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From Gadget Video to Agit Video Bibliography

From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium

From Portapak To Camcorder: A Brief History Of Guerrilla Television Bibliography

Chronological essay tracing independent video practice in the United States from Sony's 1965 Portapak through the 1970s cable era to 1980s–90s activist media; describes technological shifts (half-inch Portapak, AV format in 1970, 3/4-inch U-matic in 1972, color portapaks, time base correctors, Betacam) and funding by the New York State Council on the Arts. Documents collectives and institutions (Videofreex, Raindance, Global Village, TVTV, DCTV, Broadside TV, University Community Video, NOVAC, Paper Tiger Television), key works (Four More Years, The Police Tapes, Cuba, The People, Tongues Untied), and publications (Radical Software, the 1971 Guerrilla Television manifesto).

1990 From Receiver to Remote Control: The TV Set Chronology

From Receiver to Remote Control: The TV Set was an exhibition at The New Museum of Contemporary Art, running 9/14/90–11/25/90; the exhibition catalogue was edited by Matthew Geller. The catalogue includes articles by Marcia Tucker, Lynn Spigel, Serafina Bathrick, Andrew Behar, Sarah Sackner, Joshua Meyrowitz, Jane Root, Ehrick Long, William Bird, Maud Lavin, Ed Bowes, Les Brown, John Handhardt, Alice Yang, David Tafler and Margaret Morse.

From Receiver to Remote Control: The TV Set Bibliography

Articles by Marcia Tucker; Lynn Spigel; Serafina Bathrick; Andrew Behar and Sarah Sackner; Joshua Meyrowitz; Jane Root; Ehrick Long; William Bird; Maud Lavin; Ed Bowes; Les Brown; John Handhardt; Alice Yang; David Tafler; Margaret Morse Institution/Organizer: The New Museum of Contemporary Art Site:…

From Technological to Virtual Art Bibliography

traces the development of immersive, interactive new media art from its historical antecedents through today's digital, multimedia, and networked art. Popper shows that contemporary virtual art is a further refinement of the technological art of the late twentieth century and also a departure from i…

From Teenage Monk to Video Bareback Rider: Paul Ryan Bibliography

Magazine/catalog of the San Francisco Video Festival. Interview with Paul Ryan.

From the Academy to the Avant Garde Bibliography

From the Academy to the Avant Garde Complete catalog from exhibition. From the Academy to the Avant Garde, a traveling exhibition produced by Visual Studies Workshop, 1981. Curator Richard Simmons. Catalog introduction Arthur Tsuchiya. Videotapes in order of viewing Howard Fried, Davidson Gigliotti,…

1981 From the Academy to the Avant Garde Chronology

From the Academy to the Avant Garde was a traveling exhibition produced by Visual Studies Workshop in 1981; it was curated by Richard Simmons with a catalog introduction by Arthur Tsuchiya. The exhibition was shown at Visual Studies Workshop December 2-16, 1981 and at the Center for Art Tapes, Halifax, Nova Scotia January 22-February 8, 1982. Videotapes were presented in the following order: Howard Fried (Making a Paid Political Announcement); Davidson Gigliotti (Difficult Music); Juan Downey (Through the Looking Glass); Tony Labat (Challenge: P.O.V.); Frank Gillette (Symptomatic Syntax); Les Levine (Visions from the God World, (Part 1)).

From the Academy to the Avant Garde - Introduction Bibliography

From the Academy to the Avant Garde, curated by Richard Simmons for Visual Studies Workshop, presents demanding, dense video art intended for sustained, repeated viewing. A catalog by Richard Simmons serves as a companion to the exhibition and introduces the artists and their other work while guiding the viewer through the show. The text situates video in its second decade, notes that several participating artists have made video since its early years, and emphasizes the medium's use of images, sounds, and language and its increasing sophistication.

From the Academy to the Avant Garde - The Family Jewels Bibliography

Exhibition curated by Richard Simmons for Visual Studies Workshop THE FAMILY JEWELS. Burton White of Harvard's Child Development Center, found that about one child in every thirty was brilliant and happy (a percentage that leaves nearly 97 percent of us dull and sad). These bright children are from …

From the Distribution Religion - Notes on the Aesthetic of Copying an Image Processor Collections

Phil Morton, identified here as the first copier of an Image Processor, offers practical notes for future copiers; he endorses faithful copying of Dan Sandin's Image Processor (I-P) and regards copying as a valid method for learning. He warns against unauthorized modifications that may render replicas incompatible with Sandin's evolutionary I-P design and advises consulting Dan and $PENDing his time for fixes, suggesting a year of copying practice before building an Image Processor.

