Biblio

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E
Electronic Arts Intermix Artists in 1995 Whitney Biennial Exhibition. New York, NY: Electronic Arts Intermix, 1995.
Electronic Arts Intermix Presents: New Tapes 1997. New York, NY: Electronic Arts Intermix, 1997.
ElectroComp Studio Synthesizer Model EML-200; Performance Synthesizer Model EML-100; Manual Controller Model EML-300. Vernon, CT: Electronic Music Labs, Inc., undated.
Eidophor Black and White Video Projector Operating Instructions Appendix One for Video and Deflection Chassis Type 250. Eidophor, 1966.
Eidophor Working Instructions, (condensed copy also). Basel: Eidophor, 1961.
Eidophor Large Screen Television Operator Manual (English). Regensdorf, Switzerland: Eidophor, Phillips, Gretag Limited, 1961.
Eidophor Fernseh-Grossbild-Projektor (German), with hand-written English annotation on photographs. Eindhoven, Holland: Eidophor, Phillips, 1961.
Eidophor Operator's Manual- Copy. Zurich: Eidophor, 1961.
Economos, Nicolas. "Embracing Digital Ruptures." The Squealer 15, no. 1 (2004): 2.
D
Druckery, Timothy. Electronic Culture, Edited by Timothy Druckery. NY, 1996.
Dieckmann, Katherine. "Electra Myths: Video, Modernism, Postmodernism." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
DeWitt, Tom. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: The Video Synthesizer by Tom Dewitt., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Davis, Paul. Experimental Television Center S-100 Bus and Interface. Owego, NY: Experimental Television Center, 1977.
C
Curtis, David. Experimental Cinema. NY: Delta, 1971.
ETC Computer System User's Guide and Documentation (Master), Large Blue Binder. Cromemco, Digital Research, Measurement Systems and Controls, 1976.
Electronic Hokkadim. Washington, DC, 1971.
Embossed Cardboard Artwork/Diagram for Col-R-Tel Color Converter.. Columbia City, Indiana, 1955.
Collins, Dan. "Electronic Linguistics: Taka Iimura." ArtWeek 11, no. 41 (1980).
Coleman, Connie. "Exploring New Forms in the VIsual Arts Through the Use of Electronic Tools: Videography and Computer Graphics." Leonadro 20, no. 3 (1987).
Chadabe, Joel. Electric Sound: The Past and Promise of Electronic Music. Prentice Hall, 1997.
EVR from the Inside Out, Cassette TV: How soon can it start helping your students learn?, others. New York, NY: CBS, 1970.
B
Buckminster Fuller, R., Jerome Agel, and Quentin Fiore. Environment and man's future- by the visionary genius of our time: I Seem To Be a Verb. "The most important fact about Spaceship Earth: An instruction book didn't come with it.". New York, NY: Bantam Books, Inc., 1970.
Buckley, Tom. "Electrified Spaghetti on Avant Garde Fete Menu." New York TImes (1972).
Buchla, Don. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Bubmann, Klaus, and Florian Matzner. eine DATA base: Nam June Paik, Edited by Klaus Bubmann. Germany, 1993.
Brown, George. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.
Brewster, Richard. Element Buss Designation, MITS, Altair 8800 Compatible. ETC, undated.
Brewster, Richard. Experimental Television Center Buffer Memory Schematics. Binghamton, NY: Experimental Television Center, 1977.
Brewster, Richard, Don McArthur, and David Jones. Experimental Television Center LSI-11 Computer System Documentation. Owego, NY: Experimental Television Center, 1977.

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