Biblio

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Book
Sandin, Daniel. The Analog Image Processing Component of the Circle Graphics Habitat. self-published, undated.
Sandin, Daniel J.. The Analog Image Processing Component of the Circle Graphics Habitat. Chicago, IL: University of Illinois at Chicago Circle, undated.
Gerbner, George. The Analysis of Communications Content, Edited by George Gerbner. NY: John Wiley, 1969.
Foster, Hal. The Anti-Aesthetic. Washington, 1983.
Foucault, Michel. The Archaeology of Knowledge. New York:: Harper and Row, 1972.
The Arp Electronic Music Synthesizer. Newto Highlands, MA: Tonus, Inc., undated.
Em, David. The Art of David Em: 100 Computer Paintings. NY: Harry N Abrams, 1988.
Battcock, Gregory, and Robert Nickas. The Art of Performance: A Critical Anthology, Edited by Gregory Battcock. New York: EP Dutton, 1984.
Kirby, Michael. The Art of Time. NY: E. P. Dutton, 1969.
Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
The Association of Film and Video Laboratories Handbook. Los Angeles, CA: ACVL, 1994.
Ahl, David. The Best of Creative Computing Vol. 1, Edited by David Ahl. Morristown, NJ: Creative Computing Press, 1976.
Price, Jonathan. The Best Thing on Television: Commercials. Baltimore: Penguin, 1978.
Innis, Harold. The Bias of Communication. Toronto: University of Toronto Press, 1951.
Rifkin, Jeremy. The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.
Lane, Giles. The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.
Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
Arlen, Michael. The Camera Age. NY: Farrar, Straus and Giroux, 1981.
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Cat-100 Computer Assisted Television System for the S-100 Bus. Palo Alto, CA: Digital Graphics Systems, 1979.
Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. Harmondsworth, Middlesex, England: Penguin Books Ltd., 1965.
de Lauretis, Teresa, and Stephen Heath. The Cinematic Apparatus, Edited by Teresa de Lauretis. NY: St. Martin's Press, 1980.
Loveless, Richard. The Computer Revolution and the Arts, Edited by Richard Loveless. Gainesville, FL: University Presses of Florida, undated.
Sorensen, Vibeke. The Contribution of the Artist to Scientific Visualization., 1989.
Toffler, Alvin. The Culture Consumers: A Study of Art and Affluence in America. NY: St. Martin's Press, 1964.
Rosenberg, Harold. The De-definition of Art. New York. NY: Horizon Press, 1972.
Quasha, George. The Dialogical Mode., 1982.
Lunenfeld, Peter. The Digital Dialectic: New Essays on New Media. Cambridge: MIT Press, 1999.

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