Biblio
Mass Communications and the American Empire. Boston: Beacon, 1970.
Information and the Crisis Economy.. Norwood, NJ: Ablex, 1984.
Communication and Cultural Domination. White Plains, NY: International Arts and Sciences Press, 1976.
Binocularis. NY: Galerie Ariadne, undated.
Abstract Time." Arts Magazine 49, no. 4 (1974).
"Out of Actions: Between Performance and the Object 1949-1979. Los Angeles, 1998.
Well, It?s a Heck of a Long Way from Marcus Welby." The New York Times (1971).
"Schematics and notes in regard to First Jones Frame Buffer from Matthew Schlanger to Peer Bode (11 pages).. Owego, NY: Experimental Television Center, undated.
Jones Frame Buffer Prototype., 2011.
Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Jones Modular Video Synth., 2011.
Black Dog Dreams., 1999.
Art Statement., undated.
New Developments in Printing: Standardization in Four-Color Proofing." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 72-74.
"Global Television, Edited by Cynthia Schneider. Cambridge: MIT Press, 1989.
Video Art: An Anthology, Edited by Ira Schneider. NY: Harcourt Brace Jovanovich, 1976.
Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Preservation of Moving Images and Sound. Brussels: International Federation of Film Archives, 1989.
The Process and Effects of Mass Communications. Urbana, IL: University of Illinois Press, 1971.
Mass Communications, Edited by Wilbur Schramm. Urbana, IL: University of Illinois Press, 1949.
Net.art: Shedding the Utopian Moment?" Link 7 (2001).
"Scientific American. Microelectronics. September 1977. Volume 237, Number 3.. New York, NY: Scientific American Inc., 1977.
Readings from Scientific American: Image, Object, and Illusion. San Francisco, CA: W. H. Freeman and Company, 1971.
Howard W. Sams & Co., Inc. Photofact Folder, Set 918, Folder 2. Sears Chassis 562.10330.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1967.
Sears, Roebuck and Co. Division 57 Television Standard Nomenclature, Chassis Nos. 528.62454, 528.62484, 529.62454, 529.62484.. Sears, Roebuck and Co., undated.
Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Interview mit dem Medientheoretiker Gerald O'Grady. In German." Springerin, no. 3 (2000).
"TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
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