Biblio

Filters: First Letter Of Title is T  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
bibliographic
The Prime Time Survey. San Francisco: TVTV, 1974.
Tovey, John. The Technique of Kinetic Art. London, England: B T Batsford Limited, 1971.
Trend, David, and Laddy Kite. "The Synapse Media Center: An Object Lesson in Closing an Artists' Organization." Afterimage 9, no. 7 (1982).
Turim, Maureen. The Electronic Gallery. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1983.
Turin, Maureen. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Turner, Ann. "The National Center for Experiments in Television." Radical Software 2, no. 3 (1973).
Turner, Ann. "The National Center for Experiments in Television." Radical Software 2, no. 3 (1973).
Vasulka, Woody. "The Movement Within: Images Created on a Video Synthesizer." Afterimage 4, no. 12 (1979).
Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance. New York: Praeger, 1973.
Viola, Bill. Thank you for the loan of the video projector.., 1974.
The Eighth Annual Los Angeles Asian Pacific Film & Video Festival. Los Angeles, CA: Visual Communications, 1993.
Walley, David G.. The Ernie Kovacs Phile. New York, NY: Simon & Schuster, Inc., 1975.
Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.
Warshawski, Morrie. "The Festival That's Worth the Trip." Videography 10, no. 12 (1985).
Weiner, Norbert. The Human Use of Human Beings: Cybernetics and Society. ny: Avon, 1967.
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
"The Production of Public Television issue." Wide Angle 16, no. 40545 (undated).
Wiener, Norbert. The Human Use of Human Beings: Cybernetics and Society. Boston: Houghton Mifflin Co., 1950.
Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
Williams, Raymond. Television: Technology and Cultural Form. NY: Schocken Books, 1974.
Wise, Howard. TV as a Creative Medium. NY, NY: Howard Wise Gallery, 1969.
Wolff, Janet. The Social Production of Art. NY: New York University Press, 1984.
Wollen, Peter, and Kathleen Woodward Anthony and Wilder. The Myths of Information: Technology and Postindustrial Culture, Edited by Peter Wollen. Madison, WI: CODA Press, 1980.
Wooldridge, Dean E.. The Machinery of the Brain. New York, NY: McGraw- Hill Book Company, Inc., 1963.
Yalkut, Jud. "TV as a Creative Medium at Howard Wise Gallery." Arts Magazine 44 (1969).
Young, Gayle. The Sackbut Blues: Hugh Le Caine Pioneering in Electronic Music.. Ottawa, Ontario, Canada: National Museum of Science and Technology, 1989.
The MERC Directory: A Listing of Independently Produced Film and Video Work Available for Distribution. NY, NY: Publishing Center for Cultural Resources, 1977.
Youngblood, Gene. "The New Renaissance: The Computer Revolution and the Arts." Exposure Vol. 21, no. No. 1 (1983).
Youngs, Amy M.. "The Fine Art of Creating Life." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

Pages