Explore the collection

Subject to Change: Guerrilla Television Revisited Bibliography

Subject to Change: Guerrilla Television Revisited

1969 "Subject to Change" Chronology

Subject to Change, an SQN Productions project for CBS in New York, was produced by Don West. The program comprised videotapes initiated by Don West with CBS and produced by Videofreex and other members of the video community; the tapes documented aspects of the counterculture including alternative schools, communes, radicals, Black Panthers, riots and demonstrations. The videotapes were never broadcast.

Subroutine Estats, Compiler Definitions, PLOP Error Codes for CAT-100 (26 pages) Bibliography

Subroutine Estats, Compiler Definitions, PLOP Error Codes for CAT-100 by Paul Davis in Fortran IV. (26 pages).

Sudden Low-Tech Non Fiction Bibliography

The Squealer: the low-tech/ high-tech issue. Sudden Low-Tech Non Fiction by Katie Young.

Suggestions Toward a Small Video Facility Bibliography

Suggestions Toward a Small Video Facility National Center for Experiments in Television (NCET) reports, no date

Suggestions Toward a Small Video Facility Bibliography

Suggestions Toward a Small Video Facility by Richard Stephens and Don Hallock. Richard Stephens was the Center's first maintenance video engineer. His background includes circuit designing and broadcast television equipment maintenance, most recently for the Munich Olypics. Don Hallock, a video arti…

Superocheros Bibliography

Contents follow: Introduction: Superocheros by Jesse Lerner, Manifesto: 8 millimeters Versus 8 Millions, Toward a Political Cinema: The Cooperativa de Cine Marginal by Jose Carlos Mendez, Cartoons by Enrique Escalona, Hacia el 4o. Cine/ Towards a 4th Cinema by Sergio Garcia.

Support and Funding Preservation

U.S. foundations, agencies and professional organizations offering funding and technical assistance for conservation and moving-image and sound archiving. Programs cited include FAIC (three-year Kress grant for publication fellowships); AMIA (Mary Pickford and SONY scholarships, $3,000); BAVC (in-kind facility access including 1/2" open-reel decks and $1,500 access grants); IMLS (Conservation Project Support, Conservation Assessment Program, National Leadership Grants up to $50,000 or $75,000); NEA (grants $5,000–$200,000, match at least one to one); NEH and other state, private and nonprofit funders including NHPRC, NIPAD ($1.5 million), New York State Library, NYWIFT and VidiPax.

Support of Television Arts by Public Funding: The New York State Council on the Arts in The New Television: A Public/Private Art Bibliography

Based on "Open Circuits: An International Conference on the Future of Television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady and Willard Van Dyke for the Museum of Modern Art. Categories include the aesthetics of television; support structure; the international setting; politics, philos…

Supradrive 500XP Harware Operator's Manual. Supra Corporation Bibliography

Supradrive 500XP Harware Operator's Manual. Supra Corporation. Contents include a Supradrive 500XP Overview, Getting Started, Configuration Options, and Troubleshooting. This high-performance drive is plug and play for the Amiga 500 (Commodore-Amiga, Inc.), Other programs explored in this manual are…

1992 surf the Internet Chronology

"surf the Internet" phrase coined by Jean Armour Polly

Surveillance. Los Angeles: (LACE), 1987 Bibliography

Survey Australia: Video and Bookworks Bibliography

Survey of Film/Television/Video/Still Photography/Electronic Music Activity at State University of New York Campuses Groups

Survey of Film/Television/Video/Still Photography/Electronic Music Activities at State University of New York Campuses Introduction to Programs in Electronic Arts in the State University System, 1977 Activities of the University-wide Committee on the Arts Albany, New York Film and Video Activities 1…

Surveying the First Decade: Video Art and Alternative Media in the US 1968-1980: Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980. Introduction to Rewind: Video Art and Alternative Media in the United States (videotape collection with catalog, edited by Chris Hill; Kate Horsfield and Maria Troy, Collaborating Editors; Deirdre Boyle, Consulting Editor Bibliography

Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.

