Biblio

Filters: First Letter Of Last Name is M  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
bibliographic
Muhammad, Erika Dalya. "Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
Michelson, Annette. New Forms in Film. Exhibition catalogue., Edited by Annette Michelson., 1974.
and McCarthy, J., Earnest Reddy Vicens. L. D. D. R. P.. "A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
Blanchard, Simon, and David Morley. What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Moholy-Nagy, L.. Vision in Motion, Edited by Paul Theobald. Chicago, IL: ID Book: Institute of Design, 1947.
Malina, Roger. 10th Anniversary New York Digital Salon. Vectors: Digital Art of Our Time, Edited by Roger Malina and Bruce(Director) Wands. Cambridge, MA: Leonardo MIT Press, 2002.
Documenta 6. In German.. Kassel: Druck Verlag GMBH, undated.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
McGriff, Teresa. "The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
Moog, Robert. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Robert Moog: Moog Modular Audio Synthesizer, 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Manovich, Lev. The Language of New Media. MIT Press, 2001.
Marshall, Stuart. "Video Art, the Imaginary and the Parole Video." Studio International, no. 191 (1976).
Schier, Jeffery, and Don McArthur. Report on S-100 Bus. Owego, NY: Experimental Television Center, undated.
Miller, Alica. Keeping Track of Video Art. Rochester, NY: Visual Studies Workshop, 2001.
McIntosh MC 2105 Solid State Stereo Amplifier Sales Literature.. Binghamton, NY: McIntosh Laboratory, Inc., undated.
MacCabe, Colin. High Theory/Low Culture: Analyzing Popular Television and Film, Edited by Colin MacCabe. NY: St. Martins Press, 1986.
Moore, Carman. "The Avant-Garde in Dry Dock." The Village Voice (1972).
Mellencamp, Patricia. "Avant-Garde TV: Simulation and Surveillance." Video (1986).
Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
McArthur, Donald, and Walter Wright. Computer-Based Video Synthesizer System Hardware and Software Research Results for project supported by the National Endowment for the Arts and the New York State Council on the Arts, Edited by Sherry Miller-Hocking. Binghamton, New York: Experimental Television Center Ltd., 1977.
Mogul, Susan. "Electronic Imagemaking: How to Use 1/2" Portable VTRs." Petersen's Photographic Magazine 5, no. 5 (1976): 60-63.
McMullin, Dan. "Interview with Kathy Huffman." Artists News 4, no. 2 (1989).
MacDonald, Scott. A Critical Cinema: Interviews with Independent Filmmakers. University of California Press, 1988.
Mosco, Vincent, and Andrew Herman. "Critical Theory and Electronic Media." Theory and Society 10, no. 6 (1981).
Murray, Timothy. "various." Film/ Video/ Multimedia Update 7, no. 7 (2004).
Microbotics, Inc. Starboard2 User Guide Readme Notes, revision 1.03. Richardson, TX: Microbotics, Inc., 1987.
McDarrah, Fred. "Scenes from An Avant-Garde Festival." The Village Voice (1972).
Chadabe, Joel, and Roger Myers. An Introduction to The Play Program., 1978.
Monkhouse, Richard. The Moving Art of Video Graphics- or How to Drive a Spectre. Video and Audio-Visual Review, undated.

Pages