Bibliography

Electronic Arts Intermix: Statements (1975, 1982) Groups

Electronic Arts Intermix is presented (1975) as a New York not-for-profit supporting artists in electronic media; it operates the Artists Videotape Resource for distribution and editing/post-production and lists Howard Wise (President), John Trayna (Director) and Flora Meyer (Assistant); funding is from the National Endowment for the Arts and the New York State Council on the Arts. A 1982 statement by Howard Wise traces EAI origins to the Howard Wise Gallery and Nam June Paik exhibitions, cites Sony's 1967–68 portable television as pivotal, notes over 225 programs in the catalogue, and identifies artist-developed hardware and a 3 1/4-inch editing facility serving about 300 artist/producers annually.

Electronic Arts Series: January - May 1977 Bibliography

Electronic Arts Series: January - May 1977 Exhibitions by Ralph Hocking, CAPS Fellows for 1976-77, Gene Youngblood, Sonic Arts Union, Shigeko Kubota and Toshio Matsumoto, Nam June Paik, Rita Meyers, Francene Keery, Steina and John Baldessari. Buffalo Videomakers: Eric Aubery, Kevin Nobel, Amy Gissen…

Electronic Arts: October 1977 Bibliography

Electronic Arts: October 1977. Electronic Arts: October 1977. All events are free and open to the public. Five conferences: Presentation and Discussion of Videotapes (Ralph Hocking), Presentation and Discussion of Process Tapes (Peer Bode), A Servey of Audio and Video Processing by Analog, Digital a…

Electronic Body Arts: Descriptions (1978, 1979, 1995) Groups

Electronic Body Arts, Inc. (EBA) of Albany, N.Y., chartered in 1973, designed, built and maintained the Pantomation video studio and developed the computer-controlled Pantograph with George Kindler, Phil Edelstein and Tom DeWitt; work used a minicomputer/PDP-8, an EAB VideoLab, a Rutt/Etra synthesizer, Hearn Videolab, Serge synthesizer and related video/computer hardware. Funding and institutional support involved NYSCA, WMHT/WHMT allocations, NEA and a Guggenheim grant to DeWitt (April 1978); public demonstrations and residencies occurred at WNET Studio 46 and the University at Albany Performing Arts Center (14 September 1977), and workshops were offered at WRPI. Tom DeWitt also recorded associations with Rensselaer Polytechnic Institute, SUNY Albany, Dutchess County Community College and Hillary Harris, noting collaborations on vector-to-raster and motion-control technologies.

Electronic Culture Bibliography

Electronic Hokkadim Bibliography

Electronic Hokkadim Press release for Electronic Hokkadim, with interactive and live performances and demonstrations of the Paik Abe Video Synthesizer and the Eric Siegel Synthesizer.

Electronic Imagemaking: How to Use 1/2" Portable VTRs Bibliography

resource list of publications

Electronic Linguistics Bibliography

Taka Iimura, a Japanese film and video artist, investigates perception of time and duration in film; his videotapes probing television's basic vocabulary were screened at the Long Beach Post-Production Studio. He uses a closed-circuit, self-referential video system—routing a VTR camera image through a monitor—and a VTR unit routed through a switcher with two cameras and two monitors to examine structural relationships of language. Beginning in 1976 he adopted a linguistic model where the subject/camera (I) can see the object/monitor (you); LA video artist Norman Yonemoto described the work as educational lessons in a visual language.

Electronic Music for the Seventies by the Boys from Putney Operator Manual for VCS3a Putney Synthesizer Bibliography

Electronic Music for the Seventies by the Boys from Putney Operator Manual for VCS3a Putney Synthesizer. Illustrated with photographs, descriptions, diagrams, technical specifications, and patch diagrams. Includes bibliography, foreward by Alfred Mayer. "...Personally, I don't believe that linear mu…

Electronic Music Resource Book: The Buchla Music Easel Bibliography

Electronic Music Resource Book: The Buchla Music Easel. Xerox copy. approx. 75 pages. "...The final example of programming to be done in this manual involves setting up a self-performing instrument which requires no input other than simply turning it on. This instrument is based on the use of random…

Electronic Music: systems, techniques, and controls, Second Edition Bibliography

Electronic Music: systems, techniques, and controls, Second Edition. Contents by chapter follow: Preliminary Statements about the Subject Matter, Considerations of the Basic Parameters of Sound, Electronic Sound Sources and Their Characteristics, Basic Signal Processing: Amplifiers and Filters, Conc…

Electronic Tourists: Giving Art a Bad Name Bibliography

International Television Workshop project of Cable Arts Foundation, Russell Connor Director

Electronic Video Image Processing: Notes Toward a Definition Bibliography

Electronic Video Image Processing: Notes Toward a Definition

Electronic Video Image Processing: Notes Towards a Definition Tools

Situates video art from the late 1960s portable-recording era; over fifteen years artists extended performance, conceptual, narrative, documentary, formalist and experimental practices. Defines electronic image processing as working with video signal parameters (frequency, amplitude, phase) and electronic tools—oscillators, synthesizers, computers, monitors and printers—to manipulate imagery using keying, superimposition, digitization, preprogramming and real-time techniques. Addresses distribution and reception issues, distinguishing video from television and noting alternative technologies (cable, satellite, video disc, VCRs) and interactive systems that give viewer control, and raises questions of reproducibility, editions and the location of the art object.