1972 Survival Arts Media Chronology

Survival Arts Media, New York, founded; members included Gail Edwards, Howard Gudstadt, Molly Hughes, Ben Levine, Danny Bucciano and Richard Malone. Video collective emphasizing community education and health programs, programs on artists and artistic practices and multimedia shows

1976 Survival Arts Media Visiting Artists Chronology

Survival Arts Media Visiting Artists, 1976, is a workshop schedule co-sponsored by SAM, Howard Gutstadt and Molly Hughes with the Chautauqua-Cattaraugus Library and assistance from Jean Haynes. The schedule lists presentations by Lanesville TV, Bill Jungles, Jane Aaron, Walter Wright and Ernest Gusella.

Susan Milano Bibliography

Back Seat, video environments created by Susan Milano, Bart Friedman and Nancy Cain at Women's Interart Center, NYC

Susan Muska and Greta Olafsdottir Bless Bless Prods. People

Susan Muska and Greta Olafsdottir run Bless Bless Productions and have made documentary films together for fifteen years about queer and women's issues; their films include Edie & Thea: A Very Long Engagement, The Brandon Teena Story (1998), Through the Lens: Sigrid ZoÎga & August Sander (2000) and Women the Forgotten Face of War (2002). They are currently working on two documentaries: one in Iceland called Girls Gone Bad about women involved in a Salvation Army abuse scandal that was hushed up, and a feature documentary about the lives of Daniel and Philip Berrigan. They teach at university and community college level; Greta Olafsdottir advises the Icelandic Film Center on documentary and narrative short films.

Suzanne Goldenberg People

Suzanne Goldenberg holds a BA from Mc Gill University and an MFA from Maryland Institute College of Art; she is presently working on the production and design for a quarterly online contemporary arts journal and at Harvestworks. Her exhibitions have included the Great Hall of Art (NY), Kibla Media Center (Slovenia), Gallery Remont (Yugoslovia), MaMa Media Center (Croatia), Jeleni Gallery (Czech Republic) and galleries in NY and Baltimore. She received a Gottleib Foundation Artist Grant (2003) and support from the Lower Manhattan Cultural Council (2003).

SVID Use of Sandin IP Bibliography

Use of Sandin IP by SVID at Boston Film Video Foundatioln productions. Emailed information.

Switch On Art Bibliography

1991 Symposium on Video Preservation Chronology

Symposium on Video Preservation is hosted by the Museum of Modern Art and organized by Media Alliance, under the leadership of Mary Esbjornson, and by the New York State Council on the Arts.

Synapse 1970-1977: A Personal History Groups

Synapse was founded in 1970 as a campus cable system and television studio affiliated with Syracuse University and operated a Visiting Artist Program and a color studio; it offered broadcast-quality post-production (1", 2" and other formats), CMX/2" editing and engineer support. Funders included Syracuse University, the National Endowment for the Arts and the New York State Council on the Arts; Henry Baker served as director and Carl Geiger as production director. Synapse incorporated and moved off campus in 1981 and closed in November 1981; the videotape collection is held at Syracuse University Art/Media Studies Department and was reported to consist of over 500 titles.

Synapse Distribution Collections

Synapse has entered the distribution business and is experimenting; it permitted cable systems such as Manhattan Cable to show its tapes free temporarily but will limit future free arrangements to venues deemed prestigious for the artist and Synapse, and is working with PBS, regional networks and toward national networks. PBS station WXXI in Rochester ran a twenty-week series of half-hour works last summer and wants to rerun them; Synapse proposes fees of $50 per week per tape for cable and about $190 per tape for public television plus dubbing, with 50 to 75 percent of fees to artists. It plans closed-circuit distribution to libraries, colleges and museums and to be on a paying basis by January 1979.