Biblio
Independent Video and the Museum of Modern Art." Videography 9, no. 8 (1984).
"A Chronology of Video Activity in the United States: 1965-1980." Artforum IX, no. 11 (1980).
"Independent Video: The First Fifteen Years." Artforum IX, no. 11 (1980).
"New Video:Japan. NY: American Federation for the.Arts and the Museum of Modern Art, 1986.
TV: Popular Art Form." ArtCom 6 (1), no. 21 (1983).
"Performance Anthology: Source Book for a Decade of California Performance Art, Edited by Carl Loeffler. San Francisco: Contemporary Arts Press, 1980.
Performance Art." ART COM 4, no. 16 (1982).
"Toward a Television Art Criticism." ArtCom 6 (2), no. 22 (1983).
"Bruce Nauman. Work From 1965-1972.. Los Angeles: Los Angeles County Museum of Art, 1972.
Contact Zones' Video." Photography Quarterly 16, no. 4 (1995).
"The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).
"The Pains and Pleasures of Rebirth: Women's Body Art." Art in America 64, no. Three (1976).
"Learning About Synthesizers. Amherst, MA: Electronic Music Studios of America, Inc., 1975.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Linemaster: America's Foot Switch Leader Catalog 78. Woodstock, CT: Linemaster Switch Corporation, 1978.
"The Video Issue." Lightworks 1, no. 5 (1976).
Light Work. Contact Sheet 97, 25th Anniversary Edition.. Syracuse, NY: Light Work, 1998.
Once Is Not Enough. Rochester, NY: Visual Studies Workshop, 1990.
The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
"John Knecht: Animating Destiny. Castellani Art Museum of Niagara University, 1997.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
Kino: A History of the Russian and Soviet Film. Princeton, NJ: Prlnceton University Press, 1983.
Future Video: Max Almy." LAICA Journal 38 (1983).
"The Information Fallout." Studio International 181 (1971).
"Small Format TV." SEND 10 (1985).
"Media Bio-Tech Rehearsal." Video 80 1 (1980).
"Camera Art." Studio International 190 (1975).
"The Programmer's Genitals." SEND 2, no. 1 (1983).
"Synchromism and American Color Abstraction, 1910-1925. New York, NY: The Whitney Museum of American Art, 1978.
Leviathan - Effects of Televisio., undated.