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Adam Kendall People

Adam Kendall is a New York City video artist and musician who composes audiovisual work and performs solo and with collaborators including Vortex. He has worked with Hellbender Film Projekt and served as video resident for Brooklyn events Dogs Blood Rising and The Wrecking Ball. His work has screened nationally and internationally at New York venues and festivals including Experimental Intermedia (NYC 2005). He co-curated {R}ake, founded F:T:H, has been included in The New York Times and Remix, lectured at Parsons M.F.A., and lives in Brooklyn, NY; www.hellbender.org.

Adam Zaretsky People

Adam Zaretsky graduated in Art Studio from University of California at Davis, 1995. He has an Art and Technology MFA from the Art Institute of Chicago, 1999. He has two years experience as a Research Associate at Massachusetts Institute of Technology in the Arnold Demain Laboratory for Microbiology …

Adi Shniderman and Merav Ezer People

Merav Shniderman was born and raised in Tel-Aviv; an accidental sculpture course during mandatory military service led her to pursue art and she studied sculpture and flamenco before earning a Bachelors Degree in Fine Art from Beit Berl College. After two years of travel she settled in New York City and has exhibited in Israel and the USA; she and Adi Shniderman received a Finishing Funds 2007 award from the Experimental Television Center, and she currently lives and works in Brooklyn, NY.

Adrianne Wortzel People

http://www.adriannewortzel.com

Adriel Luis People

iLL-Literacy is a music and performance collective fusing funk, hip-hop, spoken word and interactive theatre; the group draws on the artistic and political history of Oakland and operates from a current Brooklyn base. Their live production USBUiLLD blends live digital funk music, visual effects and an evolved vocal performance; the production includes contributions from live digital producer Ada Clock and is directed by Kamilah Forbes (director of Def Poetry Jam on Broadway and Artistic Director of the Hip Hop Theater Festival). USBUiLLD invites audience participation to alter the process and outcome of each show through an open-sourced exchange of sound and motion called digit.iLL.Funk.

Adrienne Jenik People

Adriene Jenik is a telecommunications media artist, teacher and engineer with a BA from Douglass College (Rutgers) and an MFA in Electronic Arts from Rensselaer; she worked on Disney Online's Blast Jr. and has taught at CalArts, UC Irvine, USC and UCLA. Her work spans early community media with Paper Tiger TV and Deep Dish TV (1985-1990), performances with Snakes & Ladders, video and live-satellite pieces including What's the Difference Between a Yam & a Sweet Potato? and EL NAFTAZTECA, and the MAUVE DESERT CD-ROM translation of Nicole Brossard's Le Désert mauve. She served as Art Director on the CAL-IT2/HP ActiveCampus project, founded the Smokey Johnson Memorial Center for residencies in the Mojave Desert, and received a 1997 Rockefeller Foundation Fellowship in New Media and a 2001 Franklin Furnace commission.

Aesthetics and Politics. London Bibliography

Aetna Drivotrainer ADS-20 System, Service Manual Bibliography

Aetna Drivotrainer ADS-20 System, Service Manual includes schematics and exploded views. Introduction, Simulator Car, Dual Optical Sensor, Auto Module, Computer Relay Board, Printer, Accumulative Counters.

AFI Video Festival IV Bibliography

Interview with Jacqueline Kain, festival director

1989 After Collapse: Rebuilding Expressive Media Post Currents Chronology

After Collapse: Rebuilding Expressive Media Post Currents 1989. Curator: Neil Zusman. Artists included Peter Babula, Peer Bode, Tyrone Georgiou, Ralph Hocking, Megan Roberts, Raymond Ghirardo, Cork Marcheschi, Paul Sharits, Vibeke Sorensen, Kathy High, John Knecht, Dan Reeves, Neil Zusman

After Collapse: Rebuilding Expressive Media Post Currents 1989 Bibliography

Peter Babula, Peer Bode, Tyrone Georgiou, Ralph Hocking, Megan Roberts, Raymond Ghirardo, Cork Marcheschi, Paul Sharits, Vibeke Sorensen, Kathy High, John Knecht, Dan Reeves, Neil Zusman Curator(s): Zusman,Neil

After the End of Art Bibliography

Afterlude to the Exposition of Experimental Television Bibliography

Fluxus cc Five Three. Afterlude to the Exposition of Experimental Television by Nam June Paik. Section 2. "My experimental TV is not always interesting by not always uninteresting like nature, which is beautiful, not because it changes beautifully, but simply because it changes."

