Biblio

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Simmons, Richard. Psycho-Flux Reunion.., 1998.
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Simmons, Richard. Everson Video Revue Introduction. Syracuse, NY: Everson Museum of Art, 1979.
Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
Chin, Daryl. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Agenda. Participants. Screening.. ETC, 2004.
Sturken, Marita. "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Kiger, Bob. "Videography What Does It All Mean?" American Cinematographer (1972).
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
O'Grady, Gerald. Introduction to The Frontier 1979-1980. Buffalo, NY: Media Study/Buffalo, 1980.
Ross, David. David Ross: The Success of the Failure of Video.. ETC, 1998.
Betancourt, Michael. "Motion Perception in Movies and Painting: Towards a New Kinetic Art." Ctheory (2002).
Experimental Television Center, David Jones, and Sherry Miller Hocking. New York State Council on the Arts: Proposal for Development of Systems by David Jones. 1976., 1976.
Wooster, Ann-Sargent. "Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Eyers, Luci. Histories of New Media Art. NY, NY: Rhizome DIgest, 2004.
Osborn, Barbara. At Arm's Length: (Taking a Good Hard Look at) Artists' Video, Edited by Barbara Osborn. NY, NY: New York State Council on the Arts, 1990.
Sturken, Marita. "Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
Schlanger, Matthew. Black Dog Dreams., 1999.
Ancona, Victor. "Shalom Gorewitz: Metaphoric Image Manipulator." Videography 5, no. 11 (1980).
Thompson, Seth. "Evolving traditions: artists working in New Media." Afterimage (2003).
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Experimental Television Center, Dr. Don McArthur, and Ralph Hocking. New York State Council on the Arts Proposal: Don McArthur - Systems Approach to Video Art. 1975.., 1975.
Experimental Television Center, Sherry Miller Hocking, and Ralph Hocking. ETC Program Summary 1975-76., 1976.
Wooster, Ann-Sargent. Reach Out and Touch Someone: The Romance of Interactivity. Bay Area Video Coalition, 1990.
Herzogenrath, Wulf. Video Tapes. In German and English. Kolnischer Kunstverein., 1974.
A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
Minkowsky, John. Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers. Buffalo, NY: Media Study/Buffalo, 1978.

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