Bibliography

Interview with Jud Yalkut Interview

Jud Yalkut, an experimental filmmaker whose films and inter-media events have been exhibited at the Everson Museum, discusses his practice working in film and videotape and his collaboration with Nam June Paik beginning in 1965; he mixes film and video through editing, superimposition and generational transfers and employs hand-held camera work, high-speed and time-lapse photography and single-frame techniques. He emphasizes dislocating ordinary perception to create layered, multi-image, non-narrative works—examples include Video Film Concert and the robot sequence in P*AxI-K—and cites influences such as McLuhan, Stan Brakhage and Eisenstein.

Interview with Kathy Huffman Bibliography

Interview With Martha Rosler Bibliography

Interview with Nancy Meli Walker: Jamming with The Poool and NNeng Interview

Nancy Meli Walker, who shifted from fashion design to cast-glass sculpture integrating computer animation and live television, and Benton Bainbridge, an NYU-trained video artist with early experience in Super 8, electronics and live performance, are core members of live video-performance group The Poool alongside Angie Eng; they have performed together in and around New York City since 1993. Bainbridge co-founded the 77Hz group with Philip R. Bonner, Jonathan Giles, Eric Schefter and Michael Schell and held a residency at the Experimental Television Center in 1989; NYU acquired a Fairlight CVI in 1985. The Poool performs about once a year with largely scripted suites, while NNeng (No Eng) performs about monthly with more improvisation, including collaboration with musician Brian Moran.

Interview with Peer Bode Interview

Peer Bode discusses his long involvement with the Experimental Television Center (ETC; 1971–78 Binghamton, 1978–present Owego, NY), where he taught resident artists, developed and modified low-cost video tools and studio practices, and collaborated with figures such as Nam June Paik. He contrasts 1970s material- and process-focused electronic practices (portapaks, Paik-Abe synthesizer, SEG) with 1980s appropriation and corporate funding pressures, noting distribution via WNET and publications like Radical Software. Bode produced Video Locomotion (1978) and Music on Triggering Surfaces (1978) and directs the Video Arts Program at the N.Y.S.C.C. at Alfred University.

Interview with Peer Bode Bibliography

Interview with Philip Mallory Jones Interview

Interview with Philip Mallory Jones

Interview with Ralph Hocking Interview

Interview with Ralph Hocking

Interview with Steina Bibliography

Interview with Steina Vasulka.

Interview with Steina Vasulka Interview

Steina Vasulka describes the New York video scene of the late 1960s and 1970s, explaining how artists pooled expensive equipment and formed collectives to meet NYSCA funding rules; she names early groups including People's Video Theater, Freex, Raindance, Global Village and the Perception group. She recounts founding the Kitchen with Woody Vasulka and Andy Mannik as a venue for video, dance and music; programming initiatives such as the Women's Video Festival; residencies at the TV Lab; the tape Participation (material from 1969–1970) with a 1/2" reel-to-reel master; and the move to Buffalo in spring 1973.

Interview with Steina Vasulka Interview

Interview with Steina Vasulka

Interview with Steina Vasulka by Peer Bode, Andrew Deutsch, Dave Jones and Jessie Shefrin. April 1, 1998 Interview

Interview with Steina Vasulka by Peer Bode, Andrew Deutsch, Dave Jones and Jessie Shefrin. April 1, 1998. Edited by Pamela Hawkins. An interview with Steina Vasulka. April 1, 1998 at the home of Jessie Shefrin. Complete transcript.

Interview with Steina Vasulka by Peer Bode, Andrew Deutsch, Dave Jones and Jessie Shefrin. April 1, 1998 Bibliography

steinavasulkahawkinsedit_2730.pdf Edited transcript by Pamela Susan Hawkins.

