Bibliography

The Intelligent Eye Bibliography

The Intelligent Eye with 3-D Stereo Illustrations. Contents follow: Foreword, Directions for viewing the 3-D pictures and performing the experiments in this book, Objects and pictures, The peculiarity of pictures, Ambiguous, paradoxical and uncertain figures, Distorting figures, Scaling the universe…

The Interactive Show Bibliography

regional exhibition of installations Site: University of Buffalo Curator(s): Zusman,Neil

The Interactive Show Bibliography

Fred Bacher; Karen Collette and Bernd Ewert; Dana Hatchett; Eric Jensen; Katrin Jurati; Brent Scott; David Stieglitz; Jason Tenant; Peter Babula and Mindy Tousley; Alan Van Avery; Jamie Wilson; Jonathan Woolson;

The International Agency for Minority Artist Affairs - A Brief History Groups

IAMAA was founded in 1978 by Gregory Javan Mills and is a New York State nonprofit with 501(c)(3) status; it was designated the Harlem Art Council in 1996. The agency ran arts training programs in Harlem/Upper Manhattan, received MacArthur Foundation grants (1995–96) to create the Harlem Media Center, partnered with Manhattan Neighborhood Network from 1997 to teach public-access TV, and donated over 30 personal computer systems and over 10 video cameras to community groups and trainees.

The Issue of Video Art Bibliography

The Kitchen Bibliography

The Kitchen Center for Video and Music was founded in 1971 by Woody and Steina Vasulka and relocated in 1973 from the Broadway Central Hotel kitchen to a Broome Street loft. Initially funded through Howard Wise and Electronic Arts Intermix, it became the non-profit Haleakala, Inc. under Robert Stearns and shifted from funding experiments to presenting electronic music and video works. It has shown tapes and performances by artists including Juan Downey, operates a video room for 1/2- and 3/4-inch tapes, publishes a monthly calendar and catalog, and is funded by the National Endowment for the Arts.

The Kitchen Bibliography

Profile and history

The Kitchen - Histories Groups

The Kitchen began in the unused kitchen of the Mercer Arts Center in Greenwich Village in July 1971 and opened June 15, 1971; Woody and Steina Vasulka established it for video and electronic arts, which soon embraced music, performance, dance and film. It relocated from 240 Mercer Street to 59 Wooster Street in late 1973 and incorporated as the not-for-profit Haleakala, Inc. in April 1974, later moving in 1985 to 512 West 19th Street. Support from Electronic Arts Intermix, Howard Wise and the New York State Council on the Arts provided grants, including $15,000 to Perception in 1971 and $8,000 directed to The Kitchen; the organization staged festivals and concert series and invested in production-grade video equipment and media services.

The Kitchen: Center for Video and Music 75-76 Bibliography

The Kitchen: Center for Video and Music 75-76. Library of Congress Catalogue No. 76-56972. Catalog includes Preface by Director, Robert Stearns, Introduction by Peter Frank. Other contents follow: Chronology 1975/76, Documentation and Appendix. Features several artists, namely Ralph Hocking, Sherry …

The Language of New Media Bibliography

the language of new media placed within the history of modern visual and media cultures.

The Language of the Self Bibliography

The Language of Video Bibliography

The Language of Video

The Living Room War Bibliography

The Look of Things Bibliography

The Low Budget Video Bible. Revised Second Edition Bibliography

Technical information on equipment operation, purchase; editing; lighting and new media opportunities

The Low Power Television Guidebook: A Primer on the Low Power Service Bibliography

Information relating to applications for low power tv licenses.

The Luminous Image Video Installation Bibliography

The Luminous Image. In Dutch and English Bibliography

David Ross "Truth or Consequences American Television and Video Art". Jean-Paul Trefois "From Video Art to Art".

The Machinery of the Brain Bibliography

The Machinery of the Brain. Contents follow: Preface, The Electrical Properties of Nerves, The "Schematic Diagram" of the Nervous System, Peripheral Data Processing in the Nervous System, Automatic Control Circuits in the Nervous System, Permanently Wired-in Behavior Patterns of Lower Animals, Elect…

The Macro Proto Proposal Tools

Daniel Sandin's early draft grant proposal advocates developing educational machines and interfaces; he compares public-school capitalization ($10 per participant) with modern communication-company capitalization ($20,000 per worker) and argues for economic efficiency through appropriate technology. He discusses transfer of course content to machines and the loss of incidental learning, the advent and uses of generalized machines including pencils, television and general-purpose digital computers, and the necessity of teaching generalized-machine use. He emphasizes perceptual learning, cites Rudolf Arnheim and the Bauhaus Institute of Design, and stresses man-machine feedback control and perceptually rich input-output interfaces.

The magnetic era : video art in the Netherlands : 1970-1985 Bibliography

Includes a glossary. The evolution of video in the Netherlands between 1970 and 1985. While discussing the theoretical issues raised by the video practices that emerged over these two decades, the contributing authors report on the development of institutions devoted to producing and distributing vi…

The Making of the Irish Tapes Bibliography

The Media Arts in Transition Bibliography

Includes Bill Viola "Sonic Recommendations on Establishing Standards for the Exhibition and Distribution of Video Works."

The Media Arts In Transition Bibliography

Texts by Ron Green, Brian O'Doherty, VIrgil Grillo, Gene Youngblood, Howard Wise, Jonas Mekas, Stan Brakhage, Nam June Paik, Shirley Clarke, Ed Emshwiller, Tony Conrad, Alvey Ray Smith, Frank Hodsoll, B. Ruby RIch, Renee Tajima, Barbara London, John Giancola, Jon Alpert, George Stoney, Bill Viola an…

The Media Lab: Inventing the Future at MIT Bibliography

The convergence of communications technologies and the efforts to make mass media individualized media