Agee on Film Bibliography

Agee on Film. Five Film Scripts by James Agee. Contents follow: Acknowledgments, Foreword by John Huston, Noa Noa, The African Queen, The Night of the Hunter, The Bride Comes to Yellow Sky, and The Blue Hotel.

Agenda Preservation

Looking Back/Looking Forward: A Symposium on Electronic Media Preservation convened May 31–June 1, 2002 at Downtown Community Television Center with a reception at MercerMedia. Organized by the Experimental Television Center with IMAP and Bay Area Video Coalition and funded by the NYS Council on the Arts Electronic Media and Film Program, the program covered physical preservation and remastering (including 1/2” open reel workflows), economics, media formats, collection assessment and documentation of artists’ instruments and ephemera, with presentations by Luke Hones, Heather Weaver, Kacey Koeberer, Mona Jimenez and Sarah Stauderman.

AIDS TV: Identity, Community, and Alternative Video Bibliography

Videography by Catherine Saalfield

Akai VT 150 Tools

Technical data sheet for the AKAI VT-150 color video tape recording system; describes a lightweight VTR and multi-purpose color camera with Automatic Editing Control, Stop Motion (with jeeped monitor), Sound Dubbing and Two-Head Helical Scan recording, complete system weight 22 lb and 26 minutes recording per 5" reel (up to 40 minutes on batteries). The camera is NTSC frequency-multiplex with a 2/3" vidicon luminance tube and Akai color dissector, 6X (12.5–75mm) F2 zoom and 525-line scanning; CCU-150 supplies NTSC video/audio outputs and 120V AC power.

Akai 1730D-SS Surround Stereo Tape Deck Operator's Manual Bibliography

Akai 1730D-SS Surround Stereo Tape Deck Operator's Manual illustrated with photographs, diagrams, includes schematic diagram.

Akai VC-X2 Color Video Camera Operator's Manual Bibliography

Akai VC-X2 Color Video Camera Operator's Manual. Duotone, illustrated with diagrams. Product specifications. In English, French, Dutch, Sweedish, German, Spanish.

Akai VP-7350US/UJ and VU-7350US/UJ Service Manual; Akai VP-7300U Operator's Manual; VP-7350U and VU-7350US Operator's Manual; VC-X1U Color Video Camera Bibliography

Akai VP-7350US/UJ and VU-7350US/UJ Service Manual; Akai VP-7300U Operator's Manual; VP-7350U and VU-7350US Operator's Manual; VC-X1U Color Video Camera. Service Manual with Schematics. Operator's Manuals illustrated with photographs, diagrams, and product specifications.

Akai VT 100 and Akai VTS-110 DX Descriptions Tools

Akai Portable Video Tape Recorders The Akai VT 100 was a black and white portable video system which used ﾼ" tape. Introduced around 1969, the machine could record video using normal audio tape, although the quality was improved when using the Akai's special quarter-inch videotape. From Product Lite…

Akai VT-100, VT-110, VM-110, VA-110, VA-300, VF300E, VT-300, VC-110, VM-100S, VC-300, VC-65US, VPS-7350 VHS Portable Systems Operator Manuals and schematic diagrams Bibliography

Akai VT-100, VT-110, VM-110, VA-110, VA-300, VF300E, VT-300, VC-110, VM-100S, VC-300, VC-65US, VPS-7350 VHS Portable Systems Operator Manuals and schematic diagrams. Illustrated with photographs, operator instructions, technical specifications, block diagrams. Includes schematic diagrams.

Akai VTS-110 DX, VTS-150 1/4 in. Portable Video Systems, VT-700 Studio 1/4 in. Video Tape Deck Bibliography

Akai VTS-110 DX, VTS-150 1/4 in. Portable Video Systems, VT-700 Studio 1/4 in. Video Tape Deck. Illustrated with color and black and white photgraphs of system, close-ups of connectors and controls, controls views front and rear, block system diagram, summary of applications and results

1985 Akwesasne Cultural Center Chronology

Akwesasne Cultural Center, Hogansburg, funded for video workshops and to tour Native American films to community centers in northern New York

1985 Akwesasne Cultural Center, Chronology

Akwesasne Cultural Center, Hogansburg. NYSCA funded video workshops and tour of Native American films to community centers in Northern NY.