Bibliography

Center for Media Study at University of Buffalo: Activities (1977, 1986, 1998) Groups

Chronology and program notes documenting activities around the Center for Media Study (CMS) at the State University of New York at Buffalo and the nonprofit Media Study/Buffalo, with citations to Pamela Susan Hawkins (1998), Marguerite W. Knowles (1996) and John Minkowsky (1977). Dr. Gerald O'Grady founded and directed CMS in 1972 and led initiatives including an Oral History of the Independent American Cinema and multiple conferences and summer institutes; CMS offered undergraduate and graduate coursework and degrees in media-making, history/theory and social effects of media, maintained extensive film and video facilities, and recorded over five hundred hours of filmmaker interviews. The record lists programs, dates, speakers, faculty, facilities, and funding sources from the 1970s through the 1990s.

Center Lets People Use TV For Themselves Bibliography

Central NY Programmers Group: Histories (1998, 2000) Groups

The Central New York Programmers Group is an alliance of upstate college and media center programmers in Central and Western New York; the group has met since 1986 and was formed in the late 1980s to plan tours of video and filmmakers and to develop circuits for independent film and videomakers. CNYPG is sponsored by Cornell Cinema and the New York State Council on the Arts; John Knecht (Colgate) conceived the program, John Efroymson became coordinator in January 1988 with an office at Ithaca College, coordinators have included Bob Harris, Mary Fessenden, Jane Greenberg, Graham Leggat, Rii Kanzaki and Ann Curran, and three to four tours are co-ordinated each year with guests including Craig Baldwin (2000), Ulrike Koch (1999), Sadie Bening (1998), Kirby Dick (1998) and Alan Berliner (1997).

CEPA Gallery Winter 1992-1993 Bibliography

Essays by Mona Jimenez, Joe Scheer concerning use of electronic tools in art; interview with Nathan Lyons

CEPA Gallery: Description (1997) Groups

Pamela Susan Hawkins, 1997; description of the Center for Exploratory and Perceptual Art (CEPA), founded in 1974, as a research and education center for photo-related art and new photographic technologies, with exhibitions, lectures, a video/computer imaging facility, film programming, residencies and grants. CEPA's scope is international and includes support for artists in Western New York and the Tuscarora and Seneca Nations; funding is cited from National Endowment for the Arts, New York State Council on the Arts, City of Buffalo, County of Erie, Campos Photography Center and CEPA members.

Challenge for Change at NYU: Conference Papers Bibliography

November 21-23, 1971. Experimental Television Center, Binghamton; St. John Fisher College, Rochester;

Changing channels: media arts in the '90s Bibliography

Changing channels: media arts in the '90s

Changing License Bibliography

Changing License

Changing License Bibliography

KurtzChangingLic_545.pdf Text by Bruce Kurtz. Oneonta, NY

Chapter 6: Pauline Oliveros, Born Houston, Texas, 1932 Bibliography

Chapter 6: Pauline Oliveros, Born Houston, Texas, 1932. Chapter includes biographical information as well as B&W photographs of Pauline Oliveros. The majority of this photocopied text includes an interview with the artist.

Chautauqua Cattaraugus Library System: Descriptions (1977, 1998) Groups

Jean Haynes developed the Chautauqua-Cattaraugus Library System's 3/4" U-Matic video collection after moving to Jamestown in October 1966; it was supported by the Library Services and Construction Act and NYSCA funded a circulating collection in 1984. Haynes and Survival Arts Media (Howard Gutstadt and Mollie Hughes) introduced portapak works, ran workshops and provided postproduction assistance using 8650 editing decks while co-producing the Artists and Craftsmen Anthology and a visiting-artist series. VHS supplanted U-matic and Hallwalls acquired most tapes in the early 1990s; Haynes published a 1989 Sampler.

Chimaera Monographie Irit Batsry: Traces of a Passage Bibliography

French and English; texts by Pierre Bongiovanni; Marc Mercier; Laurence Kardish; Stuart Jones; Friedemann Malsch; Uri Lipschitz; Irit Batsry

Chris Burden Bibliography

Chris Petit and Iain Sinclair Asylum Bibliography

Chris Petit and Iain Sinclair's Asylum is a television film about exile, memory and madness; it is their third collaboration and is subtitled The Final Commission. Darke describes multilayered production—re-filmed digital video, super-8mm, Dave McKean graphics and Bruce Gilbert sound-design—and summarizes a Year Zero+14 narrative in which Kaporal and Agent Matthews investigate fragments of The Perimeter Fence and seek cultural figures such as Michael Moorcock. The film screened at the Walter Reade Theater's New York Video Festival, July 21–27, 2000; Darke's Light Readings was due from Wallflower Press in October 2000.

Christiane Robbins interviewed by Tara McPherson Interview

Christiane Robbins interviewed by Tara McPherson Interview for REBOOT v.2. Permission to reprint by author. Tara McPherson, is Chair, Department of Critical Studies, School Of Cinematic Arts, University of Southern California.

Cinema 16: Documents Toward a History of the Film Society Bibliography

Cinema and Language. American Film Institute Monograph Series, vol. 1 Bibliography

Cinema and Technology Bibliography

Cinema Department - Rebels with a Cause Bibliography

A description of Hollywood director Nick Ray (taught in the Cinema Department at Binghamton University 1971-73) and his creation with his film students of We Can't Go Home Again. The film was screened at University-Wide Film Symposium held at Binghamton University April 29 and 30, 1972.

Cinema Verite in America: Studies in Uncontrolled Documentary Bibliography

Cinematography: A Guide for Film Makers and Film Teachers Bibliography

Cinematography: A Guide for Film Makers and Film Teachers. Contents follow: Preface, Cameras, Films and Sensitometry, Filters and Light, Lighting, Picture Quality Control, Sound Recording, Cutting and Lab Work, The Basics of Optical Printing, Infrared and Underwater Cinematography, Production, Film …

Circle 8: International Forum of Super-8 Catalog Bibliography

Painter-turned-filmmaker adopted a Sony CV open-reel video camera in the late 1960s while teaching in The Bronx and funded the purchase with a bank loan; he produced experimental videotapes including CRIPPLE and KELSEY (screened at the First Documentary Festival of Global Village) and ran a Video Journal from 1971 to 1975. After returning from Europe he bought S-8 sound equipment, produced films including RUNNER (1981), learned double-system sound editing at Lindo's in Brooklyn, composed synthesized soundtracks and offered S-8 post-production in New York to clients from New England and Latin America.

Circles of Confusion: Film, Photography, Video, Texts 1968-1980 Bibliography

Forward by Annette Michelson. Frampton taught at Center for Media Study at the University of Buffalo.

Circuit Bending & Living Instruments: The Trigon Incantor Bibliography

Circuit Bending & Living Instruments: The Trigon Incantor

circuits@nys: Governor's Conference on Arts and Technology Bibliography

circuits@nys: Governor's Conference on Arts and Technology heeld at the Palisades Executive Conference Center, March 27 - 29, 1998. Conference guide. Welcome: Conference introduction, Pre-conference activities, Acknowledgements, Project Staff. Conference Schedule. Art at the Conference: Friday Perfo…