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L-W Photo Motion Analyzer 900 Sales Literature; Athena 1300 Series Analytic Projector; Athena 224 Analytic Projector Bibliography
L-W Photo Motion Analyzer 900 Sales Literature; Athena 1300 Series Analytic Projector; Athena 224 Analytic Projector. Includes Sales cover letter, illustrated with photographs, technical specifications, and prices.
L. Halsey Brown People
L. Halsey Brown is an NYC-based artist working in the digital realm; her site-responsive and video works have been shown at alternative venues, galleries and museums internationally. One ongoing project, Places We Are, is a series of site-specific video projects in everyday spaces that use video to explore the psychological implications of social spaces such as bars and tour buses. She is also a video curator; her most recent project, media(tion); fragmentation and acceleration, will be on view at The Center of Photography at Woodstock in November, 2000, and she has taught at Film/Video Arts and received an MFA from California Institute of the Arts.
l'Art et la Video: 1960-1980. Edizioni Flaviani In French Bibliography
L'Image Electronique Bibliography
L'Image Electronique Conference publication; biographies of Walter Wright; Woody and Steina Vasulka. In French Institution/Organizer: Studio du Musee d'art contemporain Site: Studio du Musee d'art contemporain
1974 L'Image Electronique Chronology
L'Image Electronique at Studio du Musee d'art contemporain, Montreal. Conference publication. Text by Jean Pierre Boyer. Biographies of Walter Wright; Woody and Steina Vasulka. In French
La Quinzaine de la Video Bibliography
La Quinzaine de la Video. Periodic catalog is in French. Exhibition Dates: 42278 Artist(s): Robakowski,Josef
La Vie, Satelites, One Meeting One Life Bibliography
Lake Placid Video: Statement (1998) and Description (1975) Groups
Barbara Kristaponis is a video artist who over twenty years produced and exhibited video while writing grants, bartering lighting skills for edits, freelancing as lighting camerawoman and editor and using a Nagra; she studied lighting and TV engineering in Maine, directed a psychiatry-video unit for six years and performed other production roles on educational and industrial projects. Her work was partly supported by foundations including NYSCA and NEA Dance but was mostly self-funded. From 1973 to 1976 she ran Lake Placid Video with Don Grabau and Allan King at the Lake Placid Center for Music, Drama and Art and offered workshops in January–May 1975 noted in Afterimage (Dec. 1974, vol. 2, issue 6).
Lana Caplan People
Lana Z Caplan is a Boston-based film/videomaker, photographer and installation artist who works with super8, found footage and video; her work explores relationships, mortality and social issues. Recent screenings and exhibitions have taken place in San Francisco, Mexico City, Barcelona, Boston, New York and Storrs, CT. Her grants include the Puffin Foundation, Massachusetts Cultural Council, Vermont Studio Center, Contemporary Artist Center and Polaroid Corporation; she holds a B.A. from Boston University and an M.F.A. from Massachusetts College of Art and teaches at Massachusetts College of Art.
1968 Land Truth Circus Chronology
Land Truth Circus, San Francisco, experimental video collective founded by Doug Hall, Diane Hall and Jody Proctor
1972 Land Truth Circus Chronology
Land Truth Circus, San Francisco, experimental video collective renamed Truthco
1975 Land Truth Circus Chronology
Land Truth Circus, San Francisco, experimental video collective renamed Truthco in 1972 becomes T.R. Uthco
1978 Land Truth Circus Chronology
Land Truth Circus, San Francisco, experimental video collective renamed Truthco in 1972 becomes T.R. Uthco in 1975 . Disbanded.
Land-Tracking-Land Bibliography
Exhibition October 20 - November 19, 2006.
Landscape Video Bibliography
Landscape: Mediated Views Bibliography
Landscape: Mediated Views is an exhibition exploring landscape as a cultural construct and as mediated by imaging technologies; it cites Simon Schama and the 18th-century Claude glass and traces a shift from traditional painting to portable black-and-white video in the late 1960s and onward to contemporary digital technologies. The artists’ tapes document geographic, geological, cultural, narrative, interior and policy-related landscapes and consider how portability, camera and non-camera video processes, image processing and media systems alter representation, land use and perceptions over the nearly thirty-year history of the medium.
