Biblio
"A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
"The Incredible Animation Machine." Videography 2, no. 11 (1977).
"The Incredible Electronic Animation Machine." Computer Image (1977).
Syntauri Simply Music. Los Altos, CA: Syntauri, 1983.
"The Movement Within: Images Created on a Video Synthesizer." Videography 4, no. 12 (1979).
"Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
"Computer Inputs and Outputs." Scientific American (1966): 86-97.
Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
"Quest for What: Video by the HalfLifers." Film Comment (1999).
The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.
"The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
"Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
"TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
"An Interview with George Stoney." Afterimage (1984).
"Video as a Performance Medium." Sightlines 16, no. 3 (1983).
"Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
"A Narrative Conceit: From the Academy to the Avant Garde." Afterimage 9, no. 9 (1982).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
"Imaging postmemory/renegotiating history." Afterimage (1999).
"Denman's Col (Geometry): Mary Lucier." Afterimage 9, no. 7 (1982).
"TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).
"The Gentrification of Video." Afterimage 13, no. 4 (1988).
"An Interview with Barbara Buckner." Afterimage 12, no. 10 (1985).
"Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
"Media Independents Push for Access." Afterimage (1980).
