Biblio

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C
Cole, Barry. Television Today: A Close-up View, Readings from TV Guide, Edited by Barry Cole. Oxford University Press, 1981.
The Imagician Diamond System Multi-Screen Programmer. Newton , MA: Clearlight Productions Inc., 1976.
The Personal Computer/Hobbyist keyboard from Cherry; Schematics for Cherry B70-05AB Keyboard. Waukegan, Illinois: Cherry Electrical Products Corp., undated.
Chanan, Michael. The Dream that Kicks. London: Routledge, 1980.
Cesan, Donna. The Electronic Gallery - Art, Ideas and Video. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.
de Certeau, Michael. The Practice of Everyday Life. Translated by Steven F. Randall. Berkeley: University of California Press, 1984.
Howe, Hubert. The Buchla Box. Fullerton, CA: CBS Musical Instruments , Educational Research Department, 1969.
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
Cage, John. Towards (a definition of) Experimental Music.., undated.
B
Burris, Jon. The Power of the Purse: Public Funding and the Aesthetics of Video. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video. (Osborn) which see.. NY, NY, 1990.
Burnham, Jack. The Structure of Art. NY: Braziller, 1970.
Burgin, Victor. Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Burger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Burger, Peter. Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
The Filmic Art of Paul Sharits. Buffalo, New York: Buffalo State College, 2000.
Burch, Noel. Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Buckner, Barbara. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Buck-Morse, Susan. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
Brill, Amy. The Digital Directory: Art and Technology Resources in New York State, Edited by Amy Brill. NYC, NY: New York Foundation for the Arts in partnership with the New York State Council on the Arts, 1999.
Brand, Stewart. The Media Lab: Inventing the Future at MIT. NY: Viking, 1987.
Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.
Boggs, Joseph M.. The Art of Watching Films: a guide to film analysis. Menlo Park, CA: The Benjamin/ Cummings Publishing Company, Inc., 1978.
Bode, Peer. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Boston, MA: Faber and Faber, 1994.
Bertram, Neal H., and David Mills R. Michael Stafford. "The Print/Through Phenomenon." Journal of the Audio Engineering Society 28, no. 10 (1979).
Berger, John. The Look of Things. NY: Viking Press, 1972.
Bensinger, Charles. The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.

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