Biblio
Wells-Gardner Electronics Corporation. Black and White TV Monitors Service Manual and Parts Catalog. Models V1001- Chassis only, 19V1001 - 19" CRT, 19V1003 - 19" CRT, 22V1001 - 23" CRT, 22V1003 - 23" CRT.. Chicago, IL: Wells-Gardner Electronics Corporation, 1980.
Scratch and the Surface: Contemporary British Video." Afterimage 13, no. 6 (1986).
"Videotape Storage: How to Make Your Videotapes Last for Decades...or Centuries." American Cinematographer 64, no. 1 (1983).
" Long Term Storage of Video Tape." SMPTE Journal (1983).
"various." TV Magazine. (1983).
"Great Expectations: Artists' TV Guide." Artforum 20, no. 10 (1982).
"Media Alliance: A Network for the Electronic Arts." Videography 9, no. 7 (1984).
"Archival Moving Image Materials: A Cataloging Manual. Washington: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division, 1984.
A Computer Art for the Video Picture Wall." Art International, no. 15 (undated).
"American Film and Video: Whitney Biennial. Copenhagen: Statens Museum for Kunst, 1996.
Dream Reels: VideoFilms and Environments by Jud Yalkut. New York, NY: Whitney Museum of American Art, 2000.
"Apparatuses of Television issue." Wide Angle 11, no. 1 (undated).
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Television: Technology and Cultural Form. NY: Schocken Books, 1974.
Fire Over Water, Edited by Reese Williams. NY, NY: Tanam Press, 1986.
Steina and Woody Vasulka Videastes 1969-1984: 15 Annees d'Images electroniques. In French., Edited by Dominique Willoughby. Paris: MBXA/Cinedoc, 1984.
Information Arts : Intersections of Art, Science, and Technology. MIT Press, 2003.
Autonomous Technology. Cambridge: MIT Press, 1977.
A Whole Technology of Dyeing: A Note on Ideology and the Apparatus of the Chromatic Moving Image." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 105-124.
"TV as a Creative Medium. NY, NY: Howard Wise Gallery, 1969.
New Scene at Synapse." Videography 3, no. 2 (1978).
"The Social Production of Art. NY: New York University Press, 1984.
An Aesthetic of Redemption. NY: Columbia University Press, 1982.
The Myths of Information: Technology and Postindustrial Culture, Edited by Peter Wollen. Madison, WI: CODA Press, 1980.