"Media Independents Push for Access." Afterimage (1980).
"Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
An Interview with George Stoney." Afterimage (1984).
"James Byrne's Video Projects: The Aesthetics of the Subject." Afterimage 10, no. 9 (1984).
"Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form. New York, NY: The New York State Council on the Arts, 1994.
The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Howard Wise essay." (1984).
"Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
"TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
"Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
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