SONY Owner's Instruction Manual ? Videocorder CV-2200A. Tokyo , Japan: SONY Corporation, 1969.

Gentle Electric. The Gentle Electric Model 101 Pitch and Envelope Follower. Finally, a reliable and versatile instrument-to-synthesizer interface for the professional musician.. Delta, CO: Gentle Electric., 1983.

New York State Council on the Arts Annual Report 1980-81. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1981.

Agetstein, Stephen. "San Francisco Video Festival." Video 80 2, no. 1 (1982).

Sitney, Adams P.. The Essential Cinema. Anthology Film Archives, series 2, vol. 1.. NY: New York University Press, 1975.

Feist, Rick. "What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).

Monaco, James. How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media. New York, NY: Oxford University Press, 1977.

Beck, Stephen. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Stephen Beck: Direct Video Synthesizer (Analog), 1970, Beck Video Weaver (Digital), 1974., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

Sony Corporation of America. Sony VideoImage Composer SMC-70G System. Welcome to the Exciting New World of Sony's Video Image Composer.. Japan: Sony Corporation of America., undated.

Hayman, Randy. "Archiving Videotape." Audio Visual Communications (1991).

"various." Art in America 70, no. 9 (1982): 1-176.

Sony Videorecorder EV Series Price Schedule (1 inch Tape Width) (2 copies)., 1972.

Gurevitch, Michael. Culture, Society and the Media, Edited by Michael Gurevitch. NY: Methuen, 1982.

Panasonic VTR/CCTV Product Catalog, (includes illustration, specification of NV-5000 Video Sheet Recorder, others)., undated.

Master, Channel. Howard W. Sams & Co., Inc. Photofact Folder, Set 1439, Folder 4. Channel Master Model 6259.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1974.

Thomson, Patricia. "Atomic Reactions: Film and Videotapes on Nuclear War and Disarmament." Afterimage 11, no. 9 (1984).

Z-80 Instruction Manual; 2708/2716 EROM Board Instruction Manual. Ithaca, NY: Ithaca Audio, 1977.

Newcomb, Horace. TV: The Most Popular Art., Edited by Horace Newcomb. NY: Doubleday, 1974.

Brewster, Richard. Experimental Television Center Buffer Memory Schematics. Binghamton, NY: Experimental Television Center, 1977.

Tekscope. Volume 10, Number 4.. Beavertown, OR: Tektronix., 1978.

Holman, David, and Bruce L. Holman. A Better Mousetrap: The CAESAR. Filmmakers Newsletter, 1975.

Rod., and Paul Davis. Harpo Description and Operating Instructions with additional notes and subroutines., 1979.

de Havilland, Robert. "Special Issue on Video." Print (1972).

Wise, Howard. TV as a Creative Medium. NY, NY: Howard Wise Gallery, 1969.

Hearn, William. 77 Videolab Module "A" Complete. Berkeley, California: Electronic Associates of Berkeley, 1976.

Tandy Corporation. Radio Shack. TRS-80 Color Computer Technical Reference Manual.. Fort Worth, TX: Tandy Corporation., 1981.

Creative Artists Public Service Program (CAPS). Annual Report 1979-80.. New York, New York: Creative Artists Public Service Program, 1980.

The Eighth Annual Los Angeles Asian Pacific Film & Video Festival. Los Angeles, CA: Visual Communications, 1993.

Keil, Bob. "Marlene and Paul Kos: Video Collaborations." Artweek 9, no. 21 (undated).

Shibaden. 17" Solid State Video Monitor, VM-171.. Japan: Shiba Electric Co., LTD., undated.