Biblio
The Center Will Not Hold: The Other New York - Regional Reflections." Afterimage 15, no. 3 (1987).
"The Institution of Criticism. Ithaca: Cornell University Press, 1982.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
The Tapes are Disappearing." The Squealer 13, no. Spring/Summer 2002 (2002).
"The Evolution of Thinking Machines." The Squealer (2004).
"The Evolution of Thinking Machines." The Squealer 15, no. 1 (2004).
"The Perception of Television Displays. Columbia University, 1973.
Television Myth and the American Mind. NY: Praeger, 1984.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Thank you for a residency.., 1975.
Tools, Technology and Access." Contact Sheet 97: 25th Anniversary Edition, no. 1998 (undated).
"Transnational Documentaries: A Manifesto." Afterimage (1997).
"The Video Scene." LBMAVIDEO 2, no. 6 (1986).
" The Question Concerning Technology and Other Essays. Translated by William Lovitt.. NY: Harper Colophon Books, 1977.
The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
Television Has Not Been Invented Yet." Print: Designing for TV: A Special Issue XXVI, no. I (1972).
"The Harrison Laboratories LVR Series DC Power Supply Operating and Service Manual Model 6263A DC Power Supply. Berkeley Heights, NJ: Harrison Laboratories, Hewlett Packard, 1965.
The new media book, Edited by Dan Harries. London: British Film Institute, 2002.
Textual Strategies, Edited by Josue V. Harari. Vol. 1979. Ithaca, NY: Cornell University Press,, undated.
Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Tender, Loving Care for Video Artists." Binghamton Press (1974).
"The Videola Under Construction in the Studio., undated.
The Spectacle of Image. Boston: Institute of Contemporary Art, 1987.
The Metasoftware of Video." Studio International 40669 (1976).
"The Global Village Handbook for Independent Producers and Public Television, Edited by Julie Gustafson. NY: Global Village Video Resource Center, 1981.
The VIdeo Artist as Engineer." Videography 3, no. 10 (1978).
"The National Center for Experiments in Television." Videocity - Radical Software from San Francisco 2, no. 3 (1972).
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