Video History Project
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5,159 records

  1. ETC Proposal: Frame Buffer 1987 Bibliography

    ETC Proposal: Frame Buffer 1987. Proposal to New York State Council on the Arts. 1987 Development of Frame Buffer. Proposal to New York State Council on the Arts

  2. ETC System Front Panels (2 copies) Bibliography

    ETC System Front Panels includes Matrix, Four Channel Colorizer, Keyer, Sequencer, Spatial/Intensity Digitizer, Output Amplifier, Oscillator, Mix/Invert/Amplify Module, Envelope, VCA.

  3. 2011 ETC Tribute Screening Chronology

    A tribute screening for ETC from the anthology DVD set.

  4. eteam - Lamprecht and Moderegger People

    eteam comprises Franziska Lamprecht and Hajoe Moderegger; their work is guided by understanding the circumstances and possibilities of specific places and by proposing and executing site-specific solutions. They have worked in skyscrapers, public parks, the internet and the desert; projects have been exhibited at P.S.1 and Momenta Art (New York City), the Soap Factory (Minneapolis), Grizedale Arts (England), MUMOK (Vienna) and the Museo Nacional Centro de Arte Reina Sofia (Spain). eteam received a Finishing Funds 2006 award from the Experimental Television Center; website http://www.meineigenheim.org.

  5. Ethics and Copyright Preservation

    Addresses copyright, fair use and ethical obligations for video collections, emphasizing verification of legal authority for tapes via acquisition history, documentation and releases or clearances and clarifying rights to duplicate or exhibit works. Lists volunteer legal services in Manhattan (New York State Volunteer Lawyers for the Arts) and Philadelphia (Philadelphia Volunteer Lawyers for the Arts, founded 1978), notes the U.S. Copyright Act of 1976 is available as a downloadable PDF, and cites Library of Congress circulars, Stanford Conservation OnLine and Stanford University Libraries materials, Journal of Electronic Publishing (1997, 1999), and the AIC and SAA Codes of Ethics.

  6. Eugenia Lim People

    Eugenia is a video artist who explores issues of identity, race and culture; she VJs regularly with the Outpost (an affiliate of Share NY) and Uberlingua collectives. She is a founding member of Tape Projects, an artist-run-initiative that champions experimental audio-visual art in Melbourne, Australia.

  7. Eunjung Hwang People

    Eunjung Hwang, born in Seoul, South Korea, lives and works in New York; she received an MFA in Computer Arts at the School of Visual Arts, New York, and produces animations and new media works shown internationally. Selected solo exhibitions include Eunjung Hwang at LA Center for Digital Arts (2008) and Creature Feature at Sungkok Art Museum, Seoul (2007); selected group exhibitions include Analog Animation at the Drawing Center, New York (2006), Rencontres Internationales Paris/Berlin (2006) and International Media Award for Science and Art at ZKM, Germany (2005). She received the New York State Council on Arts Grant (2006) and the principal prize of the 50th International Short Film Festival Oberhausen (2004); she held resident fellowships at Akademie Schloss Solitude, Germany (2008-09) and Eyebeam, New York (2003).

  8. Evan Meaney People

    Evan Meaney was born in Whitestone, New York in the 1980's and raised in the Hudson Valley; he has worked with film and video for the better part of a decade and has interests in post-structuralist media theory, break dancing and the poetry of hexadecimal code. He graduated Magna Cum Laude from Binghamton University and Ithaca College in Cinema and Photography, holds a graduate fellowship in Cinema and Comparative Literature at the University of Iowa and has received awards such as the Iowa Arts Council Fellowship and the James B. Pendleton Grant; his films and videos have been recognized in the United States; www.evanmeaney.com.

  9. Evan Roth People

    Evan Roth is a media maker focused on technology in popular culture and the urban environment; he received an MFA from Parsons and teaches courses there on visual programming and Geek Graffiti. He is a senior fellow at the Eyebeam OpenLab, an open source creative technology research and development lab for the public domain. He lives in Brooklyn with his girlfriend and cat and lists www.ni9e.com and www.graffitiresearchlab.com; he reports spending his free time violating laws related to copyright and vandalism.

  10. Evangelos Courpas People

    Evangelos Courpas holds an MFA from Alfred University and a BA from Oberlin College; his work has been exhibited at the Schein-Joseph International Museum of Ceramic Art, the College of Fine Arts at Shanghai University, the Fosdick-Nelson Gallery, and Cricket Engine Gallery; he participated in the International Summer Residency Program at the Experimental Television Center.

  11. Eve Heller People

    Eve Heller studied film at SUNY Buffalo's Department of Media Study and at New York University; she received a BA in German Literature from Hunter College in 1987 and an MFA in filmmaking from Bard College in 1993. After graduating she worked as a post-production manager at Film/Video Arts, a non-profit media access center in New York City. Her films have been shown in the U.S. and internationally at venues including the Whitney Museum of American Art, the American Museum of the Moving Image, Anthology Film Archives, Pacific Film Archives, Toronto's Cinematheque Ontario, and the Rotterdam International Film Festival; she currently lives and works in Buffalo, NY.

