Bibliography

Ways of Seeing Bibliography

We Can't Go Home Again Bibliography

Perspective on Nicholas Ray's film We Can't Go Home Again by a student-participant in the film, made at Binghamton University in the early 1970s. Wim Wenders. Lightning Over Water

Wegman's World Bibliography

Wegman's World Bibliography

Well, It’s a Heck of a Long Way from Marcus Welby Bibliography

Work of Stephen Beck at the National Center for Experiments in Television at KQED, San Francisco

Wellman Hall to Host Multi-Media Exhibition Bibliography

"The Birchbark Canoe" exhibition at Wellman Hall at the Springfield Library (MA) featured a videotape, "Ideal Canoe" by Ken Dominick. "A single videotape depicts the construction of the ideal canoe." - The Kitchen calendar and newsletter, January 1974. Exhibition: Everson Museum of Art (Syracuse), T…

Wells-Gardner Electronics Corporation. Black and White TV Monitors Service Manual and Parts Catalog. Models V1001- Chassis only, 19V1001 - 19" CRT, 19V1003 - 19" CRT, 22V1001 - 23" CRT, 22V1003 - 23" CRT Bibliography

Wells-Gardner Electronics Corporation. Black and White TV Monitors Service Manual and Parts Catalog. Models V1001- Chassis only, 19V1001 - 19" CRT, 19V1003 - 19" CRT, 22V1001 - 23" CRT, 22V1003 - 23" CRT. Includes coverpage photograph, general information, theory of operation (block diagrams), schem…

Weltonville Meeting Bibliography

April 15, 1978 meeting: Meryl Blackman, Peer Bode, Paul Davis, Ralph Hocking, Sherry Miller, Steina Vasulka, Walter Wright, Neil Zusman. Discussion of ETC and tool development.

Werke 1946-1976: Media Planning for the Postindustrial Society Bibliography

Werke 1946-1976: Norbert Wiener and Marshall McLuhan Bibliography

WGBH New Television Workshop: Background of the The New Television Workshop at WGBH-TV Boston Groups

In the late 1960s KQED, WNET and WGBH-TV established experimental television labs funded by the Rockefeller Foundation and the National Endowment for the Arts to give artists access to television. Under WGBH producer Fred Barzyk the New Television Workshop and a Rockefeller Artists-in-Residence project began; the Workshop broadcast Medium is the Medium (1969) and Nam June Paik and Shuya Abe built the first video synthesizer there (1969–70). The Workshop opened a Watertown studio in 1974, donated equipment to the Boston Film/Video Foundation in 1978 and was closed by WGBH in 1993.

What I would like the future to hold is both/and Bibliography

The Squealer: the low-tech/ high-tech issue. What I would like the future to hold is both/and... by Ann-Sargeant Wooster.

What is Cinema? Bibliography

What is Grace in All This Madness: The Videotapes of Dan Reeves Interview

Dan Reeves is a video artist who began making film and videotapes in 1979 after earlier work in sculpture and photography; his work treats political and social issues, notably nuclear war and Vietnam, as well as spiritual themes. Major tapes include Smothering Dreams (1981), about his Vietnam combat experience, and Sabda (1984), assembled from footage shot in India in 1983 with sound by Debra Schweitzer and Guggenheim support. He worked at Cornell's Educational Television Center, collaborated with Jon L. Hilton, and employed slow motion, Quantel and digital-imaging techniques.

What Is This Channel Four? Bibliography

What the Manual Didn't Tell You: Film/Tape Image Conversion Bibliography

Whatever Happened to Guerrilla TV? Bibliography

Whispers and Cries: Bill Viola at AFI Bibliography

White Ox Films, Inc. - Cinemedia Resource Center: Summary (1997) Groups

White Ox Films, a Rochester, New York non-profit incorporated in 1972 and directed by David Tulbert, sought to develop and publicize conceptual, technical and practical systems in cinema technology, aesthetics and communications and to place film and television in public hands. In the 1970s it presented exhibitions, ran Film Farm (an eight-week summer workshop for gifted high school students) and screened Summer Dreams outdoors at the Rochester Highland Bowl; two projects were funded by the New York State Council on the Arts under Peter Bradley. A 1975 NYSCA grant established the Cinemedia Resource Center, which loaned Super-8 and 16mm equipment, offered workshops and a visiting-artist program, published the Cinemedia Newsletter and pursued technology development with additional NEA support.

White Ox Films: Funding the Future Bibliography

Organization of White Ox Films in Rochester; David Tulbert, director

Whitney Museum of American Art - Video Program: Chronology: Video at the Whitney Museum 1971-1983, Marita Sturken (1983) Groups

Chronology compiled by Marita Sturken for Afterimage (May 1983) documenting video programs at the Whitney Museum from 1971 through 1983; it lists exhibitions, biennials, retrospectives and thematic programs with artists and individual works. Entries record formats and presentation modes including projected video, two-channel pieces, satellite and Manhattan cable telecasts, film and video installations, audio installations and performance/telecasts; dates for works and exhibitions are given throughout. Notable recurring items include biennial exhibitions and a Nam June Paik retrospective.

Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004 Bibliography

Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004. Program notes includes artist's biography and curators' essay. Institution/Organizer: Whitney Museum of American Art Site: Whitney Museum of American Art Curator(s): Rinder,Lawrence Ehren…

Who's in Control? Issues in Interactive Media Art Bibliography

A discussion of control in interactive digital art centered on the authors sound-and-video installation The Listening Microphone; users vocalize into a microphone, Max (Opcodes Max) converts voice to MIDI via analog-to-MIDI converters to trigger SampleCell playback (32 MB of voice samples recorded live) and QuickTime video jump-cuts, with spatialized output through small amplified speakers. The text situates the project with reference to John Cage (indeterminacy), Walter Ong (sound vs visual sensorium), Sherry Turkle (simulated presence), Donna Haraway (the cyborg) and Thomas Edison (recorded voices).

Who's Who in Video: Bill Viola Bibliography

Whose Life Is it, Anyway? Bibliography