Front Panel Diagram for Rutt/Etra Video Synthesizer Bibliography

Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice) Bibliography

Throughout the history of cinema, a radical avant-garde has existed on the fringes of the film industry. A great deal of research has focused on the pre- and early history of cinema, but there has been little speculation about a future cinema incorporating new electronic media. Electronic media have…

Future Tense: Arts Education Technology Bibliography

Transcript of Talk by Vibeke Sorensen Session: Producing Art with Computers J. Paul Getty Center for Education in the Arts Los Angeles, California

Future Video: Max Almy Bibliography

Futures Bibliography

Special issue. Brian Winston; Robert Gilpin.

G.H. Hovagimyan People

G. H. Hovagimyan (born 1950, Plymouth, Massachusetts) is an experimental cross-media, new media and performance artist based in New York City; he worked in the SoHo and Lower East Side scenes (1973–1986) and began making Internet art in 1993 with groups including the thing, ArtNetWeb and Rhizome. He collaborated with Gordon Matta-Clark and performed in Richard Serra's 1974 video A Prisoner's Dilemma; notable projects include a May 1994 Creative Time billboard project, the radio/TV show Art Dirt (Walker Art Center Digital Studies Archives) and Shooter (developed at Eyebeam). He has exhibited at museums and festivals internationally, received multiple residencies and awards, is represented by Postmasters Gallery and teaches in the SVA MFA Computer Art department.

G.R.I.D Bibliography

G.R.I.D. Works and statements by Phil Edelstein; John Driscoll; Peer Bode; Ralph Hocking; Curt Dunnam; Peter Chamberlain Institution/Organizer: The Arnot Museum Site: The Arnot Museum

G.R.I.D. - Works Bibliography

Ralph Hocking outlines his move from pottery and sculpture to photography, video and computer-based image work; he acquired a Paik/Abe synthesizer in 1972 and, with Sherleen Miller, produced multi-camera pieces (1971–1978) using mixing, reversal, rate switching and voltage control. With David Jones he developed a twenty-six-command program to manipulate frames and produce 256×256 black-and-white dot-matrix prints. He taught video art at SUNY Binghamton for thirteen years and founded and directed the Experimental Television Center Ltd. in Owego; entry appears in the Generic Real-time Interactive Digital catalog, Arnot Art Museum, July 12–September 28, 1986, curated by Peter Chamberlain.

Galen Joseph-Hunter People

Galen Joseph-Hunter has served as Executive Director of free103point9 since 2002 and worked at Electronic Arts Intermix (EAI) since 1996. She co-curated Video Jam with Michael Rush at the Palm Beach Institute of Contemporary Art (2001) and curated See Through at PBICA (2000); other projects include Video Windows (2001), Tune(In))) (2003), Tune(In))) The Kitchen (2004) and Airborne (2005). She has presented lectures and served on panels on Transmission Arts at ArtChicago (1999), Bard College (2001), The Kitchen (2002) and Observatori Festival, Valencia (2006); website http://www.free103point9.org.

Galeria Bonino in Collaboration with Intermedia Insstitute Presents Paik-Abe Video Synthesizer with Charlotte Moorman Bibliography

Gallery

GameScenes. Art in the Age of Videogames Bibliography

GameScenes. Art in the Age of Videogames is the first volume entirelydedicated to Game Art. Edited by Matteo Bittanti and Domenico Quaranta,GameScenes provides a detailed overview of the emerging field of Game Art,examining the complex interaction and intersection of art and videogames.Video and com…

1977 Gary Hill Chronology

Sound Construction with Gary Hill. A sound workshop conducted by Gary Hill at Experimental Television Center 3/17-18/77

Gary Hill People

Gary Hill (born 1951, Santa Monica) is a Seattle-based video artist who uses video, audio, spoken and written text and sculptural space to explore language and the physical nature of communication; he began experimenting with video in 1973 and created his first installation, Hole in the Wall, in 1974. He was artist-in-residence at the Experimental Television Center, Binghamton, NY (1975–77), moved to Seattle in 1985 to establish a video program at Cornish College of the Arts, and received Rockefeller and Guggenheim fellowships and National Endowment for the Arts support. Tall Ships (1992) was created for Documenta IX, was included in the 1993 Whitney Biennial and is in the Henry Art Gallery; his awards include a MacArthur Fellowship (1998) and the Leone d'Oro for Sculpture at the 1995 Venice Biennale.