1998 Landscape: Mediated Views Chronology
Landscape: Mediated Views was an exhibition at Visual Studies Workshop held January 30–April 3, 1998; catalog texts were by Sherry Miller Hocking and administration was by Bob Doyle. The exhibition featured works by Jeffrey Lerer, Kristin Lucas, Peer Bode, Mary Lucier, John Orentlicher, Branda Miller, Mike Camoin, Dave Ryan, Steina, Barbara Buckner, Bill Viola, Philip Mallory Jones and Woody Vasulka. The project received support from the National Endowment for the Arts, the New York State Council on the Arts and Chase Manhattan Bank.
Landscape(s) Bibliography
dedicated to exploring issues of landscape and place, boundaries and territories, sites and mapping. Contributors to previous issues have included such artists and organizations such as: Peggy Ahwesh, Charles Atlas, Juan Downey, Cheryl Dunye, National Campaign for Freedom of Expression, DYKE TV, Ken…
Lara Odell People
EDUCATION 2000 MAH in Media Studies, State University of New York at Buffalo. 1998 BFA, Alfred University, Institute for Electronic Arts. AREAS OF SPECIALIZATION Digital imaging and printing, including large format printmaking; all stages of digital and analog video production; electronic sound reco…
Larry Cuba People
Larry Cuba is a pioneer of computer animation who produced his first computer animation in 1974 and taught himself on NASA Jet Propulsion Laboratory mainframes while a graduate student at California Institute of the Arts. He collaborated with John Whitney Sr. on Arabesque and created 3/78 (Objects and Transformations), Two Space and Calculated Movements; these works screened internationally, including at MoMA. Cuba received grants from AFI and NEA, held a ZKM residency, served on juries for Siggraph and Ars Electronica, and pursues algorithmic abstraction noted by Raphael Bassan in La Revue du Cinema (1981).
Larry Gartel People
Laurence (Larry) Gartel, BFA Graphics 1977, School of Visual Arts, NYC, is an internationally exhibited digital and computer artist with numerous solo shows at museums and galleries including Coral Springs Museum of Art (2004), Palm Beach Photographic Museum (2001) and the Norton Gallery (1991). His work appears in public and corporate collections including MoMA Lending Collection, Long Beach Museum of Art and Philip Morris; he has received awards and residencies (IDAA/Laurence Gartel Award, Experimental TV Center), completed major corporate commissions, taught and lectured widely, and has been the subject of a 2003 documentary and 1997 CD-ROM.
Larry Shea People
Larry Shea is a New York based artist working in video and interactive digital media who creates site-responsive, computer-choreographed interactive spaces that process spoken contributions into architectural speaker arrays and sound sculptures. His works include Use it or Lose It (installed at The Anthology Film Archives, NY for the Mix Experimental Film/Video Festival, November 2001), Muay Oasis (Platinum Oasis, Hollywood, CA, 2001) and Discretion Booths (shown at NYC festivals and at the Jan Van Eyck Akademie, The Netherlands). He holds an MFA from The Massachusetts College of Art and was a 2003 nominee for a Rockefeller Foundation Film and Video Fellowship.
1988 Latino Collaborative Chronology
Start-up funds to Latino Collaborative, New York City, to provide production support services and to increase the visibility of Latino video and filmmakers
Laura Aswad People
Laura Aswad, originally from Binghamton, New York, earned a B.A. in Theater from the State University of New York at Binghamton; from 1989 to 1993 she was senior associate at International Production Associates, coordinating domestic and international tours and tour-managing productions including Koyaanisqatsi Live, Powaqqatsi Live, Hydrogen Jukebox and the 1992 world tour of Einstein on the Beach. From 1990 to 1993 she was associate producer of Lincoln Center's Serious Fun! Festival and from 1993 to 1995 company manager for Meredith Monk/The House Foundation for the Arts; from 1996 to 2004 she produced the Lincoln Center Festival, notably The Peony Pavilion (1999) and Ta'ziyeh (2002). She provides immigration/visa services, booking, touring and company-management consulting and has taught Planning Performing Arts Festivals at NYU's School of Continuing and Professional Studies.
laura Kissel People
Laura Kissel is a media artist working in film and the electronic and digital arts; she is cofounder of the Orphan Film Symposium and an associate professor of media arts at the University of South Carolina. Her documentary work explores social and political issues around landscape and land use, representation of place and history, and orphan films; she is in preproduction on a documentary about media representations of disability, eugenics, and the struggle for disability civil rights; she graduated in 1991 from Ithaca College's Department of Cinema and Photography.