Video History Project

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5,158 records

  1. 1983 Image/Process II Chronology

    Image/Process II at The Kitchen. Curator: Shalom Gorewitz. Artists: Steina Vasulka; Woody Vasulka; Barbara Buckner; Frank Dietrich and ZsuZsa Molnar; Lisa Marie Sanfilipo; Neil Zusman; Pier Marton; Max Almay

  2. Image/Process II Bibliography

    Steina Vasulka; Woody Vasulka; Barbara Buckner; Frank Dietrich and ZsuZsa Molnar; Lisa Marie Sanfilipo; Neil Zusman; Pier Marton; Max Almay Institution/Organizer: The Kitchen Site: The Kitchen Curator(s): Gorewitz,Shalom Exhibition Dates: January 1983

  3. Images from Looking Back/Looking Forward Preservation

    Looking Back/Looking Forward is a photographic record of a symposium on electronic media preservation held May 31 and June 1, 2002; the page presents images and captions from the event. Participants and subjects identified include Tony Bannon; Barbara London; Joel Chadabe; Steina and Woody Vasulka; Dan Summer; Elizabeth Weatherford; Pip Laurenson; Luke Hones; Bill Etra; Gerald O?Grady; Jean Gagnon; Karen Helmerson; Kate Horsfield; Debby Silverfine; Carole Lazio; Rachael Melman; Jim Hubbard; Kenneth Schlesinger; Mercer Media; Bill Seery; Robin Schanzenbach; and Arthur Tsuchiya.

  4. Images from the Work of Don Hallock Bibliography

  5. Images from the Work of Don Hallock with the Videola Bibliography

  6. Images of Artists Don Hallock, Bill Gwin, Bill Roarty and Stephen Beck. All worked at the National Center for Experiments in Television at KQED Bibliography

  7. Images Of Intermedia Bibliography

    This year's Images Festival of Independent Film and Video lived up to the challenge of moving across media, featuring installations, performances, a "smart-art" conference and numerous other live events in addition to its usual screening programs. Zoe Beloff, Gen Ken Mongomeryhttp://www.findarticles…

  8. Imaging postmemory/renegotiating history Bibliography

    The nature of history, the practice of historicization and the processes of memory pose special problems for postmodern thought.https://www.findarticles.com/p/articles/mi_m2479/is_6_26/ai_54869104

  9. Imago Documentation and Hollis Frampton Software for Z80 Bibliography

    Imago Documentation and Hollis Frampton Software for Z80. File Imago.doc, last update 03.08.1983. Contents: Using Imago, Imago Verbs, Interfacing to Imago: Parameter Passing, Interfacing to Imago: Utilities, Extending Imago: Overlay Code, Extending Imago: Resident Code, Appendix A: the Editfont subs…

  10. Improvisational Video Bibliography

    David Shepherd and Group Creativity Project

  11. Imsai System Computer VIO Interface Board Rev. 1 Service Manual Bibliography

    Imsai System VIO Board Rev. 1 Service Manual. Includes photographs, descriptions, and schematics. Used in ETC Computer Project.

  12. In Between the Dark and the Light Television/Society/Art: A Symposium) Bibliography

  13. In Consecration of New Space Tools

    Dan Sandin describes the Image Processor (I-P) as a patch programmable general purpose analog computer for real-time video image processing which he designed and built; it accepts television camera, film chain and videotape inputs, routes images through modular processors to monitors or tape and can accept external biological and environmental sensor signals. Jim Weisman describes the Paik/Abe Video Synthesizer as a colorizing device accepting 14 inputs and mixing up to seven for monitor display or videotape. Philip Lee Morton states Video E/S is authorized under the Illinois Retailers' Occupation Tax Act to sell tangible personal property at retail, that the registration covers the Use Tax Act and related service tax acts, cites #188-411-5, and defines E/S as a compound of two words beginning with E and S.

  14. In The Anti Aesthetic: Essays on Postmodern Culture Port Townsend, Wash.: Bay Press, 1983. Bibliography

  15. In the Shadow of the Silent Majorities . . . or The End of the Social Bibliography

  16. In the Spirit of Fluxus Bibliography

  17. 1973 Inconsecration of New Space Chronology

    Inconsecration of New Space was presented at the University of Illinois on January 23, 1973; performers were Dan Sandin, Jim Wiseman and Philip Lee Morton. The presentation incorporated the Sandin Image Processor built by Dan Sandin and the Paik Abe Video Synthesizer built by Jim Wiseman at California Institute of Arts; cameras, film and videotape were also used.

  18. 1976 Independent Creative Artists Project Chronology

    New York State Council on the Arts (NYSCA) funds Independent Creative Artists Project (ICAP), under direction of Kitty Morgan, to help independents market work on cable

  19. 1977 Independent Documentary Fund Chronology

    The Ford Foundation and the National Endowment for the Arts created the Independent Documentary Fund at WNET-Channel 13 in New York in 1977

  20. 1965 Independent Electronic Music Center Chronology

    Independent Electronic Music Center, Trumansberg, New York. Founded by Robert Moog and Reynold Weidenaar in 1965. Weidenaar was connected with the Center from the Summer of 1965 to February 1969, and edited Electronic Music Review.

  21. Independent film and video in Boston Bibliography

    https://www.findarticles.com/p/articles/mi_m2479/is_n1_v25/ai_20198543

  22. 1979 Independent Film Project Chronology

    Independent Film Project, supported by The Ford Foundation held its first Film Market at the New York Film Festival in September, 1979

  23. Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy Bibliography

    Independent Mandate. Presented at the Conference Television Makers and Public Communications Policy.

  24. 1999 Independent Media Arts Preservation Chronology

    Independent Media Arts Preservation (IMAP) is established, with support from the New York State Council on the Arts and the Rockefeller Foundation.

  25. 1999 Independent Media Arts Preservation Chronology

    With support from the New York Foundation for the Arts, IMAP conducts a needs-assessment for a web-based cataloging tutorial and union catalog of independent media collections, under the direction of Jim Hubbard