Bibliography

Feminist Video: Reiterating the Difference Bibliography

Review of two 1984–85 exhibitions of feminist video: Revising Romance: New Feminist Video, organized and distributed by the American Federation of Arts and curated by Linda Podheiser and Bob Riley (ICA Boston, Sept 1–Dec 31, 1984; touring to Ohio State, Portland, and Cornell in 1985), and Difference: On Representation and Sexuality, videotapes curated by Jane Weinstock (New Museum, Dec 8, 1984–Feb 10, 1985; Renaissance Society and ICA London in 1985). The essay surveys numerous videotapes and artists (Condit, Yonemoto, Broughel, Antin, Godard, Birnbaum, Almy, Roster, among others), notes formats including super-8, three-channel black-and-white and television-produced half-hour tapes, and critiques curatorial emphases on Lacanian film theory and program balance while highlighting several standout works.

Fernseh GMBH Portable TV-Transmission Equipment KS9D Bibliography

Fernseh GMBH Portable TV-Transmission Equipment KS9D. Includes Schematics, technical data, and operating instructions. Contents: Radio-Camera Channel, Transmitting Part, Sync Receiver, Battery Charger, Circuit Diagrams, Parts List.

Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C Bibliography

Fernseh GMBH TV-Radio Camera Channel (Receiving Part) KE9C in 4 hole binder. Illustrated with photographs, schematics. Includes TV-Radio Camera Channel (Receiving Part), TV-Support of Plug-In Unit, Receiving Amplifier, Sync Transmitter, Synchrosender, Separator and Remote Control, TV-Sync Shaper, Sy…

Fernseh GMBH Vidicon Portable TV Broadcast System (2 copies) Bibliography

Fernseh GMBH Vidicon Portable TV Broadcast System Product Sales Sheet with photograph of Mike Wallace operating unit. Includes Special Features, System Block Diagram, photos of Camera and Back Pack, photo of system components. Distributed by Schuco (Schueler and Company) New York and Hamburg. Sales …

Festival Issue Bibliography

1983 American Film Festival issue. Texts by Deirdre Boyle, Roger Armbrust, James Limbacher, Daniel Bickley, Angie LeClercq, Marita Sturken, Gordon Hitchens.

Festival of Alternatives in the Arts Bibliography

Festival of Alternatives in the Arts. Catalog paragraphs include "What are Alternatives in the Arts?," "Why Explore Alternatives in the Arts? A Teacher's View," "Why Explore Alternatives in the Arts? A Student's View," "Alternatives of the Past: Special Pre-Festival Event. Isben's Ghosts," Charles A…

Film and Electronic Media Program. Working Draft- Not for Reproduction Bibliography

Film and Electronic Media Program. Working Draft- Not for Reproduction. This texual draft includes an introduction followed by these paragraphs: Multi Year Support, Institutional Support, Project Support, Distribution, Exhibition, Facilities, Information Services, Preservation of Film, Video Tape, a…

Film and Video: Takahiko Iimura Bibliography

Film and Video: Takahiko Iimura. Contents: The Films of Takahiko Iimura by Scott MacDonald, On "Reflected Cinema" (A Note on the Program) by Takahiko Iiumura, Film Installations, by Takahiko Iiumura, From "Time Piece"- Film score on Japanese manuscript paper by Takahiko Iiumura, Dubbing Session by T…

Film Art: An Introduction Bibliography

Film Art: An Introduction. This book's contents are divided into the following parts: One: Film Production, Two: Film Form, Three: Film Style, Four: Critical Analysis of Films, and Five: Film History. Furthermore, theses parts are subdivided into the following chapters: 1. The Work of Film Productio…

Film as a Subversive Art Bibliography

Film as Art Bibliography

Film as Film: Understanding and Judging Movies Bibliography

Film as Film: Understanding and Judging Movies. Contents follow: Preface, The Sins of the Pioneers, Minority Reports, Technology and Technique, Form and Discipline, The World and Its Image, 'How' Is 'What,' Participants Observers, Direction and Authorship, The Limits of Criticism, and Index.

Film Culture Reader Bibliography

Film Form and The Film Sense: Essays in Film Theory Bibliography

Film Form and The Film Sense: Essays in Film Theory. Two complete and unabridged works by Sergei Eisenstein. Edited and translated by Jay Leyda. Contents follow: Editor's Note, Foreword by Sergei Eisenstein, Introduction, Through Theater to Cinema, The Unexpected, The Cinematographic Principle and t…

Film History: Theory and Practice Bibliography

Film History: Theory and Practice. Contents follow: Preface, Part One: Reading, Researching, and Writing Film History (subsections: Film History as History, Researching Film History, and Reading Film History), Part Two: Traditional Approaches to Film History (subsections: Aesthetic Film History, Tec…

Film Is Bibliography

Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report Bibliography

Film Program Bibliography

Listing of current exhibitions, including 1981 and 1983 Whitney Biennials (1983 video exhibition: Barbara Buckner, Gary Hill, Bill Viola, Shalom Gorewitz. Rental and Sales information

Film Technique Bibliography

Film Technique. Five Essays and Two Addresses by V. I. Pudovkin. Translated and Annotated by Ivor Montagu, enlarged edition. Contents break down into the following parts: I. The Film Scenario and Its Theory including Foreword, Part I. The Scenario, and Part II. The Plastic Material, II. Film Directo…

Film: An Introduction Bibliography

Film: An Introduction. Contents follow: Introduction, Part I. Understanding Film, Part II. Film Elements, Part III. How Films are Made, Part IV. Film Theory and Criticism, Part V. Film and the Future, Appendix A: A Selected List of American Film Reference Publications, Appendix B: A Selected List of…

Film: Real to Reel Bibliography

Film: Real to Reel. Contents follow: The Shot, Motion, Editing, Rhythm, Light, Color, Sound, The Director, Genre, Documentary, Animation, Now-Film, Filmmaking, and Glossary: Film Terms.

Film/Culture: Explorations of Cinema in its Social Context Bibliography

Film/Video Arts Groups

Film/Video Arts began in 1968 when educators Rodger Larson and Lynne Hofer with filmmaker Jaime Barrios introduced 16mm equipment to Latino youth; it incorporated as the Young Filmakers Foundation and expanded after a major 1970 grant. In 1971 it opened the Media Equipment Resource Center (MERC) in a West 53rd Street basement to provide free production and postproduction services; it consolidated activities at 4 Rivington Street in 1973 and shifted focus to adults by 1978. Its founder's mission to make media tools and skills available remains its guiding force.

Films That Tell Time: A Ken Jacobs Retrospective Bibliography

Films That Tell Time: A Ken Jacobs Retrospective. Contents follow: Introduction by David Schwartz, Films that Tell Time: The Paradoxes of the Cinema of Ken Jacobs by Tom Gunning, Is Tom Gunning for me? by Ken Jacobs, Program Notes by Ken Jacobs, Interview with Ken Jacobs, Poetry, Fiction and other W…

Final Report to the National Endowment of the Arts Tools

Final Project Report to the National Endowment of the Arts concerning control structures for digital computers used in art-making; the report contrasts analog and digital approaches and proposes rich non-linguistic inputs and the simulation of analog systems within digital computing. The project team recorded roughly eight years of preliminary use of slide potentiometers, dials, joysticks and data tablets, diagnosed limited human-computer degrees of freedom, and set goals to create dynamic, flexible, user-programmable multidimensional controls with constructive feedback that are easy to construct, documentable for moderate electronic skills and affordable. The work produced four device categories: pressure-sensitive keyboards, sensing clothing, force-feedback dials and time-based computer variables.