An Introduction to Computer Animation." Video 80 4 (1982)."
An Introduction to CP/M Features and Facilities. Digital Research. Pacific Grove, California: Digital Research, 1976.
An Introduction to Film. Boston, Toronto, MA, Ontario, Canada: Little, Brown and Company, 1980.
An introduction to Optical Art, Edited by David Herbert. England: Studio Vista Limited/ Dutton, 1971.
An Introduction to Portable Video Systems. Vol. 1976. Binghamton, NY: Experimental Television Center, 1976.
An Introduction to Portable Video Systems. Binghamton, NY: Experimental Television Center, 1976.
An Introduction to the Serge Modular Music System. Serge, undated.
Analog Days : The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.
Anda Korsts: Chicago's Troubled Video Artist." Videography 3, no. 1 (1978)."
Angles of Incidence: Video Reflections of Multimedia Artworks. Banff, Alberta, Canada: The International Council for Computer Communication and The Banff Centre for the Arts, 1993.
Animating the Static - Experiments in Video 1965-1980. Yale University, 1997.
Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura. London: Institute of International Visual Arts, 1998.
Annual Commentary." Videography 7, no. 3 (1982)."
Annual Commentary." Videography 8, no. 6 (1983)."
Answers And Questions About Digital Collaboration." Afterimage (1999)."
Ant Farm: The Last Interview." Boulevards (1980)."
Anthology Film Archives., undated.
Anthology Film Archives: Paul Sharits- A Retrospective.. New York, NY: Anthology Film Archives, 1993.
Anti-Social: The Work of Ante Bozanich1975-1982." Video 80 (1983)."
Antonia Muntades: The Iberian Influence." Videography 3, no. 5 (1978)."
"Apparatuses of Television issue." Wide Angle 11, no. 1 (undated).
April 10 - 26, 1975. Poster and program for Women's Interart Center "Women's Video Festival". Coordinators - Susan Milano and Ann Eugenia Volkes.., undated.
Aransas: Axis of Observation. Houston: Points of View, 1978.
Architechtural Space, Psychology, and Video." National Center for Experimental in Television Reports 3 (undated)."
Architectural Space, Psychology, and Video. San Francisco, CA: National Center for Experiments in Television, undated.
Archival Moving Image Materials: A Cataloging Manual. Washington: Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division, 1984.
Archiving and Authenticity: The Getty Art History Information Program Research Agenda for Networked Cultural Heritage,. 1995, 1995.