Biblio
Granular Synthesis., undated.
The Art Style Computer Processing System. Toronto, Ontario, 1974.
Memory and Hope (1996-2006)." The Squealer 11, no. 2 (1996).
"Cage: A Filmic Circus on Metaphors on Vision An Interview with Film Artist Lawrence Brose." Afterimage (2004).
"TechArcheology: A Symposium on Installation Art Preservation." MAIN, no. Winter 2000 (2000).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Interview mit dem Medientheoretiker Gerald O'Grady. In German." Springerin, no. 3 (2000).
"Net.art: Shedding the Utopian Moment?" Link 7 (2001).
"Art Statement., undated.
Jones Modular Video Synth., 2011.
Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Black Dog Dreams., 1999.
The Language of Video., undated.
" The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
David Ross: The Success of the Failure of Video.. ETC, 1998.
Videotape: Video Design and Modification - George Brown.", no. June 1977 (1977).
"Interview with Jud Yalkut. Syracuse, New York: Syracuse New Times, 1972.
Everson Video 1975, Edited by Judson Rosebush. Syracuse, NY: Everson Museum of Art, 1976.
Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Preserving the Rhizome ArtBase." Rhizome (2002).
"Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Constructing Eternity: An Interview with Van McElwee." Afterimage Vol. 28, no. No. 1 (2000).
"