- The International Video Art Symposium Chronology
Program of the International Video Art Symposium held at the Agnes Etherington Art Centre, Queen's University, Kingston, Ontario, March 5-7, 1979; the transcript assembles papers and texts by Wulf Herzogenrath (Video Artists and Television as a Medium), Ian Murray (Support Structures for Artists Working with Videotape), Susan Britton (Video Lunch) and Paul Wong (Making Video: Cable Access, Artists Cooperatives, Fees and Rights). It also includes contributions by David Hall, Maria Bicocchi, Kate Craig, Michael Goldberg, Clive Robertson and Jamie Davidovich, and reprints from Video as a Community or Political Tool, Vancouver Art Gallery.
- International Video Art Symposium Bibliography
texts: Wulf Herzogenrath (Video Artists and Television as a Medium); Ian Murray (Support Structures for Artists Working with Videotape; Susan Britton (Video Lunch); Paul Wong (Making Video: Cable Access, Artists Cooperatives, Fees and Rights); Reprints from "Video as a Community or Political Tool", …
- Video is Being Invented Bibliography
Nam June Paik is presented as a seminal figure in the emergence of video art; he experimented with television in Germany and Japan, moved to New York in 1964, and with Shuya Abe developed the Video Synthesizer in 1970, producing works such as the T. V. Chair and the Television Bra. The text surveys artists working in video—Keith Sonnier, Linda Benglis, Joan Jonas, Nancy Holt, William Wegman, Michael Snow, Bruce Nauman, Peter Campus and George Boiling—and documents practices using portable videotape recorders, live feedback, colorization and synthesized color, video environments, and independent video groups and cable/public-access distribution.
- Video: The Reflexive Medium Bibliography
Sara Hornbacher, Guest Editor, frames eleven articles and reviews and includes Barbara Londons Selected Chronology covering 196393 to outline the brief history of video art. Contributors examine technological and institutional change, including Benjamin Buchloh on developments since the mid-1960s; Katherine Dieckmann on Electra at the Mus6e d'Art Moderne de la Ville de Paris (1984); Lucinda Furlong on image-processed video and Nam June Paik and the marketing of portable video equipment by SONY/Japan; and the rise of media centers funded by state and federal agencies and university programs. Hornbacher is a visual artist, curator and artist-in-residence at The Experimental Television Center, Owego, New York, since 1976.
- David Hall People
Bibliography (2002–2010) lists books, articles and an online entry related to video art, including Film Art Phenomena (Nicky Hamlyn, British Film Institute, 2003); Everything Seemed Possible (Richard Cork, Yale University Press, 2003); Video Art: A Guided Tour (Catherine Elwes, I.B. Tauris, 2005); A History of Video Art (Chris Meigh-Andrews, Berg, 2006); and 100 Video Artists (EXIT Publications/Fundación ICO, 2010). Selected exhibitions (2003–2006) document presentations and installations at Tate Britain, FACT Liverpool, Galeria Wschodnia and Polish universities, De La Warr Pavilion, Dundee Contemporary Arts and Museo Nacional Centro de Arte Reina Sofia (Madrid), and include thematic video- and television-focused shows such as First Generation: Art and the Moving Image 1963-1986, Test Transmissions and Analogue (touring until 2008).
- Al Razutis People
Media Artist and innovator, since 1967, in the areas of film and video, avant-garde film, video art, holographic art, and more recently, stereoscopic 3D video, digital graphics - web media and web-based virtual reality. His films have received a number of awards, including a 1988 Los Angeles Film Cr…