The 6th Tokyo Video Festival. Tokyo, Japan: The 6th Tokyo Video Festival, 1983.

The 6th International Video Exchange Directory. Vancouver, British Columbia: Satellite Video Exchange Society, 1979.

Grenier, Vincent. Ten Years of Living Cinema. NY: Collective for Living Cinema, 1982.

Ten days of enlightenment: 22nd Atlanta Film & Video Festival, June 5- June 14.. Atlanta, GA: Image: Film & Video Center, 1998.

Anderson, Lindsay, Chuck MacCann, and Jack Paritz. Televisions: Video Pioneers, Volume 8, Number 1/2, $2.50., Edited by Gayle Gibbons, Larry Kirkman and Rebecca Moore., undated.

Television: Art and Information Participants. San Francisco, CA: National Center for Experiments in Television, 1973.

D'Agostino, Peter. TeleGuide. and Proposal for QUBE. Long Beach, CA: Long Beach Museum of Art, undated.

Morris, Frances. Tate Modern: Between Cinema and a Hard Place. London, England: The Tate Gallery, undated.

Slobode, Usvajanje. Taking Liberty: the second part of the international artists exchange program. Boston, MA: Mobius, 2000.

Iimura, Takahiko. Takahiko Iimura, Seeing: Film et Video. Espace Donguy APEGAC, undated.

de Witt, Helen, and Malcolm LeGrice. Takahiko Iimura at the Lux: Film, Video, CD-rom, Installation.. London, England: London Film Makers' Co-op, 1998.

Type TA-19B Processing Amplifier System NTSC. Camden, NJ: RCA Commercial Electronic Systems, 1972.

Type PK-730A Single Vidicon Color Camera. Burbank, CA: RCA Commercial Electronic Systems, undated.

Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.

Newcomb, Horace. TV: The Most Popular Art., Edited by Horace Newcomb. NY: Doubleday, 1974.

Kruger, Barbara. TV Guides Twenty-one Essays on Television, Edited by Barbara Kruger. NY: Kuklapolitan Press, 1985.

Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.

Barnouw, Erik. Tube of Plenty. NY: Oxford Press, 1975.

Tu-Art Digital Interface Instruction Manual. Cromemco Incorporated. Mountain View, CA: Cromemco Incorporated, 1978.

D'Agostino, Peter. Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.

Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.

Gattegno, Caleb. Towards a Visual Culture: Education through Television. New York, NY: Avon Books, a division of the Hearst Corporation, 1969.

Cage, John. Towards (a definition of) Experimental Music.., undated.

Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.

Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.

Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.

Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.

Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.

Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.