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Kjell Bjorgeengen - True Blanking. Aachen: Ludwig Forum for Internationale Kunst,, 1998.
Kjell Bjorgeengen: New Videoworks. The National Museum/ The Museum of Contemporary Art, 2004.
Kjell Bjorgeengen: Video Road. Oslo: Porin taidemuseo, 1990.
L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.
Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
Lessons for Localism from the Censorship Wars." The Squealer (1991)."
Letter to Ralph Hocking; Highlights from Cannes - Ray - You Can't Go Home Again. April 1, 1972., 1972.
Low-Cost Creativity." Videography 11, no. 11 (1986)."
LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware Documentation for project 1977., 1977.
material media: artefacts from the digital age. Disseration thesis Australian National University , Canberra. Chapter 3 mediazone., 2003.
Media Buff: Media Art of Buffalo Being In Between, Edited by Richard Herskowitz. Ithaca, NY: Herbert F. Johnson Museum of Art, 1988.
Media Independents Push for Access." Afterimage (1980)."
Meeting April 15, 1978: Meryl Blackman, Peer Bode, Paul Davis, Ralph Hocking, Sherry Miller, Steina Vasulka, Walter Wright, Neil Zusman.. Binghamton, NY: Experimental Television Center, 1978.
Meeting the Challenges of Video Preservation: A Progress Report on Initiatives within the Media Arts Field by Media Alliance. NY, NY: Media Alliance, 1996.
Memories - 25 Years of the Experimental Television Center. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Memory and Hope (1996-2006)." The Squealer 11, no. 2 (1996)."
Migration and Location: Transcultural Documentary Practice. the video installation as an active archive., 2005.
Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Motion Perception in Movies and Painting: Towards a New Kinetic Art." Ctheory (2002)."
Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Multimedia Performance: Beginnings. Boston, MA, 2006.
Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.
Nam June Paik: Portrait of the Electronic Artist." Videography 1, no. 4 (1976)."
NAMAC Conference Keynote Address - States of Emergency." Main (1999)."