Biblio
"A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
"The Incredible Electronic Animation Machine." Computer Image (1977).
"The Incredible Animation Machine." Videography 2, no. 11 (1977).
Syntauri Simply Music. Los Altos, CA: Syntauri, 1983.
"The Movement Within: Images Created on a Video Synthesizer." Videography 4, no. 12 (1979).
"Computer Inputs and Outputs." Scientific American (1966): 86-97.
"Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
"Quest for What: Video by the HalfLifers." Film Comment (1999).
The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.
"The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
"Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
"The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
"James Byrne's Video Projects: The Aesthetics of the Subject." Afterimage 10, no. 9 (1984).
"Howard Wise essay." (1984).
"Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
"An Interview with George Stoney." Afterimage (1984).
"TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
"Media Independents Push for Access." Afterimage (1980).
"Video as a Performance Medium." Sightlines 16, no. 3 (1983).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
"A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
