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bibliographic
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Robinson, Richard. The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
Holzmann, Gerard J.. Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Lachenbruch, David. "Your Complete Guide to VCRs." Panorama 1, no. 1 (1980).
De Jong, Constance. "Joan Jonas: Organic Honey's Vertical Roll." Arts Magazine 47, no. 5 (1973).
Pudovkin, V. I.. Film Technique. London, England: George Newnes, Limited, 1929.
Ancona, Victor. "Improvisational Video." Videography 2, no. 12 (1977).
Hearn, William. 77 Videolab Matrix Switcher. Berkeley, California: Electronic Associates of Berkeley, 1976.
View Master Personal Stereo Camera. Personal Reel Making.. View Master, undated.
Kaufman, Paul. "Television and Reality: A Report from the Television: Art and Information Meeting (Asilomar, CA 6/8-11/73." National Center for Experimental in Television Reports 2 (undated).
Creative Artists Public Service Program (CAPS). Annual Report 1980-81.. New York, New York: Creative Artists Public Service Program, 1981.
Shibaden. Closed Circuit Television Systems.. USA: Shiba Electric Co., LTD., 1966.
Agetstein, Stephen. "San Francisco International Video Festival." Video 80 1, no. 1 (1980).
Jacob, Mary Jane. Shigeko Kubota: Video Sculpture, Edited by Mary Jane Jacob. New York, NY: American Museum of the Moving Image, 1991.
Introduction to Final Report to NEA for the LSI-11 Computer Project. Binghamton, New York, 1977.
Sandin, Dan, and Phil Morton. Sandin Image Processor Presently Optimized. Chicago, IL: self-published, 1971.
Zusman, Neil. Post Currents: A Gallery of Electronic Arts. Buffalo, NY: University of Buffalo, 1988.
MacCabe, Colin. High Theory/Low Culture: Analyzing Popular Television and Film, Edited by Colin MacCabe. NY: St. Martins Press, 1986.
The Model, Rien Nier II, Buena Vista, and Abstracts. Berkeley, CA: University of California, Berkeley, 1980.
Sony Portable Tape (Audio Casette) Recorders., undated.
Lenco PBB-321B Black Burst Generator Instruction Manual; PSD-340B System Delay Module; PCB-320 Color Bar Generator; PVA-350 Video Distribution Amplifier; PSG-310 Sync Generator; PFM-300B and PPS-302 Frame and Power Supply. Jackson, Missouri: Lenco Inc. Electronics Division, undated.
Demby, Betty Jeffries. "Highlights from Cannes: Ray: You Can't Go Home Again." Filmmakers Newsletter (1973).
Sony Corporation of America. Sony. BVU-500A Operator's Guide.. USA: Sony Corporation of America., 1978.
MPCS Sales Literature. NY, NY: MPCS Communications Industries, Inc., undated.
Fox, Michael J., and Peter Wilkerson. Suzanne L. R. edited by Warren. Introduction to Archival Organization and Description: Access to Cultural Heritage. Getty Information Institute, 1998.
Stern, Gerd. Support of Television Arts by Public Funding: The New York State Council on the Arts in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Metz, Christian. "The Fiction Film and Its Spectator: A Metapsychological Study." New Literary History 8, no. 1 (1976).
New York State Council on the Arts: Proposal for Development of Synthesis System by Walter Wright for Live Performance., 1973.
Sony Corporation of America. New Product Information. Sony Special Effects Generator SEG-1A.. New York, NY: Sony Corporation of America., 1974.

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