Interview with Walter Wright Interview

Walter Wright moved from architecture into computer graphics around 1966 at the University of Waterloo, where he developed early 3D software and CAD programs and worked with electronic music and a Moog synthesizer; he later worked in New York for companies such as Computer Image Corporation using the Scanimate. He became Associate Director of The Kitchen and organized the weekly Open Screening, acquired a SONY portapak, and in 1972 was the second artist in residence at the Experimental Television Center in Binghamton, NY, where he worked with the Paik/Abe Video Synthesizer, ran demonstrations and workshops, and discussed NYSCA funding and shifts from live performance to museum-based installation.

Interviews at the Video History: Making Connections Conference Interview

Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Jean Haynes, Carlota Schoolman, Chris Hill. Video History: Making Connections Conference (October 16-18, 1998) at Syracuse University, and organized by the Experimental Television Center. Intervie…

Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Richard Fung, Tony Conrad, Richard Simmons, Connie Coleman, Peer Bode, Lisa Steele, Kim Tomczak, Sara Hornbacher, Ardele Lister, Rita Myers Interview

Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Richard Fung, Tony Conrad, Richard Simmons, Connie Coleman, Peer Bode, Lisa Steele, Kim Tomczak, Sara Hornbacher, Ardele Lister, Rita Myers. Video History: Making Connections Conference (October 1…

Introducing the Most Exciting Thing to Happen To Recording Tape, Reels, and Casettes Bibliography

Audio and Video Tape Catalog circa 1978 with photographs, descriptions, prices.

Introduction to Archival Organization and Description: Access to Cultural Heritage Bibliography

Introduction to The 5th International Video Exchange Directory Collections

The Satellite Video Exchange Society of Vancouver published an annual directory listing about 500 individuals and groups involved with small-format video; the catalog was organized internationally by region, compiled from contributor information, initially distributed free and, by 1979, subject to a minimal charge for non-listed parties. The society also published Video Guide and maintained the Video Inn library; editorial credits include Andy Harvey, Shawn Preus and Paul Wong (1977) and Mary Ready (1979), with an introduction by Paul Wong. The text outlines the society's rationale for non-commercial videotape exchange, types of exchange, copyright limitations and free circulation practices; Video Inn has 1/2" European Sony VTRs and has engaged in video exchange since 1973.

Introduction to The Frontier 1979-1980 Bibliography

The Frontier is a series of 16 programs featuring work by 30 independent film and video makers from Buffalo and Western New York and from Toronto and Southern Ontario, produced by Media Study/Buffalo and broadcast by WNED-TV Channel 17. Lynn Corcoran is named as producer and is said to have selected and assembled the programs. Publication of the tabloid was funded by a Canada Council grant to the Toronto Super‑Eight Film Festival, and program support came from the New York State Council on the Arts, the National Endowment for the Arts and WNED membership.

Introduction to the Universal Preservation Format Initiative Bibliography

Introduction to the Use of the Serge Modular Music System Bibliography

Serge. Introduction to the Use of the Serge Modular Music System. This packet begins by describing the following signals used by the system: DC control, trigger pulse, bi-polar control, and audio signals). The following questions are answered: How are the various signals used?, Where are TRIGGERS to…

Inventing the Future of Video: A Conversation with Nicholas Negroponte Bibliography

Investing in Creativity: A Study of the Support Structure for U.S. Artists Bibliography

http://www.irvine.org/publications/by_topic/arts.shtmlnational study by the Urban Institute, a nonpartisan research and policy center in Washington, DC, documents and analyzes the environment of support for artists in the United States. The study addresses the following questions: What are the impor…

Invitation for an Opening, 1983: Stories from the Old Ruin, 1991 Bibliography

Invitation for an Opening, 1983: Stories from the Old Ruin, 1991. Also includes: She Jumps into the Water, 1982, Leaving the Old Ruin, 1989, Traces of a Presence to Come, 1993, Neutral, 1983, The Roman Wars: 1983, 1983, Stories from the Old Ruin, 1991, and Leaving the Old Ruin: Contaminated View, 19…