Biblio

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bibliographic
Frampton, Hollis. The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Frankenstein, Alfred. "The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973." This World (1973).
Gardner, Paul. "Tuning in to Nam June Paik." Artnews 81, no. 5 (1982).
Gartel, Laurence. "The Incubation of Electronic Imaging: Let the Fun Begin." Photomethods 25, no. 9 (1982).
Gartenberg, Jon. "Twelve building blocks: Good Films, Good People, Support Base, Ethics, Skills, Procedures and Principles, Facilities, Money, Policies, Information, Coordination, Intellectual Framework." Journal of Film Preservation 24, no. 50 (1995).
Gattegno, Caleb. Towards a Visual Culture: Education through Television. New York, NY: Avon Books, a division of the Hearst Corporation, 1969.
Gear, Josephine. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Gerbner, George. The Analysis of Communications Content, Edited by George Gerbner. NY: John Wiley, 1969.
Gessner, Robert. The Moving Image: A Guide to Cinematic Literacy. New York, NY: E. P. Dutton & Co., Inc., 1968.
Gitlin, Todd. The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
Reilly, John. The Endangered Documentary and Other Species: A Continuing Series.... New York, NY: Global Village, undated.
Goldberg, Ken. The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Edited by Ken Goldberg. MIT, 2000.
Gorewitz, Shalom. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Graham, Peter. The New Wave. Garden City, NY: Doubleday & Company Inc., 1968.
Gregory, R. L.. The Intelligent Eye. New York, NY: McGraw-Hill Book Company, 1970.
Grenier, Vincent. Ten Years of Living Cinema. NY: Collective for Living Cinema, 1982.
Gretzen, Phillip. "The National Center for Experiments in Television." Videocity - Radical Software from San Francisco 2, no. 3 (1972).
Grossman, Peter. "The VIdeo Artist as Engineer." Videography 3, no. 10 (1978).
Gustafson, Julie. The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.
Hall, Doug. The Spectacle of Image. Boston: Institute of Contemporary Art, 1987.
Hall, Sue, and John and Hopkins. "The Metasoftware of Video." Studio International 40669 (1976).
Hallock, Don. The Videola Under Construction in the Studio., undated.
Handte, Jerry. "Tender, Loving Care for Video Artists." Binghamton Press (1974).
Harari, Josue V.. Textual Strategies, Edited by Josue V. Harari. Vol. 1979. Ithaca, NY: Cornell University Press,, undated.
Harries, Dan. The new media book, Edited by Dan Harries. London: British Film Institute, 2002.
The Harrison Laboratories LVR Series DC Power Supply Operating and Service Manual Model 6263A DC Power Supply. Berkeley Heights, NJ: Harrison Laboratories, Hewlett Packard, 1965.
Hearn, William. The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
Heidegger, Martin. The Question Concerning Technology and Other Essays. Translated by William Lovitt.. NY: Harper Colophon Books, 1977.
Herzogenrath, Wulf. "The Video Scene." LBMAVIDEO 2, no. 6 (1986).
Hill, Gary. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.

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