Biblio
A Brief History of "6673". New York, New York, 2003.
"The Incredible Electronic Animation Machine." Computer Image (1977).
"The Incredible Animation Machine." Videography 2, no. 11 (1977).
Syntauri Simply Music. Los Altos, CA: Syntauri, 1983.
"The Movement Within: Images Created on a Video Synthesizer." Videography 4, no. 12 (1979).
"Computer Displays." Scientific American 222, no. 6 (1970): 57-76.
"Computer Inputs and Outputs." Scientific American (1966): 86-97.
Supradrive 500XP Harware Operator's Manual. Supra Corporation.. OR: Supra Corporation., 1990.
"Quest for What: Video by the HalfLifers." Film Comment (1999).
The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.
"The Past Quarter Century and the Next Decade of Videotape Recording." SMPTE Journal 101, no. 1 (1992).
"The Whitney Museum and the Shaping of Video Art: An Interview with John Hanhardt." Afterimage (1983).
The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
"Imaging postmemory/renegotiating history." Afterimage (1999).
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents The Moving Image in Space: Public Funding and the Installation Form. New York, NY: The New York State Council on the Arts, 1994.
"The Gentrification of Video." Afterimage 13, no. 4 (1988).
"Howard Wise essay." (1984).
"Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
"An Interview with George Stoney." Afterimage (1984).
"Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
"Temporal Interventions: The Videotapes of Bill Viola." Afterimage 10, no. 40545 (1984).
Steina and Woody Vasulka: Machine Media, Edited by Marita Sturken. San Francisco, CA: San Francisco Museum of Modern Art, 1996.
"Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
"James Byrne's Video Projects: The Aesthetics of the Subject." Afterimage 10, no. 9 (1984).
