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The Contribution of the Artist to Scientific Visualization Bibliography
The Culture Consumers: A Study of Art and Affluence in America Bibliography
The Cybernetics of Performance and New Media Arts Bibliography
Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. The Cybernetics of Performance and New Media Arts by Patrick Lichty.
The Davis Tapes - New Art Form at Santa Clara. Sunday October 21, 1973 Bibliography
Review of one man exhibition By Doug Davis, with comments about Don Hallock. Courtesy of Don Hallock.
The De-definition of Art. New York Bibliography
The Decade of the 1980s: More Observations Than Predictions Bibliography
The Development of a Video Art Facility by Electronic Body Arts, Inc Tools
Phil Edelstein and Tom DeWitt conceived the Pantograph in 1975; they developed a television-camera-to-minicomputer score reader and held residencies at the WNET TV Laboratory with EBA dancers in Studio 46. NYSCA/WMHT funding in 1975–77 provided equipment support that led EBA to begin building the Pantomation system in November 1976; the Pantograph was publicly demonstrated on September 14, 1977 at the University at Albany Performing Arts Center. After WMHT withdrew programs in July 1977 RPI students provided WQPI space; in April 1978 DeWitt received $12,000 from the Guggenheim and $6,000 from the NEA and EBA completed a commissioned tape for exhibition on April 28.
The Dialogical Mode Bibliography
The Dialogical Mode Proposal. Description of dialogical process.
The Digital Atelier Bibliography
The Digital Dialectic: New Essays on New Media Bibliography
The Digital Directory: Art and Technology Resources in New York State Bibliography
A sourcebook listing telecommunications, computer and new media resources in NYS. Compiled for the Governor's Conference on Arts and Technology; a project of circuits@nys. Project Director: Debby Silverfine, New York State Council on the Arts. Available on the web at http://www.circuitsnys.org
The Dream that Kicks Bibliography
The Dream-Work Does Not Think Bibliography
Translated by Mary Lydon.
1976 The Dreme Style of Michael Butler Chronology
The Dreme Style of Michael Butler exhibition at the Everson Museum, Syracuse. 2/27-4/11/76. Video, costumes, photographs, drawings. Video produced at Experimental Television Center.
1976 The Dreme-Style Chronology
The Dreme-Style Michael L.V. Butler and His Circle at Everson Museum of Art, Syracuse. Included exhibition of video work produced at Experimental Television Center. Catalog editor: Michael L.V. Butler
The Dreme-Style Michael L.V. Butler and His Circle . The Catalog Bibliography
The Dreme-Style Michael L.V. Butler and His Circle. The Catalog Included exhibition of video work produced at Experimental Television Center.
The Dreme-Style Michael L.V. Butler and His Circle . The Program Bibliography
The Dreme-Style Michael L.V. Butler and His Circle . The Program Included exhibition of video work produced at Experimental Television Center.
The Early Show: Video from 1969-1979 Bibliography
Curated by Constance De Jong. March 16 - May 6, 2006 at The Bertha and Karl Leubsdorf Art Gallery at Hunter College. Introduction by Constance De Jong. Art works by Vito Acconci, Jared Bark, Dara Birnbaum, Trisha Brown, Peter Campus, Ron Clark, Dan Graham, Ralph Hocking, Nancy Holt, Joan Jonas, Bery…
The Eidophor Television System Tools
Invented in 1939 and developed from the early 1940s in Zurich by Dr. Fritz Fisher, the Eidophor projector used a thin oil film on a rotating spherical mirror in vacuum scanned by a 15 kV electron gun to produce surface corrugations that diffracted arc or xenon lamp light through a Schlieren-like bar-and-slit optical system. Used extensively from the early 1950s into the 1980s, it incorporated CBS field-sequential and later dot-sequential color wheels and supported large-screen projection; documentation includes SMPTE articles (1950, 1953) and Eidophor training materials supplied by Bernhard Merk, Switzerland.
The Eighth Annual Los Angeles Asian Pacific Film & Video Festival Bibliography
The Eighth Annual Los Angeles Asian Pacific Film & Video Festival. Introduction by Director of the UCLA Film and Television Archive, Robert Rosen, and Executive Director of Visual Communications, Linda Mabalot. Pages 4 and 5 lay out the festival's Program Schedule. Other sections of this catalog fol…
The Eighth Art Bibliography
The Electron Movers: Research in the Electronic Arts, Inc Groups
Electron Movers, Research in the Electronic Arts, Inc., was a Providence, Rhode Island video-artist collective established in 1974 and active through 1979; core members were Laurie McDonald, Robert and Dorothy Jungels, Alan Powell, and Dennis Hlynsky, with Larry Heyl, Philip Palombo, and Ed Tannenbaum joining later. The group experimented with electronically generated and processed images and multi-channel installations, used equipment such as Larry Templeton’s video quantizer, and spent six weeks at KQED’s National Center for Experiments in Television in San Francisco. Members received NEA and AFI/NEA fellowships, exhibited at venues including The Kitchen, the Everson Museum, and Artpark, and held ties to RISD and the Experimental TV Center.
1968 The Electronic Eye Chronology
The Electronic Eye, Santa Clara, California, video collective founded by Tim Barger, Jim Mandis, Jim Murphy, Michelle Newman and Skip Sweeney
1970 The Electronic Eye Chronology
The Electronic Eye, Santa Clara, California, video collective disbands
The Electronic Gallery Bibliography
The Electronic Gallery Tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Hank Rudolph; Henry Linhart; Shalom Gorewitz; Peer Bode; Meryl Blackman; Reynold Weidenaar; Barbara Buckner; Neil Zusman and Julie Harrison; Gary Hill. Essays by Maureen Turim. Donna C…