Electronic Visions Bibliography

John Minkowsky introduces the Electronic Visions catalog and traces television from mid-1940s commercial dominance to its adoption by artists and galleries two decades later; he cites small-format portable video equipment (forerunners of BETA and VHS), an art-world shift from unique objects to process, and an emphasis on innovation. He parallels television with the post-war digital computer, notes early machines filled laboratories and universities, quotes Gene Youngblood on electronic communication, and states that the fusion of art and technology, when sensitively guided, is the future of art.

Electronic Zen: The Alternate Video Generation Bibliography

Electronic Zen: The Alternate Video Generation Parts: Electronic Zen: The grassroots of video art; Participation TV: Teledynamic Interplay and Social Interaction; Open Circuits: The New Video Abstractionists; Seeing and Software. Support for the writing of this book was provided through the New York…

Electronic Zen: The Alternative Video Generation Jud Yalkut Interviews Eric Siegel Television Is The Last Communication Link We Have To Change This Country Interview

Eric Siegel (b.1944), interviewed in 1970, built his first TV camera at fifteen and won New York City Science Fair awards for home-made closed-circuit television projects; he worked in closed-circuit television and in 1966 in the Educational TV Department at the University of London. In 1968 he produced the videotape program PSYCHEDELEVISION for the Channel One closed-circuit theatre, designed special-effects components for TELEVANILLA at the Martinique Theatre, exhibited at the Howard Wise Gallery and Brandeis University (VISION AND TELEVISION, 1970), repaired a two-inch Ampex helical-scan recorder, developed a colorizer and planned a video synthesizer while discussing technology, distribution and television's social role.

Electronic Zen: The Alternative Video Generation Self-Correction Through Cybernetics Jud Yalkut Interviews Paul Ryan Interview

Paul Ryan discusses Kleinform theory and the EARTHSCORE project with interviewer Jud Yalkut, arguing that videotape feedback reveals individual firstness and enables triadic, self-corrective behavior; he situates the work in relation to cybernetics, McLuhan, and his 1973 book Birth and Death and Cybernation and references an unpublished 1971 rap. He describes technical practice with a Sony portable/portapak and continuous-tape procedures, and he outlines EARTHSCORE as an intentional community of minimum 36 people organized into creche, chreod and work self-corrective cells with the Canon of Self Correction, never less than three.

Electronic Zen: The Alternative Video Generation Talking Heads in Videospace: A Video Meta-Panel with Shirley Clarke, Bill Etra, Nam June Paik, Walter Wright and Jud Yalkut Interview

Radio meta-panel recorded February 4, 1973 for WBAI-FM in New York, hosted by Jud Yalkut, convenes Shirley Clarke, Nam June Paik, Bill Etra and Walter Wright to survey the alternate video scene and prospects for video art within the Pacifica ARTISTS AND CRITICS series. Panelists discuss practices and technologies including the Paik-Abe and Rutt-Etra video synthesizers, portapaks, videotape, computer-generated imagery (Wright has worked with computer images since 1965), distribution and two-way cable access; the record references the Kitchen, Binghampton Community TV Center, Paul Ryans time-delay feedback piece and New York State Council on the Arts support.

Electronic Zen: The Underground TV Generation Bibliography

Element Buss Designation, MITS, Altair 8800 Compatible Bibliography

Element Buss Designation, MITS, Altair 8800 Compatible. Hand drawn notes for Wiring includes top views.

Ellsworth Snyder: An Interview with John Cage, John Cage Discusses Fluxus Bibliography

Ellsworth Snyder: An Interview with John Cage, John Cage Discusses Fluxus.

ELSE/WHERE: MAPPING — New Cartographies of Networks and Territories Bibliography

Featuring 40 essays by U.S. and European historians, designers, cultural critics, geographers and social scientists, copiously illustrated with over 250 color images in extensive visual "gazetteers" ? including specially-commissioned portfolios by artists and designers ? ELSE/WHERE: MAPPING investig…

Embossed Cardboard Artwork/Diagram for Col-R-Tel Color Converter Bibliography

Embossed Cardboard Artwork/Diagram for Col-R-Tel Color Converter.

Embracing Digital Ruptures Bibliography

The Squealer: the low-tech/ high-tech issue. Embracing digital ruptures and deep tweaking of things analog by Nicolas Economos.