- Peter Kubelka People
Peter Kubelka is an independent filmmaker since 1952 and a multifaceted artist and theoretician active in architecture, literature, music, painting and cuisine. In 1964 he co-founded the Austrian Film Museum and served as its curator for many decades; he is co-founder of the Anthology Film Archives in New York City and became professor in film and video at the Frankfurt School of Fine Arts in 1978, serving as Rector from 1985-88 and extending his title to Professor of Film and Cuisine. He has lectured worldwide over the past 40 Years, was awarded the Austrian State Prize for his lifes work, and created frame-by-frame shorts between 1956 and 1960 including Adebar, Schwechater and Arnulf Rainer; Alexander Horwath cites him as a major cinematheque founder and archivist.
- Dieter Daniels People
Dieter Daniels initiated the Videonnale Bonn in 1984; he was director of the ZKM Video Library from 1992 to 1994 and since 1993 has been Professor of Art History and Media Theory at the Leipzig Academy of Visual Design. He authored and edited numerous publications including Duchamp und die anderen (1992), Media Art Interaction. The 1980s and '90s in Germany (2000), Kunst als Sendung. Von der Telegrafie zum Internet (2003) and Vom Readymade zum Cyberspace. Kunst/Medien Interferenzen (2003); he curated exhibitions such as the 1994 Minima Media at MedienBiennale Leipzig, coedited the Internet project mediaartnet.org, and since 2006 has been Director of the Ludwig Boltzmann Institute Media.Art.Research. in Linz, Austria.
- Barbara London People
Barbara London, Curator of Media Arts at the Museum of Modern Art, founded the Museum's Video Exhibition Program in 1974 and established an international context for video and media art, presenting artists including Laurie Anderson and Bill Viola. She helped found the Video Study Center and assembled over 1,000 independently produced videotapes and related historical and theoretical publications to link electronic arts with traditional art mediums. She took two sabbaticals in Japan to investigate electronic technologies and effects on art and published InterNyet, Stir-fry, Non-Personal Computer Art (Lyon Biennial, Musee d'Art Contemporain, 1995) and Time as Medium, Leonardo Vol. 28, No. 5.
- Emile Devereaux People
Emile Devereaux works at the intersection of electronic media production and theory. His artistic practice includes interactive electronics installation, 3D animation, and digital media. His work has been shown widely as broadcast media and in international exhibitions, including such venues as Ars …
- Peter D'Agostino People
Peter d'Agostino is an artist working in video and new media for three decades; his projects have been presented internationally as installations, performances, telecommunications events and broadcast productions. Recent surveys include Interactivity and Intervention, 1978-99 at the Lehman College Art Gallery, New York, and Between Earth & Sky, 1973/2003 at the University of Paris I Partheon-Sorbonne; major group exhibitions include the Whitney Biennial, the Sao Paulo Bienal and the Kwangju Biennial. His work is held by The Museum of Modern Art and distributed by Electronic Arts Intermix; he is a Fulbright Scholar, has received grants from NEA, Japan Foundation, Pew Trusts and others, has held multiple residencies, directs Temple Universitys NewTechLab, and has produced interactive projects and publications on new media.
- Lev Manovich People
Lev Manovich is Professor in the Visual Arts Department at the University of California, San Diego who teaches new media art and theory and authored The Language of New Media (MIT Press, 2001) and Tekstura (Chicago University Press, 1993). The Language of New Media has received over 40 reviews and been translated into Italian, Korean and Chinese; his awards include a Guggenheim Fellowship (2002–2003) and fellowships from CalArts, UC Santa Barbara and the Zentrum für Literaturforschung, Berlin. Born in Moscow, he moved to New York in 1981, earned an M.A. (NYU, 1988) and a Ph.D. (University of Rochester, 1993); he has worked with computer media since 1984 and since 2006 directs the Ludwig Boltzmann Institute Media.Art.Research. in Linz.