  12. 1971 Everson Museum Chronology

    Everson Museum, Syracuse, establishes first video department in a major museum, under the direction of James Harithas. Video curators include David Ross and later Richard Simmons

  13. 1972 Everson Museum Chronology

    James Harithas reported that in March 1972 the Everson Museum established what he believed was the first video department; he credited early conversations with Nam June Paik, Frank Gilette and the museum's curator of video arts, David Ross, who began planning six months earlier. Ross developed an exhibition format, a small archive, a community-oriented education program and a plan for the museum's participation in Syracuse cable TV; a donation from the Rosamond Gifford Foundation provided the department's basic hardware; source: catalog for Work from the Experimental Television Center, September 1972.

  14. 1974 Everson Museum Chronology

    Circuit: A Video Invitational, organized by the Everson Museum in Syracuse and curated by David Ross, was a traveling exhibition of videotapes by over sixty-five artists. It traveled to the Henry Gallery, University of Washington, Seattle; Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan; Kˆlnischer Kunstverein, Cologne, West Germany; and Greenville County Museum of Art, Greenville, South Carolina.

  15. 1981 Everson Museum Chronology

    Everson Museum, Syracuse, video department closes

  16. 1972 Everson Museum of Art Chronology

    Nam June Paik and Charlotte Moorman at Everson Museum of Art. January 18 - 23, 1972. Exhibition organized by James Harithas, Director. Technical assistance by Ralph Hocking and the Experimental Television Center. TV Cello, TV Glasses and the Paik Abe Video Synthesizer.

  17. 1972 Everson Museum of Art Chronology

    "Douglas Davis: An Exhibition Inside and Outside the Museum," Everson Museum of Art, Syracuse, with WCNY-TV. An exhibition with live telecast, "Talk Out!"

  18. 1972 Everson Museum of Art Chronology

    "Nam June Paik," Everson Museum of Art, Syracuse; Tapes, installations and performances with Charlotte Moorman

  19. Everson Museum of Art of Syracuse and Onondaga County, November 1976 Bibliography

    Everson Museum of Art of Syracuse and Onondaga County, November 1976. Contents include Collections by Peg Weiss and a list of Exhibitions for the months of November and December. Information, Works and Activities of the Experimental Television Center, November 5 - 28, 1976. Institution/Organizer: Ev…

  20. 1971 Everson Museum, Syracuse Chronology

    First time New York State Council on the Arts (NYSCA) funding award to the Everson Museum, Syracuse. Funding for film.

  21. Everson Video 1975 Groups

    Everson Video 1975 Institution/Organizer: Everson Museum of Art Site: Everson Museum of Art; Museum of Contemporary Art, Chicago; University Art Gallery, Berkeley; Museum of Contemporary Art, LaJolla Curator(s): Simmons,Richard AB - Preface. Catalog edited by Judson Rosebush. Works by Ant Farm, CAST…

  22. 1976 Everson Video 1975 Chronology

    Everson Video 1975. Judson Rosebush, catalog editor. Included Ant Farm; Community Video/CAST; David Cort; Dance Media; Dimitri Devyatkin; Electron Movers; Dieter Froese; Beryl Korot; Shigeko Kubota; Andy Mann; Paul Ott and Fred Kessler; Peter Van Riper; Bill Viola.

  23. Everson Video 75 Groups

    The Everson Museum of Art established a video department in March 1972 with funding from the New York State Council on the Arts; James Harithas was Museum Director and David Ross served as the first video curator, followed by Richard Simmons as Curator in 1975, and the Department closed in 1981. The Department developed exhibitions, a small archive, community education programs and plans for cable TV participation; a donation from the Rosamond Gifford Foundation provided hardware and Synapse supplied post-production equipment. The archive grew to more than 200 tapes; restoration and cataloging efforts resumed under Director Sandra Trop in 1995 with Syracuse University assistance, and restored tapes were shown in 1998 during the Video History: Making Connections conference.

  24. 1975 Everson Video 75. Chronology

    Everson Video 75 is a video program curated for the Everson Museum of Art by Richard Simmons; the catalog was edited by Judson Rosebush. The program includes works by Ant Farm, CAST, David Cort, Dance Media, Dimitri Devyatkin, Dieter Frose, Electron Movers, Beryl Korot, Shigeko Kubota, Andy Mann, Paul Ott and Fred Kessler, Peter Van Riper and Bill Viola.

  25. 1979 Everson Video Revue Chronology

    Everson Video Revue was curated by Richard Simmons for the Everson Museum of Art in 1979–1980; exhibitions were held at the Everson Museum of Art (9/1–9/30/1979 and 2/1–3/2/1980), the Museum of Contemporary Art, Chicago (10/5–11/3/1979), the University Art Gallery, Berkeley (11/10–1/5/1979) and the Museum of Contemporary Art, LaJolla (February–March 1981). The program presented works by video artists and groups including Gregory Battcock, Nam June Paik, Skip Blumberg, John Margolies, Merce Cunningham, Rom DeFanti, Juan Downey, Ed Emshwiller, Kit Fitzgerald and John Sanborn, Pocket Video, Video Repetorie, Bill Viola and Lawrence Weiner.